Kappelhoff Hermann (214 results)
Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
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Cinematic Metaphor in Perspective : Reflections on a Transdisciplinary Framework
Greifenstein, Sarah (EDT); Horst, Dorothea (EDT); Scherer, Thomas (EDT); Schmitt, Christina (EDT); Kappelhoff, Hermann (EDT)
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Paperback. Condition: New. Over centuries, scholars have explored how metaphor contributes to thought, language, culture. This collection of essays reflects on Müller, Kappelhoff, and colleagues' transdisciplinary (film studies and linguistics) approach formulated in "Cinematic Metaphor: Experience - Affectivity - Temporality".…The key concept of cinematic metaphor opens up reflections on metaphor as a form of embodied meaning-making in human life across disciplines. The book documents collaborative work, reflecting intense, sometimes controversial, discussions across disciplinary boundaries. In this edited volume, renowned authors explore how exposure to the framework of Cinematic Metaphor inspires their views of metaphor in film and of metaphor theory and analysis more generally. Contributions include explorations from the point of view of applied linguistics (Lynne Cameron), cognitive linguistics (Alan Cienki), media studies (Kathrin Fahlenbrach), media history (Michael Wedel), philosophy (Anne Eusterschulte), and psychology (Raymond W. Gibbs, Jr.).
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Cinematic Metaphor in Perspective : Reflections on a Transdisciplinary Framework
Greifenstein, Sarah (EDT); Horst, Dorothea (EDT); Scherer, Thomas (EDT); Schmitt, Christina (EDT); Kappelhoff, Hermann (EDT)
- Softcover
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Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
- Softcover
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More imagesLanguage: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
- Softcover
- First Edition
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Soft cover. Condition: New. 1st Edition. First printing. Softcover volume, measuring approximately 6" x 9", is new. xiv/257 pages. "Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to ind…ividual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.".
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Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
- Softcover
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Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
- Softcover
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Cinematic Metaphor : Experience ? Affectivity ? Temporality
Muller, Cornelia; Kappelhoff, Hermann; Greifenstein, Sarah (CON); Horst, Dorothea (CON); Scherer, Thomas (CON)
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Language: English
Published by Columbia University Press, US, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
- Softcover
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Paperback. Condition: New. Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein an…d Pedro Almodovar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Ranciere and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.
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Paperback. Condition: New. Metaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor research. The specific media character of film, and thus of cinematic metaphor, remains, however, largely ignored. Audiovisual images are all too frequentl…y understood as iconic representations and material carriers of information. Cinematic Metaphor proposes an alternative: starting from film images as affective experience of movement-images, it replaces the cognitive idea of viewers as information-processing machines, and heals the break with rhetoric established by conceptual metaphor theory. Subscribing to a phenomenological concept of embodiment, a shared vantage point for metaphorical meaning-making in film-viewing and face-to-face interaction is developed. The book offers a critique of cognitive film and metaphor theories and a theory of cinematic metaphor as performative action of meaning-making, grounded in the dynamics of viewers' embodied experiences with a film. Fine-grained case studies ranging from Hollywood to German feature film and TV news, from tango lesson to electoral campaign commercial, illustrate the framework's application to media and multimodality analysis.
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Condition: New. pp. 158.
Cinematic Metaphor : Experience ? Affectivity ? Temporality
Muller, Cornelia; Kappelhoff, Hermann; Greifenstein, Sarah (CON); Horst, Dorothea (CON); Scherer, Thomas (CON)
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Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
- Softcover
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
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Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
- Hardcover
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Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Language: English
Published by Columbia University Press, US, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
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Paperback. Condition: New. Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein an…d Pedro Almodovar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Ranciere and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.
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Paperback. Condition: Brand New. 158 pages. 9.05x6.10x0.39 inches. In Stock.
Language: English
Published by Columbia University Press, 2015
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts, Book 21 of 32. Book 21 of 32 - Columbia Themes in Philosophy, Social Criticism, and the Arts
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Paperback. Condition: New. Based on the premise that a society's sense of commonality depends upon media practices, this study examines how Hollywood responded to the crisis of democracy during the Second World War by creating a new genre - the war?film. Developing an affective theory of genre cinema, the study's focus on the se…nse of commonality offers a new characterization of the relationship between politics and poetics. It shows how the diverse ramifications of genre poetics can be explored as a network of experiental modalities that make history graspable as a continuous process of delineating the limits of community.
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