Julius J Epstein (37 results)

Paperback. Condition: Acceptable. THE SCRIPT! Not so pretty. ACTING EDITION SCRIPT will serve as a useful Starving Student Edition when you need an extra! Some shelf wear and edge wear to the covers.THE FORMER ACTOR HAS MARKED UP THE SCRIPT including name.highlighting, underlining and sidebar notes. Economically priced ACTING EDITION for your performance needs. Book. …

paperback. Condition: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Soft cover. Condition: Fine.

paperback. Condition: Good.

Soft cover. Condition: Very Good. 1st Edition. 97 pages. Laurence Lerner (Short Story); E.J. Mishan (New Inflation); Joseph Epstein (Anyone For Paranoia?); Julius Gould (Men & Ideas: Shapes Of Things To Come); Poeotry (David Day, Edund Leo Wright, Rodney Pybus, Peter Scupham, Douglas, Dunn, Peter Regrave, Peter Porter, Glyn Hughes, John Matthias); Gerhard Prause (Mystery Of Knossos); Alexander Walker (Film: Exremental Ciema); Peter Schmid (Letter From Cairo); Book Reviews, Max Beloff (Who Shall Guard The Guardian?).…

Hardcover. Condition: Fair. No Jacket. GOOD/NO DUST JACKET. Former Library Book. [10], 134 pages. Text clean and unmarked except for usual library treatments. Pages lightly toned. Blue cloth boards lettered in silver at front and spine, lettering worn. Spine sunned, all edges rubbed, lower corners worn to boards, spine top and tail rubbed. Joints and hinges good, binding firm.…

Vintage color studio still photograph from the 1972 film. Based on Peter De Vries' 1968 novella "Witch's Milk." A soon-to-be spinster marries a ne'er-do-well despite his erratic, philandering behavior, feeling that she needs to settle down. Their relationship begins to break down after the sudden death of their nine-year-old son. Shot on location in San Francisco, California. 10 x 8 inches. Near Fine.…

Two vintage color studio still photographs from the 1975 film. Based on Jacqueline Susann's 1973 novel of the same name. A wealthy Hollywood tycoon falls on hard times and marries a diabolical sugar-mama to fund his lavish lifestyle. meanwhile, his beautiful daughter returns to the US from Europe, and begins an affair with one of her father's rivals. Shot on location in New York, Spain, Switzerland, and California. 8 x 10 inches. Near Fine. Olive Films 690. …

Vintage black-and-white still photograph from the 1978 UK release of the 1978 US film. Features a smirking Glenda Jackson. Distributor rubber-stamp on the verso, with a mimeograph snipe affixed to the verso. A widowed surgeon (Walter Matthau) trades woman like playing cards, until he meets Ann (Glenda Jackson). The two film star would combine talents again, 2 years later, in "Hopscotch." 8 x 10 inches, with no borders as issued. Near Fine.…

Two vintage full-color British front-of-house cards from the UK release of the 1958 US film. An American girl comes to London to visit her father and his new wife, who is determined to make the girl a debutante. 8 x 10 inches. Very Good, with creases and tiny closed tears.

Vintage color studio still photograph from the 1972 film. Based on Peter De Vries' 1968 novella "Witch's Milk." A soon-to-be spinster marries a ne'er-do-well despite his erratic, philandering behavior, feeling that she needs to settle down. Their relationship begins to break down after the sudden death of their nine-year-old son. Shot on location in San Francisco, California. 10 x 8 inches. Fine.…

Three vintage studio still photographs from the 1965 film. Based on the 1965 novel by Hubert Monteilhet. A Parisian woman who survived Dachau returns to her life in Paris, though she is assumed dead by her husband. Not recognizing her, he asks her to pretend to be his wife and fake her death so he may inherit her fortune. Set in Paris. 10 x 8 inches. One photograph Near Fine, one photograph Very Good, with some pin holes along the edges of the photograph, one photograph Poor with pin holes from staples across the photograph. Selby UK.…

Hardcover. Condition: Good. Dust Jacket Condition: Fair. First Edition. Good, but with offsetting (tan discoloration) on blank endpapers. No markings or bookplate. In a fair only dust jacket heavily faded along the spine. Abrasions along front flap fold and some tears and corner wear to jacket.Includes: CASABLANCA;DRAGON SEED;GOING MY WAY;HAIL THE CONQUERING HERO;THE MIRACLE OF MORGAN'S CREEK;THE MORE THE MERRIER;THE OX-BOW INCIDENT;THE PURPLE HEART;WATCH ON THE RHINE;WILSON.…

Hardcover. Condition: Very Good+. Dust Jacket Condition: Good. Near fine with usual age-toning to paper. No markings, no bookplate. In good price-clipped dust jacket with some edge wear including short tears and some dust soiling. Minor paper loss to extremities. .Includes: CASABLANCA;DRAGON SEED;GOING MY WAY;HAIL THE CONQUERING HERO;THE MIRACLE OF MORGAN'S CREEK;THE MORE THE MERRIER;THE OX-BOW INCIDENT;THE PURPLE HEART;WATCH ON THE RHINE;WILSON.…

Nine vintage full-color British front-of-house cards from the UK release of the 1962 US film. A deep Hollywood-style romance, about a young, intellectually disabled girl and her distraught parents. The girl eventually falls in love with a young Italian, but the parents are torn between putting the girl into institutional care, or letting her marry. George Hamilton was nominated for a BAFTA (1963) for his performance. 8 x 10 inches. Light rubbing and creasing overall, else Near Fine.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. First edition. 7 5/8" x 5 1/4". Dust jacket (unclipped; chips, large stain front panel). Very good. 134 pages. Actor Parley Baer's copy with his pencil signature on front free endpaper.

No Binding. Condition: Near Fine. Photocopy. 126 Pp., Unbound. A Later Reconstruction Of The Movie, By Unknown Author, In Photocopy. "When Production Began The Script Was Only Half Completed, Near The End Of Production The Script Was Literally Being Written The Night Before . Dalogue For The Final Seconds Of The Film Was Even Added Well After Production Had Been Completed. It Is Therefore Accurate To Say That No Complete Production Script For Casablanca Exists. The Script That Follows Is Therefore A Synthesis Of Extant Versions Of The Shooting Script, The Continuity Script, And A Close Analysis Of The Finished Film." Indeed This Script Differs From The "Official" Warner Brothers Version.…

AUTOGRAMMKARTE (blanco) mit Unterschrift signiert.

Vintage one sheet poster for the 1966 film. Based on the 1964 hit Broadway play by Muriel Resnik. Ellen Gordon (Jane Fonda) is New York executive John Cleves' (Jason Robards) mistress, who falls for Cleves' young, out-of-town associate Cass Henderson (Dean Jones), when Cleves' secretary unknowingly sends him to the apartment where they have their trysts. The secretary then compounds the error by telling Cleves' wife Dorothy (Rosemary Murphy) about the apartment. Shot on location in New York City. 27 x 41 inches. Folded, as issued, one small closed tear, else Near Fine.…

Script Format, reprint. Condition: Very Good. /FINAL REVISED DRAFT, 1941/ THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

Script Format, reprint. Condition: As New. / 1942 REVISED FINAL DRAFT / DIRECTOR MICHAEL ORTIZ, PRODUCER HAL WALLIS / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Condition: Good. Original pictorial wraps. 18.2 x 25.8cm. 34pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan (1946-1948). Aimed at bridging American pop culture and Japanese audiences, it printed full English scripts, actor profiles, and bilingual synopses of imports like Casablanca.The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films, the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers (SCAP) created a boom in cine-literacy. ."M?shon pikuch? raiburar?" wa, dainijisekaitaisengo no Nihon (1946-nen ? 1948-nen) ni oite, T?ky? de s?kan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruch? to Nihon no kankyaku to no kakehashi to naru koto o mezashi, d?shi wa "Kasaburanka" nado no yuny? eiga ni tsuite, kanzen'na eigo kyakuhon, haiy? no purof?ru, soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru, k?shita bairingaru aruiwa ?habana hon'yaku o hodokoshita eiga kanren shiry? no t?j? wa, gekitekina bunka-teki tenkan o sh?ch? suru monodeatta. Senji-ch? no ken'etsu ya gaikoku eiga no zenmen kinshi o hete, reng?-koku saik? shirei-kan s? shirei-bu (SCAP) no t?chi-ka de Hariuddo eiga ga totsujotoshite tairy? ni ry?ny? shita koto wa, eiga riterash? (eiga o yomitoku chikara) e no kanshin o ikkini takameru b?mu o makiokoshita nodearu.??????????????????????????????????1946??1948??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????1940????????????????????????????????????????????????????????????????????????????????????????????????SCAP????????????????????????????????????????????????????????????????????????.).…

Condition: Good. Original pictorial wraps. 18.2 x 25.8cm. 60pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan (1946-1948). Aimed at bridging American pop culture and Japanese audiences, it printed full English scripts, actor profiles, and bilingual synopses of imports like Casablanca. The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films, the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers (SCAP) created a boom in cine-literacy. ."M?shon pikuch? raiburar?" wa, dainijisekaitaisengo no Nihon (1946-nen ? 1948-nen) ni oite, T?ky? de s?kan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruch? to Nihon no kankyaku to no kakehashi to naru koto o mezashi, d?shi wa "Kasaburanka" nado no yuny? eiga ni tsuite, kanzen'na eigo kyakuhon, haiy? no purof?ru, soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru, k?shita bairingaru aruiwa ?habana hon'yaku o hodokoshita eiga kanren shiry? no t?j? wa, gekitekina bunka-teki tenkan o sh?ch? suru monodeatta. Senji-ch? no ken'etsu ya gaikoku eiga no zenmen kinshi o hete, reng?-koku saik? shirei-kan s? shirei-bu (SCAP) no t?chi-ka de Hariuddo eiga ga totsujotoshite tairy? ni ry?ny? shita koto wa, eiga riterash? (eiga o yomitoku chikara) e no kanshin o ikkini takameru b?mu o makiokoshita nodearu.??????????????????????????????????1946??1948??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????1940????????????????????????????????????????????????????????????????????????????????????????????????SCAP????????????????????????????????????????????????????????????????????????..…

Revised Final script for the 1953 film. Based on J. M. Barrie's 1914 play "Rosalind." A reigning Broadway diva refuses to accept her own age, creating consternation when she insists on playing the part of a 19 year-old in a new hit play. Set in New York. Missing wrappers, presumably as issued. Distribution page present, with receipt intact, rubber-stamped copy No. 88. Title page present, dated October 6, 1952, noted as REVISED FINAL WHITE, with credits for director Irving Rapper, and screenwriters Julius and Philip Epstein. 133 leaves, with last page of text numbered 130. Mimeograph duplication, rectos only, with blue and goldenrod revision pages bound in after the script, dated variously between 9-24-52 and 9-30-52. Pages Very Good plus, with light rust around the binding, bound with two gold brads. Olive Films 802. …

Revised Temporary script for the 1935 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board, and his annotations in manuscript ink on the cast page, noting the names of the three lead actors. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A pilot is shattered after losing his parents and sister in an airplane crash, but gains a new lease on life after falling in love with a kind young woman. Unfortunately, the woman is his best friend's girlfriend. Shot on location in New York and Los Angeles. Bound in full maroon leather, with gilt titles on the spine and front board. Distribution page present, dated 10/23/34, noted as REV. TEMP and copy No. 21, with receipt removed. Title page present, dated 10/22/34, with credits for director Frank Borzage, and screenwriters Jerry Wald and Julius J. Epstein. 123 leaves, with last page of text numbered 119. Mimeograph duplication, rectos only. Pages about Fine, binding Very Good plus.…

Final script for the 1935 film, seen here under the working title "Romance in a Glass House." Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A famed stage diva wants her untalented lover as her leading man. To prevent this from occurring, the producers select a handsome novice from the streets and declare him the new, contracted lead in their production. Bound in full red leather, with gilt titles on the spine and front board. Distribution page present, stamped copy No. 4, noted as FINAL, with receipt removed. Title page present, dated 6/25/35, with credits for screenwriters Jerry Wald, Julius J. Epstein, and Robert Hardy Andrews. 109 leaves, with last page of text numbered 105. Mimeograph duplication, rectos only. Pages Fine, binding about Fine.…

Draft script for the 1935 film, seen here under the working title "Caliente." Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board, and his annotations in manuscript pencil on the title page. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). In order to sober up, a hard-drinking magazine editor is sent to a Mexican resort, where he falls in love with a dancer about whom he had once written a scathing review. Choreographed by Busby Berkeley. Shot on location in Tijuana. Bound in red cloth with red quarter leather binding, with five raised bands and gilt titles on the spine. Title page present, undated, with credits for screenwriters Ralph Block, Warren Duff, Jerry Wald, and Julius J. Epstein. 120 leaves, with last page of text numbered 115. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 12/21/34 and 1/19/35. Pages Near Fine, binding lightly edgeworn and faded, else about Near Fine.…

Revised Final script for the 1936 film musical. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. SIGNED by actor Joe E. Brown on the distribution page. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Based on the successful 1929 Broadway play by Jack Donahue and Fred Thompson/ A stage actor joins the US Army during World War I, where he falls in love with a French barmaid and is arrested as a spy. Bound in dark red cloth, with gilt title on the front board. Distribution page present, with receipt intact. Title page integral with distribution page, dated 1/13/36, noted as REV. FINAL. 111 leaves, with last page of text numbered 110. Mimeograph duplication, rectos only. Pages Near Fine, binding lightly worn at the spine ends, else Near Fine. Signed.…

Final script for the 1935 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). After her parents are murdered by mobsters, a young girl endears herself to her newfound caretakers, a pair of kindhearted, small-time confidence men. Set in New York. Bound in full red leather, with gilt titles on the front board and spine. Distribution page present, stamped copy No. 95 and noted as Final, with receipt intact. Title page present, dated 5/14/35, with credits for screenwriters Robert Andrews, Julius J. Epstein, and Jerry Wald. 125 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Near Fine, binding Very Good plus, lightly worn at the corners and spine.…

Final script for the 1935 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board, and his annotations in manuscript ink on the distribution page, identifying actors. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A depressed musical promoter discovers a porter with a talent for singing, and signs the man to a contract, with success following shortly thereafter. Choreography by Busby Berkeley and Bobby Connolly. Bound in full maroon cloth, with gilt titles on the front board and spine. Distribution page present, with receipt intact, dated 8/7/35, noted as FINAL. Title page present, with credits for director William Keighley and screenwriters Jerry Wald and Julius Epstein. 132 leaves, with last page of text numbered 128. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 8/16/35 and 9/4/35. Pages Near Fine, binding about Near Fine, with a small scuff on the front board.…