Jonathan Burden (31 results)

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  • Language: English

    Published by Professional Training Institution, 2010

    0692825266 / 9780692825266

    • Softcover

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    Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

  • Language: English

    Published by Independently published, 2019

    1097901165 / 9781097901166

    • Softcover

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    Paperback. Condition: Brand New. 128 pages. 9.00x6.00x0.29 inches. In Stock.

  • Language: English

    Published by Bodleian, 2016

    1851244565 / 9781851244560

    • Softcover

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    Paperback. Condition: New. Through nine case studies of productions ranging from Shakespeare's history plays to musical farce, this illustrated volume explores three themes: the ways in which Britons re-created their own history in theatrical genres; how history on stage was used to develop political and national identities, particularly in America; and the fascination with the exotic and authenticity in theatrical events such as The Grand Pantomime Ballet of the Death of Captain Cook (1789).…

  • Language: English

    Published by Walker Art Center Minneapolis, MN, 1982

    093564010X / 9780935640106

    • Softcover

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    44 pp.; 27.8 x 21.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 25 - June 13, 1982. Curated and with text by Lisa Lyons. Artists include Jonathan Borofsky, Bruce Charlesworth, Chris Burden, Robert Longo, David Salle, Italo Scanga, Cindy Sherman, and Hollis Sigler. Includes checklist, exhibition history, and bibliography for each artist. Very Good. 4.5 cm. dog-ear to top right corner of recto. Light rubbing of cover edges. Light yellowing of pages. Contents clean and unmarked.…

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    136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.…

  • Language: English

    Published by The Bodleian Library, 2016

    1851244565 / 9781851244560

    • Softcover

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    Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

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  • Language: English

    Published by The Bodleian Library 2016-10-04, 2016

    1851244565 / 9781851244560

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  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

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  • Language: English

    Published by Bodleian Library, GB, 2016

    1851244565 / 9781851244560

    • Softcover

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    Paperback. Condition: New. In the late eighteenth and early nineteenth centuries, historical subjects became some of the most popular topics for stage dramas of all kinds on both sides of the Atlantic. This collection of essays examines a number of extraordinary theatrical works in order to cast light on their role in shaping a popular interpretation of historical events. The medium of drama ensured that the telling of these histories - the French Revolution and the American War of Independence, for example, or the travels of Captain Cook and Christopher Columbus - were brought to life through words, music and spectacle. The scale of the productions was often ambitious: a water tank with model floating ships was deployed at Sadler's Wells for the staging of the Siege of Gibraltar, and another production on the same theme used live cannons which set fire to the vessels in each performance. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. In doing so it debates the peculiar contradictions of staging history and re-examines some spectacular box office hits.…

  • Language: English

    Published by Bodleian Library, 2016

    1851244565 / 9781851244560

    • Softcover

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  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

    • Softcover

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    Condition: New. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. Editor(s): Burden, Michael; Heller, Wendy; Hicks, Jonathan. Num Pages: 224 pages, 74 colour illustrations. BIC Classification: 3JF; 3JH; AN. Category: (G) General (US: Trade). Dimension: 213 x 258 x 17. Weight in Grams: 680. . 2017. Paperback. . . . .…

  • Language: English

    Published by The Bodleian Library, 2017

    1851244565 / 9781851244560

    • Softcover

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  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

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    Condition: New. pp. 224.

  • Language: English

    Published by Bodleian Library, Oxford, 2016

    1851244565 / 9781851244560

    • Softcover

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    Paperback. Condition: new. Paperback. Throughout the late-eighteenth and early nineteenth centuries, historical events were tremendously popular as adaptations for the stage. From the Revolutionary War to the French Revolution, stage dramas brought history vividly to life through powerful vocal performances and visual spectacle. The scale of the production was often ambitious, such as a Sadler's Well staging of the Great Siege of Gibraltar, which featured a large water tank with floating vessels. Another production on the same topic added live cannons, which set fire to the vessels during the performance!Drawing on copious new research, Staging History reexamines extraordinary theatrical works of the period to show the role they played in shaping popular interpretations of history. Editors Michael Burden, Wendy Heller, Jonathan Hicks, and Ellen Lockhart are joined by other experts in the field in analyzing theatrical documents, including playbills, set designs, and musical scores, as well as paintings, prints, and other illustrations, in order to explore what counted as historical truth for the writers, performers, and audiences of these plays. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

    • Softcover

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    Condition: New. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. Editor(s): Burden, Michael; Heller, Wendy; Hicks, Jonathan. Num Pages: 224 pages, 74 colour illustrations. BIC Classification: 3JF; 3JH; AN. Category: (G) General (US: Trade). Dimension: 213 x 258 x 17. Weight in Grams: 680. . 2017. Paperback. . . . . Books ship from the US and Ireland.…

  • Language: English

    Published by Bodleian Library, 2016

    1851244565 / 9781851244560

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    Paperback. Condition: Brand New. 224 pages. 8.00x8.25x0.75 inches. In Stock.

  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

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  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

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    Condition: New. In English.

  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

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  • Language: English

    Published by Bodleian Library, University of Oxford, 2017

    1851244565 / 9781851244560

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    Condition: New. pp. 224.

  • Language: English

    Published by Bodleian Library, 2017

    1851244565 / 9781851244560

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  • Language: English

    Published by Bodleian Library, Oxford, 2016

    1851244565 / 9781851244560

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    Seller: The Book House (PBFA), Northallerton, United KingdomThe Book House (PBFA)

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    Soft cover. Condition: Very Good. Square octavo, 224 pages, index, illustrated.

  • Language: English

    Published by Professional Training Institution, 2010

    0692825266 / 9780692825266

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    Paperback. Condition: Brand New. 322 pages. 11.00x8.50x0.73 inches. In Stock.

  • Language: English

    Published by Professional Training Institution, 2014

    0692825576 / 9780692825570

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    Paperback. Condition: Brand New. 332 pages. 11.00x8.50x0.75 inches. In Stock.

  • Language: English

    Published by Faber and Faber, London, England / Boston, Massachusetts, 1995

    0571163254 / 9780571163250

    • Hardcover
    • Signed

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    Hardcover. Condition: Very good condition. Dust Jacket Condition: Very good. xiii, 504 pp. Inscribed and signed by the author.

  • Language: English

    Published by University Of Chicago Press, Bodleian Library Nov 2016, 2016

    1851244565 / 9781851244560

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    Taschenbuch. Condition: Neu. Neuware - In the late eighteenth and early nineteenth centuries, historical subjects became some of the most popular topics for stage dramas of all kinds on both sides of the Atlantic. This collection of essays examines a number of extraordinary theatrical works in order to cast light on their role in shaping a popular interpretation of historical events.The medium of drama ensured that the telling of these histories - the French Revolution and the American War of Independence, for example, or the travels of Captain Cook and Christopher Columbus - were brought to life through words, music and spectacle. The scale of the productions was often ambitious: a water tank with model floating ships was deployed at Sadler's Wells for the staging of the Siege of Gibraltar, and another production on the same theme used live cannons which set fire to the vessels in each performance.This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. In doing so it debates the peculiar contradictions of staging history and re-examines some spectacular box office hits.…

  • Language: English

    Published by University of Chicago Press|Bodleian Library, 2016

    1851244565 / 9781851244560

    • Softcover

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    Condition: New. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and h.

  • Language: English

    Published by Bodleian Library, Oxford, 2016

    1851244565 / 9781851244560

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    Paperback. Condition: new. Paperback. Throughout the late-eighteenth and early nineteenth centuries, historical events were tremendously popular as adaptations for the stage. From the Revolutionary War to the French Revolution, stage dramas brought history vividly to life through powerful vocal performances and visual spectacle. The scale of the production was often ambitious, such as a Sadler's Well staging of the Great Siege of Gibraltar, which featured a large water tank with floating vessels. Another production on the same topic added live cannons, which set fire to the vessels during the performance!Drawing on copious new research, Staging History reexamines extraordinary theatrical works of the period to show the role they played in shaping popular interpretations of history. Editors Michael Burden, Wendy Heller, Jonathan Hicks, and Ellen Lockhart are joined by other experts in the field in analyzing theatrical documents, including playbills, set designs, and musical scores, as well as paintings, prints, and other illustrations, in order to explore what counted as historical truth for the writers, performers, and audiences of these plays. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Language: English

    Published by Bodleian Library, GB, 2016

    1851244565 / 9781851244560

    • Softcover

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    Paperback. Condition: New. In the late eighteenth and early nineteenth centuries, historical subjects became some of the most popular topics for stage dramas of all kinds on both sides of the Atlantic. This collection of essays examines a number of extraordinary theatrical works in order to cast light on their role in shaping a popular interpretation of historical events. The medium of drama ensured that the telling of these histories - the French Revolution and the American War of Independence, for example, or the travels of Captain Cook and Christopher Columbus - were brought to life through words, music and spectacle. The scale of the productions was often ambitious: a water tank with model floating ships was deployed at Sadler's Wells for the staging of the Siege of Gibraltar, and another production on the same theme used live cannons which set fire to the vessels in each performance. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. In doing so it debates the peculiar contradictions of staging history and re-examines some spectacular box office hits.…