Kathy Geritz (9 results)

Soft cover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Please note that, depending on destination, we may request a payment to cover any extra shipping/postage charges. All proceeds go to Amnesty International. AbeBC2604. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors.…

Softcover. Condition: Very Good+. No Dust Jacket. B and w and collor illus and photos; 4to 11" - 13" tall; 352 pages.

First Edition. Softcover. First Edition. Near Fine in perfect-bound wrappers.

Condition: New. Well packaged and promptly shipped from California. US veteran operated.

Softcover. Condition: Fine. No jacket.

Hardcover. Condition: New. This kaleidoscopic collection of essays, interviews, photographs, and artist-designed pages chronicles the vibrant and influential history of experimental cinema in the San Francisco Bay Area. Encompassing historical, cultural, and aesthetic realms, Radical Light features critical analyses of films and videos, reminiscences from artists, and interviews with pioneering filmmakers, curators, and archivists. It explores artistic movements, film and video exhibition and distribution, artists' groups, and Bay Area film schools. Special sections of ephemera--posters, correspondence, photographs, newsletters, program notes, and more--punctuate the pages of Radical Light, giving a first-hand visual sense of the period. This groundbreaking, hybrid assemblage reveals a complex picture of how and why the San Francisco Bay Region, a laboratory for artistic and technical innovation for more than half a century, has become a global center of vanguard film, video, and new media. Among the contributors are Rebecca Solnit and Ernie Gehr on Bay Area cinema's roots in the work of Eadweard Muybridge and others; Scott MacDonald on Art in Cinema; P. Adams Sitney on films by James Broughton and Sidney Peterson; Stan Brakhage, Bruce Conner, Lawrence Jordan, and Yvonne Rainer on the Bay Area film scene in the 1950s; J. Hobeman on films by Christopher Maclaine, Bruce Conner, and Robert Nelson; Craig Baldwin on found footage film; George Kuchar on student-produced melodramas; Michael Wallin on queer film in the 1970s; V. Vale on punk cinema; Dale Hoyt and Cecilia Dougherty on video in the 1980s and 1990s; and Maggie Morse on new media as sculpture.Copub: Berkeley Art Museum and Pacific Film Archive.…

An astonishing collection between two covers. "This kaleidoscopic collection of essays, interviews, photographs and artists designed pages chronicles the vibrant history of experimental cinema of the San Francisco Bay area." Naturally some of the contributors include Rebecca Solnit, Scott MacDonald, P. Adams Sitney, James Broughton, Stan Brakhage, Bruce Conner, Ivan Rainer, J. Hoberman, plus Michael Wallin on Queer Film in the 1970s, V. Vale on Punk Cinema, and much more. A beautiful gift quality tall as new wraps with excellent square spine and forever fascinating illustrated text. …

First trade paperback printing. 4to. 351 pp. Fine in illustrated wrappers. A well-illustrated and comprehensive treatment.

Condition: Very good. Great condition. Cover edges are shelf worn. Binding is tight. Inside is clean and unmarked.