Kemp Ray (14 results)

Hardcover. Condition: Good. Third Edition. Rebound with a hard cover. ; Ex-Library; 8vo 8" - 9" tall; 440 pages.

Soft cover. Condition: Good. 1st Edition. Binding has some wear and light soil; title page has small stain near fore edge; fore edge has small area of minor wear; plates at back have small top-corner crease; tight, text clean. vi, 317 p., 28 p. of plates. Large volume. [otob: 5r].

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0719031842.

Pulp Magazine. Condition: G+/VG. No Jacket. First Edition. Small edge tears; top 1 1/2" of spine missing with two piece of cellophane tape across the missing area; ~2" tear top upper front cover repaired on the reverse side with cellophane tape; two small pieces of tape across bottom of spine; supple, lightly tanned pages.

Softcover. Condition: Very Good. First Edition. New York: Short Stories Inc 1947 First Edition. Pulp magazine. Pictorial wrappers [about 6.75" x 9.75"], 144 pages, illustrated. Includes the first of four parts of "Freedom Has a Price" by H. Bedford-Jones, "Hot Beaver" by Arthur B. Carhart, "The Menace of Spirit River" by W. C. Tuttle, "The Ship Comes First" by Berton E. Cook, "The Pointing Fingers" by Philip Ketchum, "A Gunman's Conscience" by Caddo Cameron, etc. Some trimming of the front cover edges else Some trimming of the front cover edges else Very Good or better copy vertical crease to the front cover, text paper tanning. mag15E.

Paperback. Condition: VG+. 1st Edition. Name of owner at front of book. Book is in very good plus condition with very minor signs of wear and/or age.

Softcover. Condition: Good. 3rd Edition. xi + 371 p. Buch.

Condition: Very Good. First edition. Hardback. About fine in very good, slightly worn, edge-rubbed and faded dust jacket.

Condition: New. Satisfaction Guaranteed or your money back.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Newspaper. 32p. tabloid newspaper, explicit photos of gay men in sex acts, fiction, interviews, personals, services and resources, reviews, very good on newsprint. Personal ads, explicit photo-shoots.

Condition: Good. Portfolio with 34 original graphic works by Northern California artists, each signed and numbered. One of 50 cloth and board slipcases by Taurus Bookbindery, Berkeley. 12 x 9.25 inches.DANGER PORTFOLIOArtist IndexIn no particular order, this portfolio contains the following original works of art:Robilee Frederick: Ash and Bone Ash and oil on drafting tissue; Gordon Huether: Solvent Enamel on monoprint on Reeves BFK paper;Bruce Cannon: Biological Counter Timers, Document Drawing, Mixed Media and Ink on Vellum; Kurt Kemp: Big Mouth Man with Dangerous Bird Intaglio; Nora Auston: Crushed Ink on paper; Andries Fourie: Land Mine, Inkjet print on vellum; Decatur Blue: Bombs Away, Toilet seat cover in glassine; Aaron De Beers: Trained Predators, Inkjet print; Eric Sanchez: Thank Heaven for Little Boys, Inkjet print; Constance Maher: Blood Drip, Construction paper and glue; Ry Rocklen: Nuclear Winter Wonderland, Drawing and glitter on card stock; Dennis Raines: Untitled, Intaglio; Brendan Carroll: Danger, Polaroid transfer; Rob Keller: Blood Hounds, Dog blood on various media; Lucy Puls: Ictus et Macula (Kitchen Knife), Ink on paper; Dona Kopol Bonick: Don't Let Me Be Misunderstood, Inkjet print with bullet hole; Connie Walsh: Untitled, Flocking on photo Inkjet paper; Rob Ceballos: Untitled, Woodcut on Arches paper; Ray Beldner: In Case of Emergency, Inkjet print on Kozo paper; Xavier Tiernan: Untitled, Burns on Reeves BFK paper; Joel Mesler: Cutting Cocaine Lines into Love Letters, Offset print; Ed Osborn: VLF Study #1, Very low frequency spectrogram of earth's natural radio activity; Ben Diller: Danger/Peril, Double woodblock print on Reeves BFK paper; Philip Wagner: Untitled, Offset print; Karen Hill: Folding Laundry, Inkjet print;Nancy Willis: Traces, Lipstick transfer on BFK Reeves paper; John Bonick: Bare It, Magnified sunlight and worry lines on waxed paper; William F. Wilson: II Stigmata, Mixed media inkjet print; Jackie Perez Gratz: Proof C, prints in evidence bag with label; Connell Ray Little: Untitled, Ink on card stock; Riccardo Toronto: War Surplus Hero, Offset print; Mark Garrett: Entropy II, Laser print;Lenny Gonzalez: Noel & Knoller, Inkjet photo print; Zakron: The Fear of Being Held Captive, Silver gelatin print individually processed to last an unknown amount of time.Danger logo design by Lewis deSoto.Each of these portfolio boxes was hand made and assembled by the show's curators. The Danger essay by Alison Bing was letterpress printed on Arches paper. Special thanks to Diane Newel at Taurus Bookbindery and Lisa Rappaport at Littoral Press, both in Berkeley, California.- Rob Keller and John Banick, Co-CuratorsNot all the portfolios contain all the prints so custom orders can be filled.

Couverture souple. Condition: Bon. Paris . Place Clichy . Décembre 1930 . Une revue agrafée , sous cartonnage souple , 270 x 340 m/m , de 52 pages illustrées . Dos frotté , petite salissure au premier plat , menus défauts . Le numéro le plus recherché de cette revue .