Kameric (10 results)

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. Top corner of the half-title page has a small red heart stamp; tight, text clean. 156 p., illustrated [br 23].

Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> ?ejla Kameric belongs to the generation of artists who grew up in Sarajevo during the three and a half year siege. This has greatly determined the attitude of this artist, as well as her understanding and practicing art. What makes Sejla (and the group of "war generation" artists) essentially different from "other members of their generation" is the meaning of their work, not the means they use. Furthermore, by getting on with her work without worrying about what art really is, or isn't, she is a member of a generation born in the mass-media age, one where the media and the surrounding reality, rather than the history of art, form the main references. Learning about life in the cruelest way and knowing how to transform such experiences into art is the essence of her work. There are two key perspectives in her work: Personal notions based on a common experience of the outside world: Vital issues of the local society, linked to, or opposed to worldwide moral, socio-political subjects. - Self-reflections based on p.

Paperback. Condition: New. Qto., 106 pages, illustrated. Bilingual text, English and French. A New copy.

Hardcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Dual Language including English. Hardcover. English. See images for condition. About the book >.>.> BASAK Your exhibition at Arter, When the Heart Goes Bing Bam Boom" takes its title from the chorus of a punk-rock hit? This line evokes the powerful, explosive nature of love through the onomatopoeia that refers to a physical explosion. It embodies one of the basic dilemmas of love and life: the co-existence of a light, "head in the clouds" feeling, and an underlying fear of the unknown. Shall we begin by talking on how this line and the contrasting sensations it implies connect to your practice in general? ?EJLA Listening to music can bring about an emotional time travel that evokes antagonistic and opposing emotions. Some songs have the power to remind us how happy we once were, but at the same time they could upset us because that moment is gone. Also, in time, the meaning we attribute to a song can change. We remember how we used to cry to a song; and now it brings us joy, because we are now able to see the beauty in life. Contrasting emotions, dualities and the places whe.

Buch. Condition: Neu. Neuware - Uber das Selbst, die Erinnerung und . das Lachen In den letzten 25 Jahren hat Seijla Kameric (geb. 1976 in Sarajewo, lebt und arbeitet in ebenda und Berlin) eine bemerkenswerte Anzahl von Kunstwerken geschaffen, die auf Gesten der Selbstdarstellung basieren. Sie bezeugen Kamerics bestandige Treue zum Sujet des Selbstportrats und ihr unkonventionelles Verstandnis dieser selbstreferenziellen Praxis.Mother is a bitch versammelt Texte und Bilder, die die vielfaltige Praxis der Künstlerin reflektieren und zwei Hauptlinien ihres Werks verfolgen: Selbstportrats und Textilarbeiten. Diese Werke basieren auf Kamerics eigenen Erfahrungen, Erinnerungen und Traumen und führen uns in globale Raume der Vertreibung und Diskriminierung. Sie werden durch die Perspektive von Geschlecht, Arbeit, Migration, Klasse und Fürsorge betrachtet und spielen mit Vergangenheit und Gegenwart.Inspiriert von He le ne Cixous' e criture feminine, des 'weiblichen Schreibens', die als Stromung der feministischen Philosophie Elemente der Psychoanalyse, der Literaturtheorie und des Dekonstruktivismus verbindet, betrachten die Autor\*innen der Publikation Schreibhandlungen als Subversion patriarchaler Ordnungen. Durch die Konfrontation der in Auftrag gegebenen Texte mit Reproduktionen von Kamerics Werk werden Themen wie Hexerei, Feminismus, Selbstreflexion, Selbsterforschung und Selbstausbeutung verhandelt. Mit Beitragen von Hana Curak, Iskra Geshoska, Jana Kocevska, Edi Muka, Natalija Paunic, Linda Peitz, Bojana Pejic, Nicola Petek, Magdalena Radomska, Milica Radulovic, Mathilde Sandlarz, Milica Trakilovic, Adriana Tranca und Jasmina Tumbas, zusammengestellt von Ziva Kleindienst.On Selfhood, Memory, and . Laughter Over the past 25 years, Seijla Kameric (b. Sarajevo 1976; lives and works in Sarajevo, Berlin, and Istria) has produced a remarkable number of art works based on the self-presentational gestures. They reveal Kameric's enduring allegiance to the subject of self-portraiture and her unconventional comprehension of this self-referential practice.Mother is a bitch brings together texts and images that reflect on Kameric's multifaceted practice following two main lines within her body of work: self-portraits and textile works. These artworks are based on Kameric's own experiences, memories and dreams and take us to global spaces of displacement and discrimination. They are viewed through the lenses of gender, labor, migration, class, and care, imbued with interweaving temporalities-past and present.Inspired by He le ne Cixous' e criture feminine or 'women's writing'-a theory of feminist philosophy that combines elements of psychoanalysis, literary theory, and deconstructivism, the authors of the publication consider acts of writing as a subversion of patriarchal orders. The commissioned texts are juxtaposed with one another and with reproductions of Kameric's works, negotiating themes such as witchcraft, feminism, self-reflection, self-exploration, and self-exploitation. With contributions by Hana Curak, Iskra Geshoska, Jana Kocevska, Edi Muka, Natalija Paunic, Linda Peitz, Bojana Pejic, Nicola Petek, Magdalena Radomska, Milica Radulovic, Mathilde Sandlarz, Milica Trakilovic, Adriana Tranca and Jasmina Tumbas, edited by Ziva Kleindienst.

Buch. Condition: Neu. Mother is a bitch | Sejla Kameric | Sejla Kameric | Buch | 160 S. | Englisch | 2023 | Distanz Verlag | EAN 9783954765812 | Verantwortliche Person für die EU: DISTANZ Verlag GmbH, Hallesches Ufer 78, 10963 Berlin, info[at]distanz[dot]de | Anbieter: preigu.

Softcover, 136 pages; in English and Serbo-Croatian?; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Condition: Fine. First Edition. Hardback. Dust Jacket. 4to. pp 159. Original publisher's grey cloth, lettered blind on spine and front cover. Exhibition catalogue - copiously illustrated in colour and black and white throughout. Turkish and English parallel text. ISBN: 9756959967 Fine in fine dust jacket.

Gebundene Ausgabe. Condition: Sehr gut. Text türkisch und englisch. 159 Seiten, überw. Ill. Text in Turkish and English language. Clothbound with illustrated dustjacket. Jacket slightly rubbed, otherwise in very good condition. + + + Original-Leineneinband mit illustr. Schutzumschlag. Umschlag tl.s wenig berieben, sonst sauber und gepflegt. Keine Besitzvermerke. 9789756959961 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** tr Gewicht in Gramm: 1100.