Kill Mockingbird (6 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

SIngleIssueMagazine. Condition: Fine. B & W Illustrations, Color Cover Of To Kill A Mockingbird (illustrator). Vol. 6, NO.12 December 1996. Copyright Date: 1996 Sm Quarto, December 1996, PP.84,

NEW. NEW.

Full-Leather, Gilt. Condition: As New. Dust Jacket Condition: No Dustjacket Issued. David Millman (illustrator). Franklin Library, Limited Edition. Franklin Library special Limited Edition of this celebrated novel published exclusively for subscribers. The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it. First published in 1960. Winner of the Pulitzer Prize for 1961. 301pp, illustrated by David Millman, all edges gilt, brilliant green moire silk endpapers, silk page-marker, full leather binding in dark red, attractively gilt with 22kt gold, four raised bands [hubbed] to spine. Very bright, fresh copy, absolutely 'as new'. Appears never opened and unused. Weight, 818g. Postage at cost. Anywhere in Canada for C$20.00; to the United States, US$10.00, boxed. Size: 22cm Tall. Book.

Universal International, To Kill a Mockingbird, 1962, documents a central work in Civil Rights-era American cinema addressing racial injustice within the legal system of the Jim Crow South. Based on the 1960 novel by Harper Lee, the film presents the defense of a Black man falsely accused of a crime, situating questions of law, morality, and social hierarchy within a Southern courtroom. Featuring Gregory Peck as Atticus Finch, the material supports research into representations of race, justice, and white liberal advocacy in mid-20th-century film, as well as the broader cultural impact of Civil Rights discourse in popular media. Archive of 6 original vintage silver gelatin photographs produced for theatrical promotion, each measuring approximately 8 x 10 inches, comprising two matte and four glossy prints in black and white. The images depict key scenes from the film, including Gregory Peck in courtroom settings and the figure of Boo Radley carrying Jem Finch, emphasizing pivotal narrative moments. Two photographs include printed captions identifying Peck alongside Mary Badham, Philip Alford, and John Megna, with additional production information. Several versos bear "Girosign Ltd." distribution stamps, indicating international circulation. The photographs functioned as lobby display materials, presenting still imagery designed to convey the film's dramatic and moral themes to audiences. Produced at a time when Hollywood increasingly engaged with issues of race and justice, To Kill a Mockingbird contributed to the visual and narrative framing of the Civil Rights Movement for national audiences. Its courtroom scenes and character-driven storytelling shaped public perception of legal inequality and moral responsibility, while also reflecting the limitations of representation through its focus on a white protagonist. These photographs provide material evidence of how such themes were visually communicated and disseminated in 1960s film culture. Light handling wear with minor edge wear and occasional verso stamps; images remain sharp and well-preserved; overall very good. A focused group of promotional stills from a landmark Civil Rights-era film.