Jean Audran (124 results)

dvd. Condition: Used - Good.

Loose Leaf. Condition: New. Reproduction. Original title: Luke's Day Memorial, 1720 German: Gedächtnismahl des Lukas, 1720 French: Mémorial du jour de Luke, 1720 Spanish: Luke's Day Memorial, 1720 High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1720). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Standing man on board, dressed in justaucorps German: Stehender Mann an Bord, gekleidet in Justaucorps French: Homme debout à bord, habillé en justaucorps Spanish: Hombre de pie a bordo, vestido con justiciacorps High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1728). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Standing man in landscape German: Stehender Mensch in der Landschaft French: L'homme debout dans le paysage Spanish: El hombre de pie en el paisaje High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1728). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Pan by love Teaching German: Pan von Liebe Lehre French: Pan par amour Enseignement Spanish: Pan por amor Enseñanza High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1677). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: German: Der Präsident French: , Spanish: - No, no. High-quality fine-art reproduction based on an original work from the Fng. Creation period: unknown century (1708). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. None. No.

Loose Leaf. Condition: New. Reproduction. Original title: German: Der Präsident French: , Spanish: - No, no. High-quality fine-art reproduction based on an original work from the Fng. Creation period: unknown century (1710). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. None. No.

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Pietro Ottoboni German: Porträt von Pietro Ottoboni French: Portrait de Pietro Ottoboni Spanish: Retrato de Pietro Ottoboni High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1677). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

No Binding. Condition: Very Good. Size: Print image 333 x 435 mm, full sheet 45 x 59.5 cm. Condition: Very good condition, laid to card, some old tears to margins only and slight water stain bottom right. This print is from a copper engraving made in 1710 by Jean Audran from a drawing by Jean Marc Nattier, which was itself based upon a portrait of Rubens painted by Anthony van Dyck. The print was published as a plate in La Galerie du Palais du Luxembourg, peinte part Rubens, dessinée par le Sr. Nattier, Paris. 1710. Van Dyck (1599-1641) joined the Antwerp studio of the renowned painter Rubens when he was just 19, but already a Master of the Antwerp Guild. I have not discovered when this portrait was made, to what extent Nattier embellished it, or whether it still exists. I am also not sure what the date of this particular impression is but it is certainly antique, unlikely to be later than c1800.

Un volume in-8°, broché, planches hors-texte.

Condition: New. In.

Taschenbuch. Condition: Neu. Anther and Pollen | From Biology to Biotechnology | Christophe Clement (u. a.) | Taschenbuch | ix | Englisch | 2011 | Springer | EAN 9783642642098 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Préface de Jean Leclant. Avant-propos de Salah El-Naggar. Introduction de Marcel Boiteux. Textes en français, anglais et arabe. [3828].

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Pollen, the plant structure most widely used by humans, is a key structure in plant reproduction giving rise to fruits and seeds. Moreover, the biotechnological use of pollen is of great importance for plant breeders since it allows to obtain varieties with better utilization and yield. In the first part, the successive steps of pollen development in the anther from floral induction to pollen germination and fertilization are thoroughly examined; the second part is devoted to pollen behaviour in vitro.

Eight vintage black-and-white still photographs from the US release of the 1970 French-Italian-German film. Title layovers affixed to the rectos over the original titles. Based on a novel by French writer Francis Ryck (aka Yves Delville), about a woman who kills her husband under the suspicion of infidelity, when in reality, the man was a secret agent. 8 x 10 inches. Light creases to the extremities, else Near Fine.

Original Kupferstich-Portrait aus dem 17. Jahrhundert. -- Plattenformat: ca.31x18 cm. -- mit hinterlegtem Randeinriss - sonst gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

PARIS, Gringoire [20, Avenue Rapp /// Imprimerie du Petit Journal, 59-61, rue Lafayette] - 1931-1932 - ENSEMBLE DE 51 NUMÉROS (sur 52) de la 5e année - Journal [59x43 cm] de 12 pages; iconographie en noir, dessins de Bogislas, Roger Roy, Tigre, Bib, Poulbot, .; texte sur 6 colonnes. (Collection Gringoire, Le grand Hebdomadaire parisien, politique et littéraire - 5e Années - Hebdomadaire - du N° 157 à 195, 197 à 208 - du Vendredi 6 Novembre 1931 au Vendredi 29 Juillet 1932, du Vendredi 12 Août au Vendredi 28 Octobre 1932 - Directeur: H. de Carbuccia - Le Gérant: Damour). Pliure horizontale. Manque le numéro 196. Numéro 207 (21 Octobre 1932) très abîmé: manque la moitié du numéro. L'ENSEMBLE DES 51 NUMÉROS (sur 52) DE LA 5e ANNÉE en bon état général. Journal créé par Horace de Carbuccia le 9 Novembre 1928. Il paraîtra jusqu'au 26 Mai 1944, 786 numéros. Français Journal.

souple. Condition: Bon. 1 vol. in-4 br., Publication de l'Institut Français d'Archéologie Orientale du Caire, 1977, VII-150 pp. et 41 planches Bon exemplaire (très bon état). Very good copy Langue: Français.

Vintage oversize, borderless reference photograph of Jane Birkin from the 1974 film. With a manuscript notation on the verso identifying the film. A liquor salesman makes up stories to obscure his pathetic life in order to succeed at both business and with women. 9 x 11.25 inches Near Fine.

Hardcover. Condition: Very Good. Undated [pre 1760]. Rare. Folio with leather spine over card covers. Contains 19 large engravings with descriptive text, one per single-sided page. These are numbered 3-21, and bound in random order, being: 5 Admiration with Astonishment; 7 Rapture; 19 Anger; 13 Sadness; 8 Desire; 9 Joy with Tranquillity; 12 Simple Bodily Pain; 15 Compassion; 16 Scorn; 17 Horrour; 18 Terrour or Fright; 21 Despair; 11 Acute Pain; 10 Laughter; 6 Veneration; 14 Weeping; 20 Hatred or Jealousy; 4 Admiration; 3 Attention. In addition is a smaller flysheet bound in showing 4 studies for various expressions. The various contributors to the production are French Painter and Physiognomist Charles Le Brun [1619-1690]; French Engraver and Printmaker Jean Audran [1667-1756]; English Engraver and Printseller John Tinney [1706-1761]. Condition: Fair. The thin leather spine is disintegrating and the top half of the page bindings are missing. However, it is holding together as a bound folio. Mottling to covers. A couple of small, very old, stickers to the front cover, one marked 32. Occasional small pencil markings. Pages tanned with occasional light stains. Some small edge tears, not affecting the images. Size: 17.5 x 12in / 45x30cm. 20 pages. Weight: 700g.

Condition: Good. Small 8vo. 4 x 6.25 inches. 10 x 16 cm. Contemporary tree calf and gilt spine and 5 raised bands. Spine slightly worn, endpapers browned, but rest of book very fresh. A later edition of the Regent edition with the same plates but with more pages: [10], 159, xx pp. 30 plates plus first states before letteringof some of the plates.Cohen-De Ricci,p. 452; OCLC Number: 1137465936. Some of the plates in 2 states, one before lettering. Includes the famous "petits pieds" plate.in-12, Frontispice, 5 ff., 159-(1)-XX pp., 30 gravures .Ouvrage illustré d'un frontispice de Coypel gravé par Audran, 29 figures hors-texte d'après Philippe d'Orléans gravées par Benoît Audran dont 13 doubles montées sur onglets, 1 gravure H.T. non signée attribuée à Caylus (la "gravure des petits pieds"), 7 vignettes en en-tête ou bandeaux non signées attribuées à Cochin et 1 fleuron de titre. Jolie édition excessivement recherchée, le premier tirage de 1718 se limite à 250 exemplaires. Edition dite du Régent, parce que c'est Philippe d'Orléans qui l'a fait exécuter et a fait graver les estampes par Benoît Audran. La figure des "petits pieds", attribuée à Caylus, ne fait pas partie du livre, n'ayant été gravée qu'en 1728, mais on l'y a ajoutée dans beaucoup d'exemplaires. L'édition fut rééditée en 1731 puis en 1745. Après la mort du Régent en 1723, Coypel, détenteur des cuivres, mit en vente des suites d'estampes de Daphnis et Chloé. Deux figures qui ont trait à l'éducation amoureuse de Daphnis par Licoemion furent détruites, ce qui explique pourquoi en 1731 ces suites ne comprenaient plus que 26 estampes au lieu de 28. Cohen 648-652. Edition publiée par Falconet, dans la traduction d'Amyot avec des notes d'Antoine Lancelot. (quelques brunissures dans les marges des planches).

Vintage borderless studio still photograph from the 1972 film, with provenance stamp of film historian "Maurice Bessy" on the verso. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. Winner of the Academy Award for Best Foreign Film, also nominated for Best Screenplay. Set in and shot on location in Paris. 9.5 x 7 inches. One uniformly faded, else Near Fine. Vogel, Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33.

Vintage borderless photograph from the set of the 1977 film. With manuscript annotations on the verso. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings. 7 x 9.5 inches. Near Fine. Criterion Collection 102. Schrader 33.

Five vintage French lobby cards from the 1972 film. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. Winner of the Academy Award for Best Foreign Film, also nominated for Best Screenplay. Set in and shot on location in Paris. 4) 11.5 x 8.25 inches, 1) 11 x 8.75 inches. Very Good plus, two with pinholes at top corners, one with crease on far lower left. Vogel, Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33.

Six vintage French color lobby cards from the 1981 film. Based on the 1964 novel "Pop. 1280" by Jim Thompson, reset from the West Texas oil boom town of the novel to colonized 1938 French West Africa. In a small French West African village, Lucien Cordier (Philippe Noiret) is the only policeman. Abused by his superiors, insulted by local business leaders, fancying the lovely but married Rose (Isabelle Huppert), whose husband beats her in the street), and humiliated by his unfaithful wife (Stephane Audran)-Lucien will soon reach a breaking point. Nominated for an Academy Award for Best Foreign Film. Set in French West Africa, shot on location in Senegal. 10.75 x 8.5 inches. Near Fine. Criterion Collection 106. Grant France.

Condition: Good. Original engraving. 23.5 x 56 cm (sheet). Very Good, sheet trimmed to the platemark, print affixed to another support sheet, light surface soiling.

No binding. Antoine Coypel (illustrator). 'GEN. CHAP. XXX. JACOB DEMANDE RACHEL EN MARIAGE DE LABAN SON PERE, COMME LE SALAIRE DE SES SERVICES.'Biblical scene in which Jacob asks her father Laban to marry Rachel. On the left a goat, on the right a farm and mountain landscape. In the background Leah who is offered for marriage by Laban as well.Made by Jean Audran after Antoine Coypel.Medium: Etching and stipple engraving on hand laid (verge) paper.Sheet size: 35 x 24 cm (13.78 x 9.45 inch). Image size: 35 x 24 cm. (13.78 x 9.45 inch).JACOB, RACHEL, MARRIAGE, COYPEL, AUDRAN, BIBLICAL, GENESIS, LABAN, 18E EEUW, FRENCH ENGRAVING. | PCO-E30-15BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Le Blanc 1854-1890, S. I.100.1.Biography engraver: Jean Audran (1667-1756) was a French engraver, known for his plates after paintings by great masters such as Coypel, Le Brun and Rubens. He worked for the French court, among others.Biography artist: Antoine Coypel (1661-1722) was a French Baroque painter, son of Noel Coypel. He was court painter to Louis XIV and known for his dramatic religious and mythological scenes. Condition: very good, given age. Light foxing, creasing, and soiling. Firmly attached to a carrier sheet with hand drawn linework. Some small tears. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Maße: ca. 36 x 26 cm. -- Seltenes Kupferstich-Portrait aus dem 18. Jh. -- leicht fleckig und gebräunt, sonst gut erhalten. || Copper engraved portrait from the 18th century. Rare. -- slightly stained and browned, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.