John Petrina (21 results)

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Published Without Dust Jacket. 397 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. No Slipcase. Bound in mustard yellow cloth. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. Carlotta Petrina (illustrator).…

hardcover. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. No dust jacket. Foxing to the page edges. Otherwise a clear, bright copy.…

Hardcover. Condition: Near Fine. No Dust Jacket. 398 pp. Original dark brown cloth covers w/ gilt title on spine. Beautiful raised design of a woman on front cover. Binding very bright and clean. Light foxing to edges of text block. Comes in original decorative slipcase, which is splitting at edges. Illust. w/ b/w plates. Contents nice. Carlotta Petrina (illustrator). …

Leather. Condition: VG+. some light scratches to the gilt on the page edges. Carotta Petrina (illustrator). Book.

Hardcover. Condition: Used-Good. Tall 4to. Cloth, no dj. Blue cloth with silver lettering. 121 numbered pp. Spine sunned and frayed at ends; boards scuffed. Approx. 1/4 in. hole in rear board. Expected light age-toning to text block. Else fine. Internally a nice, clean copy.

Hardcover. Condition: Very Good+. Collector's Edition bound in genuine leather. Illustrated by Petrina, Carlotta (illustrator).

First edition. 4to. 122 pp. Illustrations. Cloth binding, light surface wear, good copy. (94784).

Leather. Condition: Fine. No Jacket. Collector Edition. This book is in fine condition with tight binding and clean text. It is apart of the 100 Greatest Books Ever Written collection. Size: 8vo - over 7¾" - 9¾" tall. Petrina, Carlotta (illustrator). 100 Greatest Books Ever.

Hard Cover. No Jacket. First Thus. HARDBACK NODustJacket, 1979, 1st Edition THUS, Fine/F- condition, NOJACKET, A nice clean copy, Bound Grey Decorated Genuine LEATHER cover and accented with 22kt gold, Gold Gilt lettering and Design as well as page edges GILT. Spine Cvr 4 Raised Bands with Gilt, Oversized 6.75 X 10 in. approx, Interior Nice Tight Clean , Nice Sound Binding, 397 pgs, NO marks, or bookplate, Acid-neutral paper, .RustOrange Silk Moire satin Endpapers and attached satin ribbon bookmarker. …

Reprint. Hardback. Good, no d/w. Boards lightly marked, pages tanned with some foxing, spotting to edge of pages. Please email for exact postage quote and information on any available discounts (PLEASE NOTE: International Economy shipping is by sea and may take up to 90 days to arrive).

Paperback. Condition: Very Good. 2005 John Donald paperback edition. Light reading wear else very good condition. Contents: Sally Mapstone, 'Introduction: Older Scots and the Fifteenth Century'; Julia Boffey and A.S.G. Edwards, 'Bodleian MS Arch. Selden. B. 24: The Genesis and Evolution of a Scottish Poetical Anthology'; Alessandra Petrina, 'Donne Gentili and Courtly Ladies: A Comparison Between Dante's Beatrice and the Lady of the Kingis Quair'; Jonathan A. Glenn, 'The Manuscript History of Sir Gilbert Hay's Buke of the Law of Armys: A Study'; Rosemary Greentree, 'Literate in Love: Makyne's Lesson for Robene'; Klaus Bitterling, 'Insular and Continental Traditions Behind Robert Henryson's Fables'; R.J. Lyall, 'Henryson, the Hens and the Pelagian Fox: a Poet and the Intellectual Currents of his Age'; John McNamara, 'Folkloric Patterns in Henryson's Fables: A Sociolinguistic Approach'; John MacQueen, 'Lent and Henryson's 'The Fox, the Wolf, and the Cadger''; R.W. Smith, 'The Meaning of the 'Nekhering' in Henryson's Fable of 'The Fox, the Wolf, and the Cadger''; Edward W. Bradburn, ''Prolog' and 'Moralitie': Authorial Apostrophe in Robert Henryson's Fables'; Anne M. McKim, 'Henryson's Use of the Conjunctive Phrase 'with that' in the Moral Fables'; J. Derrick McClure, 'Blind Hary's Metrics'; Marace Dareau, Lorna Pike, and Harry D. Watson, 'DOST and Older Scots Scholarship'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth Century'; Priscilla Bawcutt, 'Manuscript Miscellanies in Scotland from the Fifteenth to the Seventeenth Century'; Ma. Nieves Rodriguez Ledesma, 'Linguistic Anglicisation in The Complaynt of Scotland: A Study of Further Diagnostic Variables'; A.A. MacDonald, 'On First Looking into the Gude and Godlie Ballatis (1565)'; Joanne Norman, 'William Dunbar and the Bakhtinian Construction of the Self'; Robert Drexler, 'Dunbar, Douglas, and the Art of Memory'; C. Marie Harker, 'Skirting the Issue: Misogyny and Gender in Lyndsay's Ane Supplication Directit - to the Kingis Grace, in Contemptioun of Syde Taillis'; Evelyn S. Newlyn, 'The Female Voice in Sixteenth-Century Scots Poetry'; Keely Fisher, 'Eldritch Comic Verse in Older Scots'; Theo van Heijnsbergen, 'Modes of Self-Representation in Older Scots Texts'; Janet Hadley Williams, ''We had the ky and thai gat bot the glaikis': Catching the Echoes in Duncan Laideus' Testament'; William Gillies, 'Gun ann ach an ceo 'Nothing Left but their Mist': Farewell and Elegy in Gaelic Poetry'; Michael Chesnutt, 'Otterburn Revisited: A Late Medieval Border Ballad and its Transmission'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth and Seventeenth Centuries'; Anneli Meurman-Solin, 'Women's Scots: Gender-Based Variation in Renaissance Letters'; Sarah M. Dunnigan, 'Feminising the Early Modern Erotic: Female-voiced Love Lyrics and Mary Queen of Scots'; Jamie Reid-Baxter, ''Judge and revenge my cause': the Earl of Morton, Andro Blackhall, Robert Sempill and the Fall of the House of Hamilton in 1579'; David J. Parkinson, 'Alexander Montgomerie: Scottish Author'; Regina Scheibe, 'The Function of the Animal Massacre in John Burel's Passage of the Pilgremer'; Daniel Fischlin, 'Like a Mercenary Poet': the Politics and Poetics of James VI's Lepanto'; Morna R. Fleming, ''The End of an Auld Sang'? Scottish Poetry of the English Reign of James VI and I'; Louise Yeoman, 'James Melville and the Covenant of Grace'; David W. Atkinson, 'More than One Voice: the Poetic Accomplishment of William Alexander'; David Reid, 'Hume of Godscroft on Kings and Subjects'; Margery Palmer McCulloch, 'Liz Lochhead, Mary Queen of Scots, and the Suppression of the Female Principle'.…

Hardcover. Condition: Very Good. No Jacket. There is no date but c.1934. This is a clean and tight copy with no inscriptions, presented without a wrapper in textured blue boards with silver text. 122pp with "tipped in" colour plates.

Condition: Very Good. Original stapled souvenir theatre programme. 10 printed pages. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Hardcover. Condition: Very Good. 31 x 20.5 cm. Quarto. lxviii 397pp. Quarter grey-blue sheepskin with decorative cloth covers. Limited to 1100 copies signed by the illustrator Carlotta Petrina of which this is copy 783. Lacking slipcase. There is discoloration/browning to the leather spine. Nice internally. Carlotta Petrina (illustrator).…

Full-Leather. Condition: Fine. No Jacket, As Issued. First Thus. First Easton Press Edition. One of the 100 Greatest Books Ever Written. Collector's Edition, bound in genuine leather. Gilt decorative black leather with gilt lettering and rules to the spine. Four raised bands to the spine. All edges gilt. Silk moire end pages. Silk bookmark. Color frontispiece. Easton Press unused book plate laid in. A Fine copy. Size: 4to - over 9¾ - 12" tall. Carlotta Petrina (illustrator). Book.…

folio. pp. [10], 121. numerous b/w illus. 21 tipped-in illus. (10 of which are in colour). cloth. (some edge wear, ex lib. with rubbed stamp on title-page).

Hardcover. Limited edition, 967/1100. Quarto, lxviii, 397 pages. In Very Good condition in a Good minus portfolio. Portfolio in brown cloth; short tears at spine ends, damp stain to bottom corner, peripheral toning. Portfolio spine is brown with gold print. Boards quarter bound with green leather to spine and cream quilted cloth to boards; slight wear to spine caps. Illustrated: b&w plates. Signed in ink by the illustrator on the limited edition page. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in column ND-QC. 1402150. FP New Rockville Stock.…

Hard Cover with Slipcase. Condition: Very Good+. No Jacket. Limited Edition. Oversize hardcover with tan cloth spine with paper title label; boards covered in colorful paper; limited edition 1393/1500; signed by Carlotta Petring; b&w illustrations. Book in very good plus condition: spine slightly darkened; title label is toned and a little scuffed; gently horizontal crease to the cloth near the tail of the spine--appears to be a minor manufacturing flaw; straight; hinges strong; interior is excellent. Slipcase in fair minus condition with spine separate and other wear. Will require extra for priority and international shipping. Size: Folio - over 12 - 15" tall. Signed by Illustrator(s). Book.…

Condition: Used: Like New. Demi toile, plats marbrés (reliure d'éditeur), justifié à la mine par Carlotta Petrina, livre en magnifique état.

Hardcover. Condition: Very Good. No Jacket. Limited Edition. Thirty-seven hardcovers with boards covered in purple, orange, tand, and white patterned paper; with natural cloth spines with gilt lettering; top edges gilt; deckled edges; each volume with a different artist; limited edition 578 / 1950. All 37 books in very good condition: spines have darkened with age; a bit of spotting on some spines; a handful with orange crayon on endpapers and near back endpapers; one has a small black mark on back board; all but one have Limited Edition Commentary insert. The Ten Years and William Shakespeare is bound in thin suede; poor condition with spine missing and other wear. Also a 20-page softcover Shakespeare Commentary (very good) and Some Notes.section 2 only. Will require extra for shipping. Not available for priority or international shipping. Size: Folio - over 12 - 15" tall. Richard Floete, Eric C. Ricort, Sylvain Sauvage, John Austen, C. Pal Molnar, Yngve Berg, Edy Legrand, Eric Gill, Vera Willoughby, Barnett Freedman, Edward Baurden, Graham Sutherland, Carlotta Petrina, Arthur Rackham, Fritz Kredel, Friz Eichenberg, et al (illustrator). Book. …