Julie Cotter (22 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft Cover. Condition: Very Good. No Jacket. Cotter, Joshua W. (illustrator). 434 pages. Note from author attatched top of title page and next to it signed "DON".There are no other marks or writiing in the book. Black and white newspaper illustrations. Corneers are square. No reading creases on the spine. Spine is tight and there are no loose pages. Cover colors are bright. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

8vo, 242pp. Black and white and colour illustrations. A very good hardback copy in like dust jacket.

Paperback. Condition: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: New. No Jacket. 1st Edition. Book hardcover NoDJ pictorial boards First Edition pp244. Condition New.

Hardcover. Condition: new. Hardcover. Dr Julie Cotter of Monash University has provided a richly detailed account of the career of Heidelberg School artist Tom Roberts that focuses on his enormous range of portrait studies. Identities portrayed include famous figures in the society and politics of the late 19th century as well as very early significant portraits of Indigenous people. Copiously illustrated with hundreds of images covering almost the artist's entire oeuvre of portrait paintings, with fine photography provided by many of Australia's leading galleries and collections, this splendidly researched publication will add new insights and information into the scholarship already developed around this important figure in Australian art history. His grand painting of the ceremony proclaiming Australia's Federation in 1901, in the Queen's Collection, forms a powerful conclusion to the book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: new. Hardcover. Dr Julie Cotter of Monash University has provided a richly detailed account of the career of Heidelberg School artist Tom Roberts that focuses on his enormous range of portrait studies. Identities portrayed include famous figures in the society and politics of the late 19th century as well as very early significant portraits of Indigenous people. Copiously illustrated with hundreds of images covering almost the artist's entire oeuvre of portrait paintings, with fine photography provided by many of Australia's leading galleries and collections, this splendidly researched publication will add new insights and information into the scholarship already developed around this important figure in Australian art history. His grand painting of the ceremony proclaiming Australia's Federation in 1901, in the Queen's Collection, forms a powerful conclusion to the book. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. Dr Julie Cotter of Monash University has provided a richly detailed account of the career of Heidelberg School artist Tom Roberts that focuses on his enormous range of portrait studies. Identities portrayed include famous figures in the society and politics of the late 19th century as well as very early significant portraits of Indigenous people. Copiously illustrated with hundreds of images covering almost the artist's entire oeuvre of portrait paintings, with fine photography provided by many of Australia's leading galleries and collections, this splendidly researched publication will add new insights and information into the scholarship already developed around this important figure in Australian art history. His grand painting of the ceremony proclaiming Australia's Federation in 1901, in the Queen's Collection, forms a powerful conclusion to the book. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. In.

Hardback. Condition: New. The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the "other"'s life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself.Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalism-analog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since "Right can never be higher than the economic structure of society and its cultural development conditioned thereby." The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor.

Paperback. Condition: new. Paperback. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Brand New. 244 pages. 10.00x6.50x0.50 inches. In Stock.

Hardback. Condition: New. The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the "other"'s life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself.Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalism-analog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since "Right can never be higher than the economic structure of society and its cultural development conditioned thereby." The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor.

Paperback. Condition: new. Paperback. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Melbourne : Thames &? Hudson Australia, 2015. Quarto, illustrated boards, pp. 448, extensively illustrated. New copy. 'Tom Roberts is a household name across the entire Australian arts-interested population and beyond. His portraits have never been the subject of a book. Those portrayed are figures in the nations history and lead-up to Federation in 1901, and therefore the book is also a social history.Adapted from the author's thesis "Tom Roberts' portraits: the complexity of representation of identity in the modern portrait in Australia" (Ph.D), Monash University, 2011.Includes bibliographical references (pages 436-446) and index.Shortlisted, Non-fiction, Prime Minister's Literary Awards, 2016.' - Trove website 'Dr Julie Cotter of Monash University has provided a richly detailed account of the career of Heidelberg School artist Tom Roberts that focuses on his enormous range of portrait studies. Identities portrayed include famous figures in the society and politics of the late 19th century as well as very early significant portraits of Indigenous people. Copiously illustrated with hundreds of images covering almost the artist?s entire oeuvre of portrait paintings, with fine photography provided by many of Australia?s leading galleries and collections, this splendidly researched publication will add new insights and information into the scholarship already developed around this important figure in Australian art history. His grand painting of the ceremony proclaiming Australia?s Federation in 1901, in the Queen?s Collection, forms a powerful conclusion to the book.' - the publisher.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: new. Hardcover. The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the others life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself.Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalismanalog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since Right can never be higher than the economic structure of society and its cultural development conditioned thereby. The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor. Humanism views the human as the conscious subject of free will against the non-human periphery. Posthumanism puts forth a major change to humanism by undoing the separation of human from non-human. Human, All Too (Post)Human argues humanism and post-humanism both normalize cap. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the others life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself.Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalismanalog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since Right can never be higher than the economic structure of society and its cultural development conditioned thereby. The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor. Humanism views the human as the conscious subject of free will against the non-human periphery. Posthumanism puts forth a major change to humanism by undoing the separation of human from non-human. Human, All Too (Post)Human argues humanism and post-humanism both normalize cap. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextHumanism views the human as the conscious subject of free will against the non-human periphery. Posthumanism puts forth a major change to humanism by undoing the separation of human from non-human. Human, All Too (Post)Human a.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Humanism views the human as the conscious subject of free will against the non-human periphery. Posthumanism puts forth a major change to humanism by undoing the separation of human from non-human. Human, All Too (Post)Human argues humanism and post-humanism both normalize capitalism, the obstacle to social change. The book makes the case that real change is ending class relations to free humanity from wage labor and place human and non-human in a new order of being.