Kienbusch William (12 results)
Language: English
Published by Colby College 1981
- Softcover
- First Edition
Seller: Resource for Art and Music Books, Ivoryton, CT, U.S.A.Resource for Art and Music Books
Contact seller5-star sellerCondition: Used - Fine
US$ 20.00
US$ 5.45 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: Fine. First Edition. 47 pp., bw & color plates, 8vo. ; Bright, sharp, unmarked copy. : Well packaged, ships with tracking.
Language: English
Published by Dept. of Fine Arts, Carnegie Institute 1954
- Softcover
- First Edition
Seller: Resource for Art and Music Books, Ivoryton, CT, U.S.A.Resource for Art and Music Books
Contact seller5-star sellerCondition: Used - Very good
US$ 20.00
US$ 5.45 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: Very Good. First Edition. [14] pp., bw ill., pictorial stapled wraps, 8vo. ; No ownership markings, bumping/light creasing to head of spine. : Well packaged, ships with tracking.
Published by The Farnsworth Art Museum, Publisher, Rockland, ME 1996
- Softcover
Seller: Mare Booksellers ABAA, IOBA, Dover, NH, U.S.A.Mare Booksellers ABAA, IOBA
Contact seller5-star sellerCondition: Used - Good
US$ 18.00
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Wraps. Condition: Good. Illustrated wraps. Square format. 79 pp. Black and white and color illustrations throughout. A work issued in conjunction with a 1996 exhibition of paintings by William Kienbusch, an American artist known for his abstract landscape paintings often reflecting the scenery of Maine. With critical essays. GOO…D condition. Minor soiling, toning and edgewear. Light curling along the fore edge.
Published by Kraushaar Galleries 1983
- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerSoftcover staple bound, 8 pages; good condition, tears to rubbed cover at top and bottom of spine; no internal marks.
Published by Carnegie Institute 1954
- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerSoftcover staple bound, 28 pages; very good condition, light crease down rear cover and last page; internal marks.
Published by Kraushaar Galleries 1963
- Softcover
Seller: Eureka Books, Eureka, CA, U.S.A.Eureka Books
Contact seller5-star sellerTrade Paperback. Single sheet, folded to create 4 leaves, 7 x 9 inches when folded. Short essay by Marianne Moore leaf 2. Illustration leaf 3. List of 19 exhibited works, leaf 4. First edition (first printing). A near fine copy.
Published by Kraushaar Galleries 1997
- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
Contact seller5-star sellerCondition: Used - Very good
US$ 30.27
US$ 6.00 shippingShips within U.S.A.Quantity: 1 available
paperback. Condition: Very Good. stapled gallery booklet Very Good paperback with light shelfwear - NICE! Standard-sized.
Published by Kraushaar Galleries, New York 1963
- Manuscript
Seller: Bolerium Books Inc., San Francisco, CA, U.S.A.Bolerium Books Inc.
Contact seller5-star sellerLightly-soiled exhibition piece, four panels, 9x7 inches, landscape layout, text by Moore on inner front panel, reproduction of "Concerning the Scarecrow" on third panel, exhibition list on back panel. The show exhibited casein paintings by Kienbusch painted between 1960 and 1962.
Published by Kraushaar Galleries, New York 1963
- First Edition
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA
Contact seller5-star sellerCondition: Used - Very good
US$ 30.00
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Unbound. Condition: Very Good. Exhibition catalog. Text by Marianne Moore. Oblong octavo. One sheet folded to make 4pp. With one black and white recreation of *Concerning the Scarecrow* by Kienbusch. Faint foxing on the front and back panels, very good. Published on occasion of the exhibition held in New York at the Kraushaar Ga…lleries, January 28 - February 16, 1963.
More imagesLanguage: English
Published by Alan Swallow, Denver 1964
- Hardcover
- First Edition
- Signed
Seller: Idler Fine Books, Sacramento, CA, U.S.A.Idler Fine Books
Contact seller4-star sellerCondition: Used - Fine
US$ 175.00
US$ 6.98 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First printing of the first edition. Signed by Samuel French Morse directly on the title page; additionally, French wrote the following inscription on the front-free endpage: "For Bill Kienbusch / who is often / 'Colloquial as August when we're / here' /…June 1965 / Sam" American artist, William Austin Kienbusch (1914-1980), a magna cum laude graduate of Princeton, was best known for his semi-abstract landscapes of Maine. Representations of his work are on exhibit at the Smithsonian Museum of American Art in Washington, D.C. Morse finished his inscription to Kienbusch using the first line of the last stanza from the concluding poem for this volume: "A Poem in Praise of Hancock Point," p.91. (The referenced poem was also included in Morse's, The Collected Poems, 1995.) "Colloquial as August, when we're here-- / A rhyme for rustics, like a villanelle. / We listen for but almost never hear / The kind of talk that makes our meaning clear." Book with light toning along the upper gutter of the front endpage, else in fine condition; dust jacket with light rubbing along folds, mild wear to extremities, and faint toning to back cover margins, else fine. A lovely association copy of historical relevance. Lynn Meiners (illustrator). Signed by Author(s).
More imagesLanguage: English
Published by Alan Swallow, Denver 1955
- Hardcover
- First Edition
- Signed
Seller: Idler Fine Books, Sacramento, CA, U.S.A.Idler Fine Books
Contact seller4-star sellerCondition: Used - Fine
US$ 200.00
US$ 6.98 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First printing of the first edition. Author's second book of verse. Signed by Samuel French Morse directly on the title page; additionally, French wrote the following inscription on the front-free endpage: "For Bill Kienbusch / from way down east / and wi…th best / wishes-- / Sam Morse" American artist, William Austin Kienbusch (1914-1980), a magna cum laude graduate of Princeton, was best known for his semi-abstract landscapes of Maine. Representations of his work are on exhibit at the Smithsonian Museum of American Art in Washington, D.C. Book with faint rubbing and light toning to top edge, else in fine condition; dust jacket with toning to spine and folds, slight rubbing to title on spine, two small stains to front cover, and light wear to spine ends, else fine. A lovely association copy. William Austin Kienbusch (Association); Lynn Meiners (illustrator). Signed by Author(s).
Published by Kraushaar Galliers, New York 1963
- Softcover
- Signed
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA
Contact seller5-star sellerCondition: Used - Near fine
US$ 175.00
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Softcover. Condition: Near Fine. Exhibition catalogue. Single sheet, folded to make four oblong octavo pages and illustrated with one of the Kienbusch's paintings on exhibition at the Kraushaar Galleries in New York. Fine. Inscribed by the artist to the poet Samuel French Morse, who owned one of the painting: "Dear Sam & Jane -…wish you were going to be here for the opening 3 - 6 pm, Jan 28. Maybe you'll be down sometime during run of show. After all. Your Picture. As ever, Bill." Also contains the first (and only?) appearance of Marianne Moore's one-page essay about Kienbusch written in conjunction with an exhibition. Abbott Cb344.
