John Lewis Marks (14 results)

Condition: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Condition: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Quarter Cloth. Condition: Near Fine. No Jacket. Eric Ravilious (illustrator). 1st Edition. A near Fine copy of this Limited edition title of which this is number 208 of 425. It was issued to commemorate the 50th anniversary of the death of Eric Ravilious off Iceland. No Dust Jacket (as issued?). Cover: quarter blue cloth and red and white decorated paper covered boards (decoration is copy of a wood engraving print by Ravilious). In excellent condition. Internally: fine condition, printed on Zerkall mould made paper by the Libanus Press. Numerous illustrations in black and white and an original wood engraving by Ravilious tipped in. 50 pp.

Condition: New. Print on Demand.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1820 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 38 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Format ca. 17 x 18,5 cm. Im Stein bezeichnet: Marks fec.t. Alle vier Ecken verso mit Montagespurresten, Bräunung von dort leicht auf die Vorderseite durchscheinend. Drei Affen in extravaganter Kostümierung, teils grimmig teils verschlagen dreinblickend, durch einen Park schreitend. Mit einem Zitat aus Martine's: "The Polite Ladies' Guide to Proper Etiquette unterhalb der Illustration": "All affection in Dress, implies a Flaw in the Understanding, Chesterfield". - John Lewis Marks war Karikaturist und Stecher in London. Eine Folge seiner Karikaturen nahm die ,Reform Bills' auf die Schippe, später brachte er rassistische Karikaturen heraus, die auf die deutschstämmige Gattin von König William IV. gemünzt waren. Drei Affen in extravaganter Kostümierung, teils grimmig teils verschlagen dreinblickend, durch einen Park schreitend. Mit einem Zitat aus Martine's: "The Polite Ladies' Guide to Proper Etiquette unterhalb der Illustration": "All affection in Dress, implies a Flaw in the Understanding, Chesterfield". - John Lewis Marks war Karikaturist und Stecher in London. Eine Folge seiner Karikaturen nahm die ,Reform Bills' auf die Schippe, später brachte er rassistische Karikaturen heraus, die auf die deutschstämmige Gattin von König William IV. gemünzt waren. 1001 g.

Format ca. 17 x 18,5 cm. Im Stein bezeichnet: m.ark.s sc. An der oberen linken Ecke auf Trägerpapier montiert. Dieses etwas gebräunt und unten rechts wasserrandig (ohne Beeinträchtigung der Graphik!). Karikatur bezugnehmend auf ein historischen Duell zwischen dem Cornet William Battier und Charles William Stewart, Lord von Londonderry, das im Jahre 1823 stattgefundet hat: Zwei in Paradeuniformen gekleidete Affen duellieren sich auf dilletantische Art und Weise: sie ducken sich ängstlich weg, ihre Sekundanten suchen Deckung entweder hinter einem Baum oder in Ermangelung eines solchen gleich hinter der Schulter des einen Duellierenden. - Mit einem Zitat von Shakespeare unterhalb der Illustration: "How many Cowards, whose heards are all as false / As stairs of sand, wear yet upon their chins / The beards of Hercules and Frowning Mars / Who inward search'd have livers white as milk". - John Lewis Marks war Karikaturist und Stecher in London und war u.a. für seine abfälligen Karikaturen auf die deutschstämmige Frau von William IV. berüchtigt. Karikatur bezugnehmend auf ein historischen Duell zwischen dem Cornet William Battier und Charles William Stewart, Lord von Londonderry, das im Jahre 1823 stattgefundet hat: Zwei in Paradeuniformen gekleidete Affen duellieren sich auf dilletantische Art und Weise: sie ducken sich ängstlich weg, ihre Sekundanten suchen Deckung entweder hinter einem Baum oder in Ermangelung eines solchen gleich hinter der Schulter des einen Duellierenden. - Mit einem Zitat von Shakespeare unterhalb der Illustration: "How many Cowards, whose heards are all as false / As stairs of sand, wear yet upon their chins / The beards of Hercules and Frowning Mars / Who inward search'd have livers white as milk". - John Lewis Marks war Karikaturist und Stecher in London und war u.a. für seine abfälligen Karikaturen auf die deutschstämmige Frau von William IV. berüchtigt. 1001 g.

No Binding. Condition: Good. J. L. Marks, John Lewis Marks (illustrator). 1st Edition. This is a scarce early 19th century hand coloured satirical print which the British Museum date to circa 1830s. The print depicts a short portly gentleman and a tall thin Gentleman. The print measures 8 inches by 6 inches approx., published at the printers Long Lane address which he occupied sometime after 1832. The print has been in an old album and has fixing marks to rear, and two small pinholes to edges, light marking, minor edge tears else in acceptable condition.

Condition: Good. 5 volumes in 4 (of an eventual 6). Illustrated with 13 hand-colored plates (some aquatint). 21x13.2 cm (8ĵx5ĵ"), rebacked calf with gilt spines.With 13 caricatures, including works by Lewis Marks and Charles Williams. George Cruikshank may have executed some of the unsigned plates, as he earlier illustrated "Town talk" and "The scourge" for the same publisher.The later numbers of this periodical contain numerous articles and caricatures relating to Queen Caroline.Indexed at the end of each volume.The New Bon Ton Magazine was an English satirical magazine published between 1818 and 1821. The volumes in the present lot cover the timespan of May, 1818 to September, 1820.OCLC Number / Unique Identifier:314782218.

No Binding. Condition: Good. J. L. Marks, ( John Lewis Marks Printmaker ) (illustrator). 1st Edition. This is an original hand coloured print by the printmaker and caricaturist John Lewis Marks (1796-1855) Titled "Dame Browns Visit to London", the print is no dated, but The British Museum record the printmaker being at the Long Lane address between the years 1832-1855. The print measures 8 inches by 6 inches approx., some old fixing marks to rear else in nice general condition. A Scarce Original J. L. Marks print. This is a lighter item, shipping costs will be reduced accordingly at checkout where possible.

Leather Bound. Condition: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1835. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 12, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 12.

Pen and ink with watercolor on watermarked J Whatman 1824 paper, 9 x 13 inches (230 x 330 mm), the full sheet. In very good condition with some minor handling wear and soft handling creases. The colors remain fresh and vibrant. The engraving for which this is a preparatory drawing was eventually published in 1824 by S. W. Fores of 41 Piccadilly, London. The image in its final state is meant to satirize the pompous behavior of the Tenth Hussars while posted in Dublin from May 1823 to July 1824. It reflects the deep negative impression made on the local population during that 14 month period. The full title of the image would become "Chesterfield sent to Coventry, or a Display of Military Education." Chesterfield may be the name of the establishment or club where dancing and card games were available. The officers are "sending the place to Coventry" in the sense that they refuse to take part in the activities. The military education refers to their explanations that the Tenth do not dance, play cards, enjoy music, or take part in duels. "Send to Coventry" is an idiom used in England meaning to deliberately ostracize someone. Typically, this is done by not talking to them, avoiding their company, and acting as if they no longer exist. Coventry is a historical cathedral city in the West Midlands county, UK.