John Armstrong Marshall (30 results)

hardcover. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Marshall, John J. (illustrator).

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Marshall, John J. (illustrator).

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Marshall, John J. (illustrator).

255 pages plus Photography Credits, illustrated. Light diagonal crease on rear cover otherwise a clean, unmarked, complete very good paperback book in decorative wrappers (soft cover book).

Condition: New. HSCOTT. 2002. Hardcover. New. . . . . Marshall, John J. (illustrator).

Condition: New. HSCOTT. 2002. Hardcover. New. . . . . Books ship from the US and Ireland. Marshall, John J. (illustrator).

Softcover exhibition catalog missing dustjacket, 214 pages; very good condition except 3-inch crease to bottom right edge of cover and first couple pages; no internal marks.

First Edition. First edition. Softcover. 110 pages. Exhibition catalog for a group show that ran March 21 through June 17, 1984. Foreword by Tom Armstrong. Introduction by Richard Marshall. Essay by Richard Armstrong. Includes biographies and numerous black and white images after works by Brad Davis, Bill Jensen, Elizabeth Murray, Gary Stephan and John Torreano. A near fine copy in wrappers. Profusely Illustrated (illustrator).…

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condition: Good. Cover/ pages are tanned. Ex price sticker on cover. General shelf wear.

Trade Paperback. Condition: Near Fine. Book is in excellent condition with scuffing and light edgewear to uncreased covers and spine. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind. Profusely Illustrated (illustrator).

Softcover exhibition catalog, 256 pages; very good condition; light creases to spine; no internal marks.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: As New. First Paperback Edition. Publisher: WMA/ Norton, New York, 1988. FINE softcover in illustrated wraps, as issued. First Softcover Edition, Printing Unstated. As new. Pristine.

2 vol. : 1 vol. 207 pp. ; 1 vol. 175 pp.; 2 vol. : 30.5 x 21.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with show held November 6, 1999 - March 26, 2000. Essays by Richard Armstrong, Madeleine Grynsztejn, Jonathan Crary, Jean Fisher, Saskia Sassen, Slavoj ?i?ek, and Alyson Baker. Artists include Franz Ackermann, Matthew Barney, Janet Cardiff, John Currin, Hanne Darboven, Thomas Demand, Mark Dion, Willie Doherty, Olafur Eliasson, Kendell Geers, Felix Gonzalez-Torres, Ann Hamilton, José Antonio Hernández-Diez, Pierre Huyghe, Alex Katz, William Kentridge, Bodys Isek Kingelez, Suchan Kinoshita, Martin Kippenberger, Kerry James Marshall, Takashi Murakami, Shirin Neshat, Ernesto Neto, Chris Ofili, Gabriel Orozco, Markéta Othová, Laura Owens, Edward Ruscha, Gregor Schneider, Ann-Sofi Sidén, Roman Signer, Sarah Sze, Sam Taylor-Wood, Nahum Tevet, Diana Thater, Luc Tuymans, Kara Walker, Jeff Wall, Jane & Louise Wilson and Chen Zhen. Includes biographies, bibliographies, contributor biographies, and a checklist of the exhibition. Fine. Due to large size and weight additional shipping charges may be required for international orders. …

Paperback. Condition: As New. Dust Jacket Condition: Very Good. First Paperback Edition. Publisher: Norton/Whitney Museum, New York, 1987.FINE SOFTcover book in NEAR FINE- mylar-protected dust-jacket. First Softcover Edition, Printing unstated. DJ has wear along its uppermost edges.

Paperback. Condition: Very Good. 1st. 355 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. Firm binding, clean inside copy. Corner crease/back cover. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Profusely illustrated. *** An important publication on Minimalist and Post-Minimalist sculpture, accompanied with scholarly essays by notable critics and art historians. Profusely illustrated. *** CONTENTS: Between geometry and gesture, by Richard Armstrong; Postminimalism: an Argentine glance, by Robert Pincus-Witten; Beyond illusion: American film and video art 1965-75, by John G. Hanhardt; New York letter; Eccentric abstraction, by Lucy R. Lippard; The art of Bruce Nauman, by Fidel A. Danieli; New York: Eva Hesse, Fischbach Gallery, by Emily Wasserman; Anti form, by Robert Morris; 9 in a warehouse: an attack on the status of the object, by Max Kozloff; Robert Morris presents anti-form: the Castelli Warehouse Show, by Gre goire Mu ller; Barry Le Va: distributional sculpture, by Jane Livingston; Cayuga Salt mine site, by Robert Smithson; Richard Serra: slow information, by Robert Pincus-Witten; New York: Alan Saret, Bykert Gallery, by Emily Wasserman; Keith Sonnier: materials and pictorialism, by Robert Pincus-Witten. New York: process, Whitney Museum; Theodoron Awards, Guggenheim, by Emily Wasserman; Notes on sculpture, Part 4: beyond objects, by Robert Morris; An interview with Eva Hesse, by Cindy Nemser; The art of Richard Tuttle, by Robert Pincus-Witten; PheNAUMANology, by Marcia Tucker; New York: Richard Serra, Castelli Warehouse, by Philip Leider; Alan Saret's studio exhibition, by Emily Wasserman; New York: Keith Sonnier, Castelli, by Robert Pincus-Witten; Eva Hesse: the circle, by Lucy R. Lippard; Bruce Nauman, by Willoughby Sharp; Keith Sonnier at the Modern, by Kenneth Baker; The real thing, by Barbara Rose; Robert Smithson's development, by Lawrence Alloway; Wire/pencil/shadow: elements of Richard Tuttle, by Ellen Lubell; Reviews: Richard Tuttle at Betty Parsons, by Lizzie Borden; Richard Serra: sculpture redrawn, by Rosalind E. Krauss. Foam structures, by Klaus Kertess; Joel Shapiro: works in progress, by Jeremy Gilbert-Rolfe; Lynda Benglis: the frozen gesture, by Robert Pincus-Witten; Reviews: Lynda Benglis, the Clocktower, by Jeremy Gilbert-Rolfe; Reviews: Joel Shapiro, Paula Cooper Gallery, by James Collins; Barry Le Va: the invisibility of content, by Robert Pincus-Witten; Reviews: Lynda Benglis, by Thomas Hess. Size: 4to. Collectible. …

Condition: excellent. pbk French fold wraps 4to 214pp excellent almost as new.

Condition: Gut. Erstauflage / First edition. Bll. + 356 S. Text, u. mit s/w. u. farbig. Abbildungen der Skulpturen, Installationen u.a. / Cremefarbig.-Papier sauber. Sprache: Englisch Gewicht in Gramm: 1500 4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Minimal nachvergilbt. Gutes Exemplar.

Hardcover. Condition: Brand New. 96 pages. 10.03x7.40x0.63 inches. In Stock. Marshall, John J. (illustrator).

Couverture souple. Condition: Bon. Edition originale. Whitney Museum of American Art in association with WW Norton & Co, 1991. 1991 Biennial Exhibition. Some scuff marks to the covers. Good binding. The prints flow clearly. 391 pages, lavishly illustratrated in both black and white and color. Softcover catalgoue, bound in stiff paper covers. With essays by Richard Marshall, Richard Armstrong, Lisa Phillips, and John G. Hanhardt. C25. …

Condition: Good. 8vo. 391 pp., Trade Paperback, Very Good, covers slightly bowed. Color Plates.

Condition: Good. 8vo. 255 pp., Soft Covers. Good with minor edge wear. Ex Library. Color and B/W Plates and Photographs.

Paperback. Condition: Near Fine. 1st. 355 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Profusely illustrated. *** An important publication on Minimalist and Post-Minimalist sculpture, accompanied with scholarly essays by notable critics and art historians. Profusely illustrated. *** CONTENTS: Between geometry and gesture, by Richard Armstrong; Postminimalism: an Argentine glance, by Robert Pincus-Witten; Beyond illusion: American film and video art 1965-75, by John G. Hanhardt; New York letter; Eccentric abstraction, by Lucy R. Lippard; The art of Bruce Nauman, by Fidel A. Danieli; New York: Eva Hesse, Fischbach Gallery, by Emily Wasserman; Anti form, by Robert Morris; 9 in a warehouse: an attack on the status of the object, by Max Kozloff; Robert Morris presents anti-form: the Castelli Warehouse Show, by Gre goire Mu ller; Barry Le Va: distributional sculpture, by Jane Livingston; Cayuga Salt mine site, by Robert Smithson; Richard Serra: slow information, by Robert Pincus-Witten; New York: Alan Saret, Bykert Gallery, by Emily Wasserman; Keith Sonnier: materials and pictorialism, by Robert Pincus-Witten. New York: process, Whitney Museum; Theodoron Awards, Guggenheim, by Emily Wasserman; Notes on sculpture, Part 4: beyond objects, by Robert Morris; An interview with Eva Hesse, by Cindy Nemser; The art of Richard Tuttle, by Robert Pincus-Witten; PheNAUMANology, by Marcia Tucker; New York: Richard Serra, Castelli Warehouse, by Philip Leider; Alan Saret's studio exhibition, by Emily Wasserman; New York: Keith Sonnier, Castelli, by Robert Pincus-Witten; Eva Hesse: the circle, by Lucy R. Lippard; Bruce Nauman, by Willoughby Sharp; Keith Sonnier at the Modern, by Kenneth Baker; The real thing, by Barbara Rose; Robert Smithson's development, by Lawrence Alloway; Wire/pencil/shadow: elements of Richard Tuttle, by Ellen Lubell; Reviews: Richard Tuttle at Betty Parsons, by Lizzie Borden; Richard Serra: sculpture redrawn, by Rosalind E. Krauss. Foam structures, by Klaus Kertess; Joel Shapiro: works in progress, by Jeremy Gilbert-Rolfe; Lynda Benglis: the frozen gesture, by Robert Pincus-Witten; Reviews: Lynda Benglis, the Clocktower, by Jeremy Gilbert-Rolfe; Reviews: Joel Shapiro, Paula Cooper Gallery, by James Collins; Barry Le Va: the invisibility of content, by Robert Pincus-Witten; Reviews: Lynda Benglis, by Thomas Hess. Size: 4to. Collectible.…

Condition: Good. 8vo. 296 pp., Soft Covers. Very Good with minor edge wear. Color and B/W Plates and Photographs.

paperback. Condition: Gut. Text Englisch - Altersbedingte äußere Mängel - Buch ansonsten in gutem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1500.

Paperback. Condition: Very Good. Clean tight copy, no marks or inscriptions. As New.

Paperback. Condition: Good. pp. 391 English.

Soft cover. Condition: Very Good. 1st Edition. 8° - 255pp - Color & B/w reproductions. 1989 Biennal Exhibition - Whitney Museum of American Art, New York - April-July 1989. First edition, text in English. Original wrappers. In Very good condition.

Whitney Museum of American Art de New York. 1991. 1 vol in-4. Broché. 391 pages. Illustrations en noir et blanc et en couleurs hors texte. Bon état.