Kaprow Alan (25 results)

126 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical about site-specific art, this issue focusing on energy. Edited by Alison Sky and Michelle Stone. Contents include: "Introductions," by James Wine; "Our Enduring Illusions," by James S. Mellett; "Energy and Civilization," by René Dubos; "Plant, Eat, and Work!," by Lewis Mumford; "Sunlight Convergence / Solar Burn," by Charles Ross; "Solar Energy and Survival," by Alan H. Balfour; "Fire Cycles," by Anthony McCall; "Architectural Prospects," by Richard G. Stein; "Tomorrow's Energy: Glowing Prospect," by Jerry Grey; "Interview with Fred S. Dubin," by Alison Sky; "The ID Monster," by U.F.O.; "Towards a Zero Energy Architecture," by John Lobell; "Personal Mobility in the U.S.A.," by David J. Neuman; "Travelog," by Allan Kaprow; "A Subjective Study of the L.A. Freeway Grid," by O.M. Ungers; "Railroad Young Men's Christian Association," by Andrew MacNair; "Autorama," by Chip Lord & Ant Farm; "The Energy of Reuse," by Hugh Hardy; "Spatiology," by Vittorio Giorgini; "Premises for Future Planning," by Percival Goodman; "People in Glass Houses," by Witold Rybczynski; "Architecture for a New Era," by Jeffrey Cook; "The Seagram's Building and it's Plaza," by Marilyn Wood & the Celebrations Group; "The Liberation of Human Energy," by Barbara M. Hubbard; "Transformations of a SOHO Street," by Ruth Heller Coron; "Performance as Energy," by M. Paul Friedberg; "Image's Identity, by Francesc Torres; "This man lives in my building," by Donald Lorimer; "Interview with Denise Scott Brown," by Alison Sky; "On Energy," by Jean Dupuy; "Los Angeles: Architecture of the Cinema," by Kip K. McBane; "Video," by Nam June Paik; "Set Timer," by Jim Cobb; "Television Delivers People," Richard Serra; "Pickin' Up the Pieces of Universal Order and Architecture," by Mimi Lobell; "The Washington Monument Sundial," by Yuri Schwebler and "Biographical Notes." Cover photo Michelle Stone. Good. Significant rubbing of covers and cover edges with bumping and wear to corners. Contents clean and unmarked. Due to large size and weight, additional shipping charges will be required for international orders.

Encuadernación de tapa dura. Condition: Bien. Textos de Richard Hamilton, Alan Kaprow, Antonio Saura, Luis Gordillo, y el artista en castellano con traducción al inglés. 498 pp. Encuadernado en tela editorial con sobrecubierta.

30x24. 498 pags. Muy ilustrado, fotos color. Tela ed. con sobrecubierta ilustrada, color.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 Number of books: 1 book.

Condition: Fine. Number of pages: 272p Size: A5 size Number of books: 1.

16 Seiten, mit vielen Abbildungen. - Beidseitig bedrucktes Deckblatt auf Mattglanz-Karton; 4to.(ca. 29,5 x 20,5 cm). *** 1. AUFLAGE, GROSSFORMATIGE BROSCHIERTE ORIGINALAUSGABE. - TADELLOSES EXEMPLAR. --- Viele weitere Monographien einzelner Künstler-innen des renommierten Lieferungswerkes im Bestand. . .

[24] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 7 - 31, 1970 at Sidney Janis Gallery, New York. Artists in the exhibition included Marcel Duchamp, Kurt Schwitters, Hans Arp, Joan Miro, Buckminster Fuller, Jackson Pollock, Christo, Bruce Conner, Walter De Maria, Robert Rauschenberg, Robert Whitman, Ellsworth Kelly, James Rosenquist, Oyvind Fahlström, Lucas Samaras, Robert Indiana, Jim Dine, Jasper Johns, Claes Oldenburg, Robert Barry, Bruce Bauman, Arman, Barry Flanagan, Les Levine, Robert Gordon, George Kuehn, Fred Sandback, George Segal, Picasso, Man Ray, Francis Picabia, Allan Kaprow, Lawrence Weiner, Victor Burgin, Lloyd Hamrol, Peter Hutchinson, George Herms, Ernst Hesse, William Bollinger, Alan Saret, Robert Rohm, and Robert Watts. Good. Moderate wear and scruffing to covers. Contents clean and unmarked.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner; "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. Morgan; "Two (Four) Views of Niagara," by Alan Sondheim; "The Photograph and the Photographed," by Frances Colpitt; "The Photograph as Nonsufficient Datum: A Conversation with Allan Kaprow," by Robert C. Morgan; "On Art Writing/Part II: A Conceptual Criticism," by Clair Wolfe; "Dennis Hopper's Lost Movie," by David James; "Despair, Sobriety, Sachlichkeit," by Sanda Agalidi; "A Cautionary Note," by Howard Singerman; "The Materialist Art Object," by Louise Lewis; "Maria Nordman," by Melinda Wortz; "Touch Don't Touch Don't Touch Now Don't," by Hunter Drohojowska and "Proposal for QUBE," by Peter D'Agostino. Cover by Leland Rice, featuring a photograph of work in Peter Lodato's Studio. Good / Very Good. Dust soiling and yellowing of covers with foxing along cover edges and light fingerprint soiling. Light handling wear and edge-wear. Contents clean and unmarked.

70 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1982 issue of Journal. Edited by Frances Colpitt. Contents include: "The Importance of Permanence," by Donald Judd; "Intentional Acts of Identification : Legrady and Maclay," by Mark Johnstone; "Mr. Smith Goes to the Airport," by Michael Smith; "Bruce Nauman Interview," by Bob Smith; " Magnificent Obsession: The Drawings of David Smith," by Sally Ruth Bourrie; "Anthony Caro's Emma Lake Sculptures," by Phyllis Tuchman; "The Activity Art of Allan Kaprow and the Notion of Functional Sculpture," by Dan Giesler; "Context: Light and Space as Art," by Jan Butterfield; Artists' Pages by Greg Card, Henk Elenga, Jim Pomeroy, Chauncey Joe Stromie, and James Alan Ganzer; "Artists' Biographies" and "Colson's Corner." Very Good. Light rubbing of covers and light bumping of bottom right corner of publication. Contents clean and unmarked. Due to size and weight additional shipping charges may be required for international orders.

Hardcover with dustjacket, unpaginated; in Czech with English at rear; very good condition; except light foxing to outer page edge; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. 1st edition. Near VG. 4to, 20pp (mimeographed). This copy addressed and mailed to David Ball in Paris. Another key issue of this incomparable private-circulation mimeo revolution mag from the heart of the sixties cultural ferment. Mailing address and a period appointment notation in French to the back leaf (no other markings), a bit of overall wear and small edge tearing, back leaf detached from one staple. Not Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. 4° - Color & B/w reproductions. Monograph on Czech artist Milan Knizak (1940). Text in Czech and English. Original cloth and dust-jacket. In fine condition.

Hardcover. Condition: Fine-. No Jacket. First Edition. CLEAN Fine- FIRST EDITION HARDCOVER. NO Dust Jacket.

Softcover. Condition: Near Fine. Magazine. Cover by Jeanne Marlowe. (20)pp. Single sheets printed both sides and secured with two staples. Folded once for mailing with post office cancel, stamp and mailing label, and some wear at the corner, near fine. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This copy is addressed to poet Robert Duncan, the highly influential Black Mountain teacher, contributor to the San Francisco Renaissance and early gay rights pioneer. This issue features contributions from Ruth Krauss, Alan Marlowe, Ferencz McNaughton, Carl Solomon, Hubert Selby, Jr., Herbert Hucke, Gilbert Sorrentino, Allan Kaprow, James Waring, Alex Katz, Howard Schulman, and Anne Wilson.

Hardcover with black linen tape binding; heavy cardstock pages; in German; very good condition; except the fragile spine is split at center; all pages still attached; very clean and crisp for this item; no internal marks. An edition of 300 with #136 card laid in.

Press packet for Bang 3, an art festival in Richmond Virginia from March 21-25 1966 that featured John Cage and David Tudor performing Variations VI, a panel on Art, Non-Art and Anti Art with Allan Kaprow, Barnett Newman, Ernest Trova, Dan Flavin and Donald Judd; a Judith Dunn Dance with Bill Dixon, Alan Silva; a faculty performance titled Bird Park Lake: Vue Gram and a student performance titled Synthesis II At Least the Cut Grass Would Smell the Same. The packet includes a 7 page stapled press release with detailed descriptions of the events; a schedule of events; and ten other 8 x 11 inch sheets: "Bang 3"; an image of each of the panelists; and fliers for Judith Dunn, Synthesis II, Vue Gram and the Cage / Tudor concert.

New York, Multiple Inc., 1970, 7 planches 305x225mm imprimées en offset sous enveloppe titrée. Publié à 1200 exemplaires comme élément de la boîte "Artists and Photographs". L'idée de ce collectif, due à la galériste Marian Goodman, était de faire produire des oeuvres photographiques par des artistes qui n'étaient pas photographes. Très bon état.(103628).