James Griffith Screenwriter (3 results)
More imagesThe Amazing Transparent Man [The Invisible Intruder] (Original screenplay for the 1960 film)
Edgar G. Ulmer (director); Marguerite Chapman, Douglas Kennedy, Ivan Triesault, James Griffith (starring); Jack Lewis (screenwriter)
Published by Miller-Consolidated Pictures, Hollywood 1959
- Softcover
- Manuscript
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contact seller5-star sellerDraft script for the 1960 film, seen here under the working title "The Invisible Intruder." Annotations in manuscript pencil on the front wrapper, noting filming dates and location, and the film's release title. With a cast list and 14-page shooting schedule bound in before the script, and a secondary 14-page shooting schedule l…aid in. A crazed former Army major forces a scientist to perfect an invisibility machine, with the eventual aim of taking over the world using invisible soldiers. The final feature film appearance of Marguerite Chapman, and one of two science fiction films shot back-to-back in Dallas by legendary Poverty Row director Edgar G. Ulmer (the other being "Behind the Time Barrier," also released in 1960). Pink titled wrappers, dated March 25, 1959. Title page present, dated March 24, 1959, noted as production No. 592, with credits for Ulmer and screenwriter Jack Lewis. 105 leaves, with last page of text numbered 104. Mimeograph duplication, rectos only. Pages Near Fine, wrapper about Near Fine, bound with two gold brads.

Russ Meyer's Lorna [Lorna] (Original program from the 1964 film)
Russ Meyer (director, story); James Griffith (screenwriter); Lorna Maitland, Mark Bradley, James Rucker, Hal Hopper (starring)
Published by Art Theatre Guild / Eve Productions, California 1964
- Manuscript
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contact seller5-star sellerOriginal black-and-white program for the 1964 film, printed for the Art Theatre Guild. The Art Theatre Guild (ATG) began in 1961 as an independent agency distributing films (mostly Japanese) rejected by major studios. The company operated until the 1980s, with theaters in Arizona, California, Colorado, Illinois, Kentucky, Massac…husetts, Missouri, New Mexico, Ohio, and Tennessee. The first of Meyer's "noir" cycle (1964-1965), or "Gothic" period as Meyer puts it, a series of sexploitation films shot in black-and-white, powerful psycho-sexual female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" (1965), "Motorpsycho!" (1965), and the epic and legendary, "Faster, Pussycat! Kill! Kill! " (1965). "Fanny Hill" (1964) snuck in right after "Lorna," although that film is generally left out of the "Gothic" period. "Lorna" was written by James Griffith, who stars as the Preacher narrator of the film, and stars Lorna Maitland as a voluptuous, sexually unfulfilled newlywed. Her husband, Jim (Rucker), works in a salt mine all day and studies all night, giving Lorna too much time to herself. One day, while Lorna skinny-dips in a nearby river, an escaped convict (Bradley) rapes her in the reeds. The vile act could otherwise have been exploited, perhaps comically, by Meyer, but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone, prompting Jim's coworkers (among them the underrated Hal Hopper) to tease him about Lorna's infidelity. Things take a bitter, fatal turn when Jim returns home to discover Lorna and her object of desire. 5.5 x 8.5 inches, folded once as issued. Two horizontal creases and faint foxing, else Near Fine.

Motorpsycho! (Original pressbook for the 1965 film)
Russ Meyer (director, screenwriter); James Griffith, Hal Hopper (screenwriters); Haji, Alex Rocco, Steve Oliver, Holie K. Winters (starring)
Published by Eve Productions, California 1965
- Manuscript
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contact seller5-star sellerVintage pressbook for the 1965 film. The final film in Russ Meyer's "noir" cycle (1964-1965), or "Gothic" period, as Meyer puts it, a series of sexploitation films shot in black and white, with powerful and vengeful female characters, male impotence, and a serious dramatic plot involving less of the "nudie" filmmaking style so p…rominent in the director's early films. One of the first films to discuss post-traumatic stress disorder in a Vietnam War veteran. Six pages, saddle stitched, 11 x 17 inches. Folded once horizontally. Very Good plus overall.