Joseph Smithson (46 results)

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

96 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1976. Essay by Bernice Rose. Artists include Carl Andre, Art & Language, Joseph Beuys, Mel Bochner, James Lee Byars, John Cage, Christo, Chuck Close, Hanne Darboven, Jim Dine, Mark di Suvero, Oyvind Fahlström, Dan Flavin, Richard Hamilton, Michael Heizer, Eva Hesse, David Hockney, Jasper Johns, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Robert Morris, Bruce Nauman, Claes Oldenburg, Blinky Palermo, Panamarenko, Larry Poons, Robert Rauschenberg, Bridget Riley, Dorothea Rockburne, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson, Frank Stella, Jean Tinguely, Richard Tuttle, Cy Twombly, Andy Warhol, and Lawrence Weiner. Includes notes to the text. Very Good. Light yellowing and rubbing of cover edges with a 3 cm. area of staining from removed pricing sticker on verso and light bumping of bottom edge of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Condition: Very Good. 1867. Hardcover. Good copy with some shelf wear, wear and some staining to cover and spine but binding remains good and intact. Yellowing of pages and minor foxing, remains good. . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: Very Good. 1867. Hardcover. Good copy with some shelf wear, wear and some staining to cover and spine but binding remains good and intact. Yellowing of pages and minor foxing, remains good. . . . .

211 pp.; 30 x 21 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Setagaya Art Museum, Tokyo, July 6 - August 18, 1991. Traveled to The National Museum of Art, Osaka, August 29 - September 29, 1991 and Fukuoka Art Museum, Fukuoka, November 15 - December 15, 1991. Essays by Lynn Gumpert and Brian Wallis. Artists include Richard Artschwager, John Baldessari, Gretchen Bender, Sarah Charlesworth, Nancy Dwyer, Kate Ericson and Mel Ziegler, Suzan Etkin, Jenny Holzer, Jasper Johns, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sherrie Levine, Roy Lichtenstein, Gordon Matta-Clark, Allan McCollum, Bruce Nauman, Claes Oldenburg, Stephen Prina, Robert Rauschenberg, James Rosenquist, David Salle, Andres Serrano, Cindy Sherman, Lorna Simpson, Robert Smithson, Nancy Spero, Haim Steinbach, Andy Warhol and Lawrence Weiner. Includes exhibition checklist and selected bibliographies. Texts in Japanese and English. Very Good. Yellowing and light rubbing of covers with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover, 96 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

BOX SET - Paperback. Condition: Fine. First Edition, First Printing. Primary Information, 2010. BOX SET (The boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback). First Edition, First Edition. Limited Edition 1/1000 copies.Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968. At the time, Sharp was a New York-based independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews, artists' texts and documents of art and art making. All interviews were conducted by Sharp, Béar or done jointly. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback. CONDITION: Fine (the set)[ Housed in a Near Fine box showing ,oderate rubbing to panels from shelf wear.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 1980 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Softcover art journal, 95 pages; in English and German; very good condition; covers toned; no internal marks. with Joseph Beuys on cover and sections on: a Joseph Beuys Action; "Land Art Earth Works" with Dennis Oppenheim, Robert Smithson, Peter Hutchinson, Michael Heizer, Richard Long; and sections on Lothar Baumgarten, Nam June Paik, Buckminster Fuller, Dan Graham and others. Foreign shipping may be extra.

[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.

84 pp.; 23.5 x 23.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. Featuring Joseph Beuys on cover. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 200. No. 4.6 and 4.9 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 102, 112, 242. Good. Rubbing and light creasing of covers with edgewar and yellowing. 2.8 cm., 3 mm., and 1.4 cm. blue ink marks on recto and 10 cm. area of silver ink/paint on verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.

paperback. Condition: Fine. cm 21x29; pp. 96; BW ills.; paperback.

84 pp.; 23.5 x 23.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. Featuring Joseph Beuys on cover. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 200. No. 4.6 and 4.9 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 102, 112, 242. Very Good. Rubbing of covers and edgewear. Contents clean and unmarked.

84 pp.; 23.5 x 23.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. Featuring Joseph Beuys on cover. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 200. No. 4.6 and 4.9 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 102, 112, 242. Very Good. 1.8 cm. crease and bumping to top right corner of recto carrying through to pages. Light edgewear and yellowing of cover edges. Light yellow speckling on verso and a 6.5 cm. light crease. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.