Jessemin Aude (4 results)

First Edition. 24 x 16cm. Bi-fold exhibition brochure. Text by Edouard Jaguer in French. Three reproductions of Jessemin's artworks, two in colour. Jessemin was one of the first female Lettrist painters, and was active with the group between 1962 and 1969. Edges a little creased, otherwise good condition. Includes a 1975 flyer for La Galerie Saint-Laurent which also contains a text by Edouard Jaguer in French on the artist Lida Jurkovic.

Couverture souple. Condition: Très bon. Edition originale. Très bon état. Paris. 18 cm x 27 cm. 1972. Broché. 70 pages. Paris Éditions Georges Fall coll. Bibli-Opus 1972. Broché couverture à rabat 18 cm x 27 cm 70 pages photos noir & blanc et couleur in et hors-texte. Textes de Gérard-Philippe Broutin Jean-Paul Curtay Jean-Pierre Gillard François Poyet bibliographie présentation des artistes lettristes: Isidore Isou Gabriel Pomerand Guy Vallot Roberdhay Gil J. Wolman Jean-Louis Brau Maurice Lemaitre Fréderic Studeny Jacques Spacagna Roberto Altmann Roland Sabatier Rosie Vronski Aude Jessemin Micheline Hachette Alain de Latour Gio Minola Viviane Brown Alain Stétié Jacqueline Tarkieltaub François Poyet Jean-Pierre Gillard Michel Jaffrennou Jean-Louis Sarthou Dany Tayarda Jean-Paul Curtay Edouard Berreur Marine Scarnati Jean-Jacques Venturini J.B. Arkitu Françoise Canal Gérard-Philippe Broutin Hossein Zenderoudi Patrick Poulain Sandra Scarnati Myriam Darrell-Spacagna.Très bon état. On joint 4 invitations à des vernissages. Très bon état.

En feuilles, chemise, étui. Condition: Très bon. Jacques GELPE, Shiochi HASEGAWA, Aline GAGNAIRE, Frédéric STUDENY, Jacques GAULME, Maurice LEMAITRE, Roland SABATIER, Micheline HACHETTE, Claude-Pierre QHEMY, Jacques SPACAGNA, Aude JESSEMIN, Alain TREMBLAY, Jac ADAM, Alain de LATOUR (illustrator). Recueil de 14 OEUVRES ORIGINALES, dessins, collages ou technique mixte de Jacques GELPE, Shiochi HASEGAWA, Aline GAGNAIRE, Frédéric STUDENY, Jacques GAULME, Maurice LEMAITRE, Roland SABATIER, Micheline HACHETTE, Claude-Pierre QHEMY, Jacques SPACAGNA, Aude JESSEMIN, Alain TREMBLAY, Jac ADAM, Alain de LATOUR. Chaque ?uvre est justifiée et signée par l'artiste. Tirage à 130 exemplaires numérotés. Un des 30 hors commerce. In-4 en feuilles, sous chemise à rabat et étui de l'éditeur. > Bel exemplaire contenant, inséré, le prospectus illustré de la collection détaillant les 5 numéros parus.

Paris: Editions PSI; E.L.H. 1966. 8vo. Loosely gathered artwork within cream covers, illustrated orange wrappers, in glassine wrapper; ff. [6], two leaves uncut, with six art pieces loosely inserted and each signed by the artists (Altmann, Aude Jessemin, Alain de Latour, Jacques Spacagna, Alain Satie, and Micheline Hachette); fine. Number 17 of a limited, de luxe print run of 20 copies of this collaborative artist's book produced for the Lettrist Exhibition at the Bibliotheque nationale de France in 1966, each artwork signed by the respective artist.Hypergraphy was a foundational method of the Lettrist movement. It aimed to provide a synthesis of writing, visual art, and phonetic notation. By deploying letters and symbols in unconventional configurations, Lettrists sought to push the boundaries of the book, language, and art. On p. [3], Roberto Altmann attempts to transcribe a 'poly-automatic' poem, a radical form of sound poetry developed by Isidore Isou around 1963. Such works were often performed in highly theatrical contexts; in rendering it on the page, Altmann engages directly with a central Lettrist concern: the relationship between the spoken and written word.