Jane Mcfadden (37 results)

hardcover. Condition: Very Good. Has moderate shelf and/or corner wear. Great used condition. A portion of your purchase of this book will be donated to non-profit organizations.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders. Buchs, Tom (illustrator).…

Condition: New.

Condition: New.

Condition: New.

Softcover. Condition: Very Good. [ART HISTORY]. Ed. Judith F. Rodenbeck. Contributors: Hajime Nakatani, Seth McCormick, Patricia Kelly, Jane McFadden, Elyse Speaks, et al. "Art Journal, Vol. 68, No. 3, Fall 2009." New York: College Art Association, 2009. English language. Softcover magazine with spine. Text with black and white photos. 115 pp. Creasing at bottom of spine. Indentation on bottom right-hand corner of front cover. Text clean. Very Good. No ISBN. No ASIN. ISSN: 0004-3249."The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".…

Hardback. Condition: Very Good. The Series: The Inventory is a listing by series of works in the order in which they appeared. One series followed another at approximately two year intervals, in an idiosyncratic order, building a project of examining the methods and materials of Western Painting in the form of works of art. In 1972, in order to start at the beginning, I covered a vertical sheet of drawing paper with vertical pencil marks starting from the top left and ending at the bottom right each drawing developing in a slightly different way leading to unexpected patterns within the same procedure. I turned to paint, acrylic at first presenting a palette of seventeen colors on seventeen canvases, then oil in An Extended Gray Scale, 106 canvases graduated from white to black. About this time I was lent Max Doerner's book, The materials of the Artist and their Use in Painting, that led me to experiment. I bought every color in powdered pigment that I could find then used a glass muller to grind them one by one into linseed oil making my own paint. Each color was painted on a prepared canvas stretched on a ready-made wooden stretcher, each element referring to Painting. Wall Painting came next, then grayed colors, the color of the most beautiful black, and the color of skin in European painting each displaying some technique such as egg tempera, encaustic, watercolor, glaze or scumble. About Hanging: I do not make paintings so much as I make installations. Each series has its inherent way of hanging though it is difficult to make firm rules. In each case -- with one work or many -- I look for the way the painting(s) will join with the wall to unite the space. Every location is different, high ceiling or low, long or short walls, with different windows, light sources, doors or obstructions. I use a center height running through the works in one space, one that will be not too high for viewing and with approximately the same distance, where possible, between ceiling and floor. Titles: Every piece in The Inventory is related to every other. Titles include the series, the name, the size and often the date and place of making, as in The Inventory: Mass Tone Painting: Viridian, o/c, 72 x 68, New York, 1974.…

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Hardback. Condition: Very Good. The Series: The Inventory is a listing by series of works in the order in which they appeared. One series followed another at approximately two year intervals, in an idiosyncratic order, building a project of examining the methods and materials of Western Painting in the form of works of art. In 1972, in order to start at the beginning, I covered a vertical sheet of drawing paper with vertical pencil marks starting from the top left and ending at the bottom right each drawing developing in a slightly different way leading to unexpected patterns within the same procedure. I turned to paint, acrylic at first presenting a palette of seventeen colors on seventeen canvases, then oil in An Extended Gray Scale, 106 canvases graduated from white to black. About this time I was lent Max Doerner's book, The materials of the Artist and their Use in Painting, that led me to experiment. I bought every color in powdered pigment that I could find then used a glass muller to grind them one by one into linseed oil making my own paint. Each color was painted on a prepared canvas stretched on a ready-made wooden stretcher, each element referring to Painting. Wall Painting came next, then grayed colors, the color of the most beautiful black, and the color of skin in European painting each displaying some technique such as egg tempera, encaustic, watercolor, glaze or scumble. About Hanging: I do not make paintings so much as I make installations. Each series has its inherent way of hanging though it is difficult to make firm rules. In each case -- with one work or many -- I look for the way the painting(s) will join with the wall to unite the space. Every location is different, high ceiling or low, long or short walls, with different windows, light sources, doors or obstructions. I use a center height running through the works in one space, one that will be not too high for viewing and with approximately the same distance, where possible, between ceiling and floor. Titles: Every piece in The Inventory is related to every other. Titles include the series, the name, the size and often the date and place of making, as in The Inventory: Mass Tone Painting: Viridian, o/c, 72 x 68, New York, 1974.…

Paperback. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: New. In English.

Softcover. Condition: Very Good. No Dust Jacket. Second Edition. Size: Octavo (standard book size). 298 pages. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Education; ISBN: 0729536149. ISBN/EAN: 9780729536141. Dewey Code: 373.94. All our pictures shown here are of the actual item, not stock photos. Inventory No: RB17237. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right. …

Hardcover. golden road cloth boards w/ blind-stamped printing. 235 pgs w/ color illustrations. through. white illustrated dustjacket w/ red printing; protective plastic cover. Illustrated throughout. VG/VG (ex-gallery copy w/ blue stamp to colophone pg; no other markings evident. scratches & rubbing to front cloth. spine top bumped & creased w/ rubbing to edges. dustjacket scuffed & scratched; scoring, rubbing to lower spine edge; protective plastic scuffed).…

Hardcover. flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Photo is of a previous copy; copy is not sealed in publisher's wrap. "Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09.-12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat. VG-/VG- (may have bump w/ small divet to spine top; may have bump & bruise to tail. may have light indentations to edges; corners bumped. remains tightly bound. dustjacket scuffed, & scratched; may have creasing to spine ends; scattered scoring.…

Hardcover. Condition: In shrinkwrap. Flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09.-12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat.…

Hardcover without dustjacket as issued, 176 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: New. Bringing together important experimental works and ephemera, this volume documents a watershed moment in James Welling's photographic career. A seminal figure in the 'Pictures Generation'--a group of artists working in 1980s New York--James Welling is best known for his pioneering use of photography and for engaging questions about art and the nature of representation. This book focuses on a particularly fecund period in Welling's life, charting the works, influences, and shifting ideas he has been pursuing ever since. Chronologically arranged, it features works from the 1970s and 1980s interspersed with never-before-published watercolors, collages, notes, production stills, music, and other ephemera that provide insights into the working process of one of America's most innovative and significant photographers. Bringing together important experimental works and ephemera, this volume documents a watershed moment in James Welling's photographic career. This book focuses on a particularly fecund period in Welling's life, charting the works, influences, and shifting ideas he has been pursuing ever since. Chronologically arranged, it features works from the 1970s and 1980s interspersed with never-before-published watercolors, collages, notes, production stills, music, and other ephemera that provide insights into the working process of one of America's most innovative and significant photographers.…

Condition: New. Dust Jacket Condition: New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo.

Soft cover. Condition: Very Good. Book is in very good condition. 224pp with colour photographs.

Softcover, 222 pages, very good condition; small crimp at top of spine; no internal marks. Foreign shipping may be extra.

1965. (4to, wrappers) Very good plus. Vol.1, no.1 (Spring, 1965). Souster, Thibaudeau, Gutteridge, et al, and early McFadden.

Condition: New. Brand New.

hardcover. Condition: fine. near fine. Illustrated in color and in black and white. 286 pages. 4to, white cloth with orange lettering, d.w. (lightly dust soiled). California: Laguna Art Museum, (2015). Fine in a near fine dust wrapper. HAFIF, Marcia (illustrator).

Hardcover without dustjacket as issued, 176 pages, very good condition; light rubbing to covers; signed by James Welling on first blank page in black pen; no other internal marks. Foreign shipping may be extra.

Paperback. Condition: new. New Copy. Customer Service Guaranteed. Illustrated (illustrator).

Hardcover. Condition: Good. Original white cloth, dust jacket, numerous (double page) illustrations (including photographs) mostly in colour, text in German, 4to.

Hardcover. Condition: Brand New. 236 pages. 11.25x9.00x1.25 inches. In Stock.

Condition: New. Num Pages: 224 pages, 78 illustrations, 30 in colour. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 182 x 227 x 23. Weight in Grams: 790. . 2016. Hardcover. . . . .

Hardcover. Condition: Brand New. 235 pages. 9.00x7.00x1.00 inches. In Stock.