Judithe Hernandez (20 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Hernandez, Judithe (illustrator).

paperback. Condition: Good. Satisfaction 100% guaranteed. Hernandez, Judithe (illustrator).

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK. Hernandez, Judithe (illustrator).

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Hernandez, Judithe (illustrator). …

Condition: As New. Unread book in perfect condition. Hernandez, Judithe (illustrator).

Condition: New. Hernandez, Judithe (illustrator).

Paperback. Condition: New. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. Hernandez, Judithe (illustrator).…

Paperback. Condition: New. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. Hernandez, Judithe (illustrator).…

Condition: New. Includes a new preface by the poet and a new foreword that considers the lasting influence of this important work Illustrator(s): Hernandez, Judithe. Num Pages: 112 pages, 15 color illus. BIC Classification: 1KLCM; 2AB; 2ADS; DCF. Category: (P) Professional & Vocational. Dimension: 5830 x 7765 x 10. Weight in Grams: 499. . 2012. 2nd Revised ed. Paperback. . . . . Hernandez, Judithe (illustrator). …

Condition: New. Includes a new preface by the poet and a new foreword that considers the lasting influence of this important work Illustrator(s): Hernandez, Judithe. Num Pages: 112 pages, 15 color illus. BIC Classification: 1KLCM; 2AB; 2ADS; DCF. Category: (P) Professional & Vocational. Dimension: 5830 x 7765 x 10. Weight in Grams: 499. . 2012. 2nd Revised ed. Paperback. . . . . Books ship from the US and Ireland. Hernandez, Judithe (illustrator). …

Paperback. Condition: Brand New. 2nd blg edition. 100 pages. 8.75x11.75x0.25 inches. In Stock. Hernandez, Judithe (illustrator).

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Crisp, clean copy. Inscribed to previous owner and signed by artist. Signed by Author(s).

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. Hernandez, Judithe (illustrator).…

Hardcover. Condition: Brand New. 160 pages. 10.50x9.50x0.75 inches. In Stock.

Paperback. Condition: New. With these one hundred poems Alurista created a highly original poetics that upset the literary conventions of the era. Floricanto en Aztlán was published in 1971, a time of Chicano activism and the search for a Chicano identity. Using Aztlán, the mythical homeland of the Aztecs, as a unifying metaphor and employing indigenous symbols to describe barrio life, the poet inspired his readers, cultivating pride in their cultural past. The poems blend English, Spanish, and pre-Columbian languages to explore themes of alienation and exploitation in a decidedly Chicano voice.This new edition of Floricanto en Aztlán, Alurista's first book of poetry, includes a new preface by the poet and a new foreword that considers the lasting influence of this important work. Hernandez, Judithe (illustrator).…

Hardback. Condition: New. Chicana painter Judithe Hernández's subversive female archetypes offer her perspective on the historical and contemporary roles of womenPublished with Riverside Art Museum and The Cheech Marin Center for Chicano Art and Culture.As the fifth and only female member of the art collective Los Four, Judithe Hernández (born 1948) was a figurehead of Chicano/a art in California. She began her artistic career as a muralist in the 1970s, executing commissions for Cesar Chavez and the United Farm Workers Union, and at the Ramona Gardens Housing Project in East Los Angeles. Her paintings and pastel drawings place women against vague, dreamlike backgrounds, clothed in traditional garb or surrounded by animals, gesturing beyond the picture plane while gazing solidly at the viewer. Art historian Margarita Nieto writes that Hernández "speaks of woman hidden in her masks of roles.enhanced by a subconscious precognition of a mythic past." Beyond Myself, Somewhere, I Wait for My Arrival represents the first comprehensive evaluation of Hernández's 50-year career, and how it has informed Chicano/a artistic practices today.…