Condition: New.
Language: English
Published by Midwood, 1966
Seller: CKBooks, Bussey, IA, U.S.A.
Mass Market Paperback. Condition: Good. foxing to page edges, age toned, reading creased, number stamped on bottom page edges.
Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Published by MIDWOOD DOUBLE,, 1964
Seller: GRAHAM HOLROYD, BOOKS, Webster, NY, U.S.A.
First Edition
Paperback. ORIGINAL first edition. 338, very good , creases (Straight Novel + Lesbian Novel), paperback,
Published by Midwood Books., CANADA., 1966
Seller: Comic World, Steinbach, MB, Canada
First Edition
Soft cover. Condition: Very Good. GGA Good-Girl-Art PHOTO Cover; (illustrator). PBO (Paperback Original) True First Ed. Draw the Blinds by Kimberly Kemp /// Surprise, Surprise by Frank Graham; 219 page (adult material) ."Two women who were accustomed to getting everything they wanted!" >>> Cover scuffing & creasing; curl to paper spine; Size: 12mo - over 6¾" - 7¾" Tall. Book.
Published by Midwood Enterprises, Midwood, 1966
Seller: Kayo Books, San Francisco, CA, U.S.A.
paperback. Condition: Acceptable, reading copy. Vintage, lesbian paperback.
Published by Midwood Enterprises, Midwood, New York, 1968
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Three books in one! Vintage, lesbian sleaze. Very good-, tanned, rubbing, edge chipping, creasing.
Published by Midwood S338, 1964
Seller: DreamHaven Books, Minneapolis, MN, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. Two paperback originals. Early "sleaze" novels. Near fine.
Soft cover. Condition: Very Good. No Jacket. 2nd Edition. A Very Good copy of this 2nd printing PBO. IB.
Published by Midwood Double Novel, CANADA., 1964
Seller: Comic World, Steinbach, MB, Canada
First Edition
Soft cover. Condition: Very Good to Fine. GGA - Good Girl Art - PHOTO Cover. (illustrator). First Edition By This Publisher. STRICTLY ADULTS ONLY !! *** 2 complete novels in one book 250 pages IMMORAL by Jason Hytes // FORBIDDEN by Kimberly Kemp >> Very RARE Title; >> cover creasing, Book.
Language: English
Published by Midwood, 1962
Seller: Browse Awhile Books, Tipp City, OH, U.S.A.
Mass Market Paperback. Condition: Very Good (faults). Midwood F141. Front cover corner clipped. Book store handstamp ffep.
Published by Tower Publications, Midwood, 1966
Seller: Kayo Books, San Francisco, CA, U.S.A.
paperback. They came to the resort not only to lose weight but also to find other women with strange and secret frustrations. Vintage, lesbian paperback. Very good, minor creasing, tanning, sunned spine.
Published by Midwood Paperback, 1968
Seller: Cape Cod Booksellers, Yarmouth, MA, U.S.A.
Decorated Wraps. Condition: Near Fine. No Jacket. Midwood Paperback #37-153, 1968, 3 adult novels in one paperback, scarce in near fine condition.
Published by Tower Publications, Midwood, 1963
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Vintage lesbian sleaze. Very good+ tanned, appears unread, spot to cover.
Published by Tower Publications, Midwood, New York, 1963
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Bert and Libby were bored with their marriage, so they took separate vacations. He went to the seashore, she to the mountains. Libby spent her time learning the ins and outs of Lesbianism, and discovering that three in a bed was not one too many - especially if the other two were women who knew their angles. Vintage paperback. Very good+, book is tanned and appears unread.
Published by Midwood Tower., 1966
Seller: GRAHAM HOLROYD, BOOKS, Webster, NY, U.S.A.
Paperback. +. 34-277 near fine, unread photo cover. lesbian paperback,
Published by Midwood Book/Tower Publications, 1964
Seller: Recycle Bookstore, San Jose, CA, U.S.A.
Paperback. Condition: Very Good. Book has light wear to corners, light toning to spine and back, three small letters in ink at top of spine (also a blue zero in middle of spine), some pen marks at top edge of first page. otherwise book is clean and attractive with a solid binding and clean pages. Quite nice overall. Photos on request.
Published by Tower Publications, Midwood, New York, 1965
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Vintage lesbian paperback. Very good, tanning, creasing, shelf wear.
Published by Midwood Book/Tower Publications, 1964
Seller: Recycle Bookstore, San Jose, CA, U.S.A.
Paperback. Condition: Very Good. Book has slight wear to corners, a few light white spots to textblock, some creases to spine along with light toning. otherwise book is clean and attractive with a solid binding and clean pages. Photos on request.
Language: English
Published by Midwood Books, 1968
Seller: Garage Books LLC, Oxon Hill, MD, U.S.A.
Soft cover. Condition: Good. Paul Rader (illustrator). 2nd Edition. Party Time by Kimberly Kemp.
Published by Tower Publications, Midwood, 1964
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Cover art by Paul Rader (illustrator). Vintage lesbian sleaze. Very good+, beautiful cover, minor edge wear, tanned pages, appears unread.
Published by Midwood Enterprises, Midwood Book, 1964
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Cover illustration by Paul Rader (illustrator). Vintage, lesbian sleaze. Very good, tanned, light cover crease, ink marks at the corner of some pages to rate the material.
Published by Midwood Tower Books., Canada, 1964
Seller: Comic World, Steinbach, MB, Canada
First Edition
Soft cover. Condition: As New. RADER Nude GGA {Good Girl Art} Painted Cover! (illustrator). PBO (Paperback Original) True First Ed. 156 PAGES. >>>> Lesbianism; PBO / Paperback Original; Paul RADER Lesbians with NUDE Girl GGA/ Good Girl Art Painted cover; SCARCE; ) >>> Very RARE title & highly collectible early Lesbiana >> Very Nice unread copy. Size: 12mo - over 6¾" - 7¾" Tall. Book.
Published by [New York]: Midwood, [1966]. 32-584., 1966
Seller: Joe Maynard, Nashville, TN, U.S.A.
Soft cover. Condition: Near Fine. First Printing Anywhere. 12mo, 154pp, publisher's pictorial wrappers bearing Victor Olson illustration, red dyed edges (slight rubbing at corners, else a near fine copy).
Published by Tower Publications, Midwood, New York, 1962
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Cover art by Paul Rader (illustrator). Vintage lesbian paperback. Very good+, slightly cocked spine, tanned and appears unread.
Published by Tower Publications, Inc., 1963
Seller: The Cary Collection, Bristol, CT, U.S.A.
Soft cover. Condition: As New. No Jacket. KEMP, Kimberly [155] pp. Tower Publications, Inc. 1963 7 1/8" x 4 1/4" Nothing to Lose by Kimberly Kemp is a vintage pulp paperback, often found as a gay-interest or sleaze novel from the 1960s, published by Midwood/Tower Publications, distinct from Christy Reece's modern Grey Justice series with a similar title, focusing on themes of survival and desire with its protagonist on the run.
Published by Tower Publications
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Published by Tower Publication, Midwood, New York, 1962
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
paperback. Cover art by Paul Rader (illustrator). Three women in a triangle of passion! Vintage lesbian paperback. Very good+, unread copy that is tanned.
Published by Tower
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Publication Date: 1963
Seller: Max Rambod Inc, Woodland Hills, CA, U.S.A.
First Edition
First Edition. Kemp, Kimberly and Mayo, Dallas. Lesbian pulp novel collection, 1962-1966, documents mid-twentieth-century commercial fiction centered on same-sex desire, produced within the constraints and conventions of American mass-market publishing. These works support research into LGBTQ+ representation, gender roles, and the commodification of lesbian identity in popular literature during a period when explicit depictions were often coded, sensationalized, or framed for heterosexual audiences. The material illustrates how pulp fiction functioned as a cultural space where taboo subjects could circulate, shaping both public perception and private readership of lesbian themes. Kemp, Kimberly; Mayo, Dallas. Collection of 3 mass-market paperback novels. New York: Tower Publications, 1962-1966. Includes: [1] Kemp, Kimberly. Illicit Interlude. 1963. First edition. 192 pages. Cover illustration depicts a man embracing a blonde woman, contrasting with the novel's internal exploration of same-sex encounters during separate vacations, promoted with the tagline "She was a strange woman.who could yield her flesh to a man-and wish he were a woman." [2] Kemp, Kimberly. Pleasant Company. 1966. Second edition of Illicit Interlude. 192 pages. Cover features a woman in a fur coat against a wood-toned background, with the tagline "She knew how to set a man at ease," emphasizing heteronormative framing despite underlying lesbian themes. [3] Mayo, Dallas. Voluptuous Voyage. 1962. First edition. 192 pages. Cover art shows two women aboard a ship, one gazing toward the ocean while another looks on, visually foregrounding female relationships within a travel narrative context. All volumes measure approximately 4.25 x 7 inches and feature illustrated wrappers characteristic of mid-century pulp publishing, with bold taglines and suggestive imagery designed for commercial appeal. These novels emerged during a period when LGBTQ+ identities were marginalized in mainstream publishing, and pulp paperbacks provided one of the few widely accessible formats for such content. Publishers like Tower capitalized on sensational themes while navigating censorship and market expectations, often presenting lesbian relationships through ambiguity or moral framing. Despite these constraints, such works circulated widely and contributed to the visibility of same-sex desire in popular culture. The reuse and retitling of Illicit Interlude as Pleasant Company reflects marketing strategies within the pulp industry. Minor wear consistent with handling; overall very good condition. A representative grouping illustrating the intersection of sexuality, commerce, and narrative form in mid-century American pulp fiction.