Juno Gemes (16 results)

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Soft cover. Condition: Very Good. Juno Gemes, photographer frnt/bk cover (illustrator). 1st Edition. 6th collection of poetry by DH 'one of Australia's most acclaimed and important playwrights and poets'. This copy double signed and inscribed on the tp: 'to dear Bill*/ loved for so long/ Dorothy Hewett/ Perth WA/ 1987' and 'if only we had' DH. *Bill here is William Dunstun, an English Tutor and colleague at the University of Western Australia. Inscribed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. This book was published to coincide with the Proof Portraits from the Movement 1978-2003 exhibitions held at: National Portrait Gallery, Canberra 12 July - 10 September 2003, and Macquarie University Art Gallery 10 March - 10 May 2004.

Tapa blanda. Condition: Muy Bien. Idioma: Inglés. 21 x 22 cm. 32 páginas. Dedicatoria de Jo-Anne Driessens.

Hardcover. Condition: Brand New. 118 pages. 6.00x10.00x0.50 inches. In Stock.

Hardcover. Condition: Brand New. 118 pages. 6.00x10.00x0.50 inches. In Stock.

Soft cover. Condition: Fine. No Jacket. 64pp. 25cm. Black and white photographic illustrations. List of Works. Biography/Chronology. Soft covers. Fine clean copy. Gift message from the author.

1st edition pictorial wrappers As New quarto 63pp., b/w pls.,

Paperback. Condition: new. Paperback. Photographer Juno Gemes has been present at many of the moments of struggle towards sovereignty for Australia's First Nations people since the early 1970s, capturing the spirit and the mood of our most significant political story.This significant book brings together a powerful collection of over 220 photographs, fusing Juno Gemes' current and continuing work with her unique living archive. It is the summation of a career witnessing and advocating for change- a collection of photographs making visible the history of the First Nations people's struggle for justice over the last fifty years in Australia, providing a visual history and background of The Movement leading up to the Voice referendum of late 2023.Until Justice Comes is a landmark publication based on collaboration, revealing the true history of Australia. The uncovering of an often-invisible history of resistance and the fight for self-determination has long been at the heart of Juno Gemes' engagement with the First Nations people she has known and worked with over decades and generations. These photographs include portraits of political and cultural leaders and intimate community events as well as activism played out on the streets. Continuing her collaborative approach, the book includes new writings and poems by key contributors including the Honourable Linda Burney MP, Larissa Behrendt, Djon Mundine, Fred Myers, Frances Peters-Little, John Maynard, Catherine de Lorenzo, and Ali Cobby Eckermann.Photographs covering crucial moments in history including the Redfern Revolution, the land rights campaigns, the National Apology to the Stolen Generations, the election of eleven Indigenous Members to the 47th Federal Parliament, and the preparations for the 2023 Referendum on the Voice to Parliament, form the backbone of this book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Signed and inscribed by Adamson and Gemes on half-title. Photo and poetry book on the lives of the oyster farmers on the Hawkesbury River, New South Wales. First Edition. Sydney: Craftsman House, (1997). 4to. Original maroon publisher's cloth hardcover in original unclipped dust jacket. Pages: 168. Fine. Dust jacket unclipped. Book presents as new. In stunning condition. Please note: This item is large and/or heavy. It may require additional postage costs to be paid. If so, we will contact you after purchase. Signed by Author(s).

Paperback. Condition: new. Paperback. Photographer Juno Gemes has been present at many of the moments of struggle towards sovereignty for Australia's First Nations people since the early 1970s, capturing the spirit and the mood of our most significant political story.This significant book brings together a powerful collection of over 220 photographs, fusing Juno Gemes' current and continuing work with her unique living archive. It is the summation of a career witnessing and advocating for change- a collection of photographs making visible the history of the First Nations people's struggle for justice over the last fifty years in Australia, providing a visual history and background of The Movement leading up to the Voice referendum of late 2023.Until Justice Comes is a landmark publication based on collaboration, revealing the true history of Australia. The uncovering of an often-invisible history of resistance and the fight for self-determination has long been at the heart of Juno Gemes' engagement with the First Nations people she has known and worked with over decades and generations. These photographs include portraits of political and cultural leaders and intimate community events as well as activism played out on the streets. Continuing her collaborative approach, the book includes new writings and poems by key contributors including the Honourable Linda Burney MP, Larissa Behrendt, Djon Mundine, Fred Myers, Frances Peters-Little, John Maynard, Catherine de Lorenzo, and Ali Cobby Eckermann.Photographs covering crucial moments in history including the Redfern Revolution, the land rights campaigns, the National Apology to the Stolen Generations, the election of eleven Indigenous Members to the 47th Federal Parliament, and the preparations for the 2023 Referendum on the Voice to Parliament, form the backbone of this book. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

The dustwrapper has wear to the edges of the dust wrapper, especially on the spine of the dust wrapper, and there is some staining. The brown boards are clean with some bumping to the spine edge, with bright lettering to the spine. The binding is firm. The pages are clean. There is a sticker mark to the inside flap of the dust wrapper. This book has 168 pages. All in all a nice example of this book.

Paperback. Condition: new. Paperback. Photographer Juno Gemes has been present at many of the moments of struggle towards sovereignty for Australia's First Nations people since the early 1970s, capturing the spirit and the mood of our most significant political story.This significant book brings together a powerful collection of over 220 photographs, fusing Juno Gemes' current and continuing work with her unique living archive. It is the summation of a career witnessing and advocating for change- a collection of photographs making visible the history of the First Nations people's struggle for justice over the last fifty years in Australia, providing a visual history and background of The Movement leading up to the Voice referendum of late 2023.Until Justice Comes is a landmark publication based on collaboration, revealing the true history of Australia. The uncovering of an often-invisible history of resistance and the fight for self-determination has long been at the heart of Juno Gemes' engagement with the First Nations people she has known and worked with over decades and generations. These photographs include portraits of political and cultural leaders and intimate community events as well as activism played out on the streets. Continuing her collaborative approach, the book includes new writings and poems by key contributors including the Honourable Linda Burney MP, Larissa Behrendt, Djon Mundine, Fred Myers, Frances Peters-Little, John Maynard, Catherine de Lorenzo, and Ali Cobby Eckermann.Photographs covering crucial moments in history including the Redfern Revolution, the land rights campaigns, the National Apology to the Stolen Generations, the election of eleven Indigenous Members to the 47th Federal Parliament, and the preparations for the 2023 Referendum on the Voice to Parliament, form the backbone of this book. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Boards in d.j. 1st Edition. 1st ed., quarto, cloth boards, b&w plates, pp 168. Near fine condition in like dust-jacket A celebration of the Hawkesbury River and the oyster farmers and fishing families who live there, with text by the award-winning poet and publisher Robert Adamson and images by the celebrated photographer Juno Gemes.

Dust Jacket Condition: dj. First Edition. Laid in is a photograph of the print found on p.146, with a blind embossed stamp, Geme's signature to its front margin, and her description to rear "Section VII Right Page - No. 85 1993". Quarto (27.5cm); brown cloth-covered boards with titling stamped in silver on spine; dustjacket; [5],6-168pp; black-and-white photographic (halftone) illustrations throughout. Inscribed by photographer and poet on front endpaper to Nathaniel Tarn: "Dear Nathaniel - Have a message as a Fellow Showman!! Warm greetings flow the river! Love Juno Gemes" and "Dear Nathaniel, I've been reading; living in your poetry all week, hanging with you over the years, finding the 'correspondences' we have and looking forward to our continuing work into the future-- with love and admiration / Bob / Robert Anderson Mooney Creek, Spring 2006". Modest rubbing to cloth of lower corners and spine tail, and trace shelf-soil to covers; Very Good+. Dustwrapper has trivial surface wear with light crinkling; Very Good. Australian partners Adamson and Gemes co-established Paper Bark Press (1986) with Michael Wilding, and this is the couple's first collaborative publication of their works. Gemesfocuses her work on social history among Aboriginal Australians, and she was invited to photograph the National Apology in Canberra in 2008. This collection of verse is organized into five sections, each beginning with a selection of Gemes's full-page photographs, and includes Adamson's "Meshing Bends In The Light", "Green Prawn Map", "Songs for Juno", and "Rock Carving with Kevin Gilbert". While not explicitly marked as such, this copy is from the library of noted poet, translator, and anthropologist Nathaniel Tarn (1928-2024) and is inscribed to him by both the poet and photographer. [87764]. Signed.