Published by Südwest Verlag, München 1979, 1979
Seller: Verlag Traugott Bautz GmbH, Nordhausen, Germany
240 Seiten, gebunden, starke altersbedingte Gebrauchsspuren, Leihbuch, ISBN 3-517-00681-5.
Published by Gebr. Weiss, Berlin o.J.,, 1111
Seller: Antiquariat Petri, Jena, Germany
HC. Condition: Gut. Oln.,322s., in gutem Zustand, [HSA12,6a], Deu 400g.
Published by Gebrüder Weiss Verlag, o.J.,, Berlin, 1954
Seller: Antiquariat Manfred Bender, Saarbrücken, Germany
322 S., mit zahlr. teils farb. Abb. u. Illustrationen, Ganzleinen, Bibliotheksexemplar, Klebereste der Buchnummer auf Buchrücken, Stempel auf Vorsatz.
Language: German
Published by Gebrüder Weiss Verlag Berlin-Schöneberg, 1956
Seller: Antiquariat Armebooks, Frankfurt am Main, Germany
hardcover. Condition: Gut. 321 Seiten; GebrÃder Weiss - 1. Auf. 1956 : Polt - Achleitner - gb + Su. Gr. 9F-26I3-4RX2 Sprache: Deutsch Gewicht in Gramm: 500.
Zur Erinnerung an deine Jugendweihe. 7.-14.Tsd. 322 S. Gebr.Weiss. Berlin. 1960. Mit Gebrauchsspuren/Used condition. Halbleinen/Hardcover. Sprache: deutsch/german.
Language: German
Published by Wien : Österreichischer Bundesverlag für Unterricht, Wissenschaft und Kunst, 1974
ISBN 10: 3215186314 ISBN 13: 9783215186318
Seller: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Germany
First Edition
Broschiert. Condition: Gut. 1. Auflage. 278 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 485.
Language: German
Published by Verlagsbuchhandlung Styria, Graz, 1902
Seller: winni´s antiquariat, St. Georgen am Ybbsfelde, Austria
Condition: Starke Gebrauchsspuren. Kein Schutzumschlag, Altdeutsche Schrift, Bibliotheksbuch.
Published by Gebrüder Weiss Verlag, Berlin-Schöneberg, 1953
Seller: Antiquariat "Der Büchergärtner", St. Ingbert, Germany
Erste Deutsche Ausgabe. 15 x 21 cm [1953]. Erste Auflage, 322 S. Illustrierte OHLwd, Kopffarbschnitt. Reich bebildert. Stempel, Spuren einer entfernten Schutzfolie, leichte Lagerungsspuren, Schnitt leicht angestaubt.
Language: German
Published by Gebrüder Weiss Berlin-München
Seller: Antiquariat Uwe Berg, Toppenstedt, Germany
322 S., etliche Abb., 7.-14. Tsd., OLn., ordentliches Exemplar mit stark lädiertem SU. 3000849 Sprache: Deutsch.
Published by Südwest Verlag, 1979
Seller: biblion2, Obersulm, Germany
Condition: Fair. Gebundene Ausgabe. Zustandsangabe altersgemäß. Sofortversand aus Deutschland. Artikel wiegt maximal 1000g. 239 Seiten. leicht bestoßen, einige Seiten teils lose.
Published by Darmstadt: Bläschke, 1978
Seller: Antiquariat Gallus / Dr. P. Adelsberger, Innsbruck, A, Austria
Signed
Oln. 8°, 103 S., mit einigen Illustr., Hs. Signatur des Autors auf Vorsatz. Sehr guter Zustand.
Published by Münchner Jugendverlag, München, 1953
Seller: Antiquariat "Der Büchergärtner", St. Ingbert, Germany
Erste deutschsprachige Ausgabe. 14 x 21 cm. Erste Auflage, 194 S. Schmuckloses Perkalin Kopffarbschnitt. Illustrationen Scott Langley. Nummer auf Rücken, Stempel, leichte Lagerungs- und Gebrauchsspuren, Schnitt leicht angestaubt/angeschmutzt, innen stellenweise etwas fingerfleckig.
Munich: Omega Press, 1966. Folios (ca. 29.7 × 21.2 cm). Original pictorial staple-stitched self-wrappers and original printed, blind-stamped folder; [16] pp.; 23 unbound leaves and [12] thread-stitched pp. with reproductions of artworks. Wrappers and folder somewhat dust-stained; a few leaves with tiny, barely perceptible creases at the corners; else very good. One of 189 numbered copies signed by the publisher in the printer's note; besides this, 11 copies were published in a deluxe edition. Reimer Jochims, who was not only in charge as editor, but whose work is also the subject of the first issue, initially studied art history and archaeology. He wrote his doctoral thesis on the art theory of Konrad Fiedler. Fiedler's theory of "pure visibility", which later authors contrasted with "recognizable seeing", is likely to have had a formative influence on Jochim's own painterly practice and his exploration of "concrete poetry". Instead of the mediality of canvas and paint as well as paper and typography, these were to become perceptible for themselves, in their concretion. From the mid-1950s, Jochims devoted himself to painting as a self-taught artist and in 1971 was awarded a chair in both free painting and art theory at the Städelschule in Frankfurt am Main. The second issue impressively documents the fact that Jochims was already well connected. In the first issue, Jochims presented his gradient paintings, which consist of up to thirty glazed layers of paint and reveal a gradient of color contours between warm and cold or light and dark. (Cf. Germaid Ruck, AKL LXXVIII, 2013, p. 111). Fondazione Bonotto PVC10030. As of June 2025, KVK, OCLC show three copies in North America.