James Griffith Screenwriter (4 results)

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      Published by Eve Productions, N.p., 1964

      • Photo

      Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

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      Association member: ABAAILAB

      Condition: Used

      US$ 75.00

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      Vintage studio still photograph from the 1964 sexploitation film. The first of Russ Meyer's "noir" cycle (1964-1965), sexploitation films shot in black-and-white, featuring powerful psycho-sexual female characters, male impotence, and a serious dramatic plot, involving less of the "nudie" filmmaking style so prominent in the dir

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      Published by Miller-Consolidated Pictures, Hollywood, 1959

      • Softcover
      • Manuscript / Paper Collectible

      Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

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      Condition: Used

      US$ 875.00

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      Draft script for the 1960 film, seen here under the working title "The Invisible Intruder." Annotations in manuscript pencil on the front wrapper, noting filming dates and location, and the film's release title. With a cast list and 14-page shooting schedule bound in before the script, and a secondary 14-page shooting schedule l

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      Published by Art Theatre Guild / Eve Productions, California, 1964

      • Manuscript / Paper Collectible

      Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

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      Condition: Used

      US$ 275.00

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      Original black-and-white program for the 1964 film, printed for the Art Theatre Guild. The Art Theatre Guild (ATG) began in 1961 as an independent agency distributing films (mostly Japanese) rejected by major studios. The company operated until the 1980s, with theaters in Arizona, California, Colorado, Illinois, Kentucky, Massac

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      Published by Eve Productions, California, 1965

      • Manuscript / Paper Collectible

      Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

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      Association member: ABAAILAB

      Condition: Used

      US$ 375.00

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      Vintage pressbook for the 1965 film. The final film in Russ Meyer's "noir" cycle (1964-1965), or "Gothic" period, as Meyer puts it, a series of sexploitation films shot in black and white, with powerful and vengeful female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so p