Condition: New.
Seller: Nightshade Booksellers, IOBA member, Atlanta, GA, U.S.A.
Association Member: IOBA
First Edition
Soft cover. Condition: Fine. 1st Edition. First edition. A fine softcover copy in a fine DJ now protected in a removal mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #131.
Published by C. J. Bucher Ltd, Lucerne, Switzerland, 1971
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First Edition. First edition. Softcover. 62 pages. January 1971. Cover by Douglas Faulkner. Features images by Sol Mednik, Chris Killip, Axel Kayser, Alexander Van Pieterson, Marc Ghusoland, Karl-Rainer Muller, Douglas Faulkner. A clean very near fine copy in wrappers.
Published by Coo Press Ltd, London, 1970
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First Edition. First edition. Softcover. February 1970. Photographers in this issue include: Bruce Forster, Clive Barda, Van Deren Coke, Chris Killip, David Hoffman, and Paul Hill. A near fine copy in stapled wrappers with some light wear.
Published by The Threepenny Review, 2017
Seller: The Threepenny Review, Berkeley, CA, U.S.A.
Magazine / Periodical
No Binding. Condition: New. Contained in the Summer 2017 issue of The Threepenny Review. This issue of the highly regarded literary and arts quarterly contains writing by, among others, Mimi Chubb, Louis B. Jones, Wendy Lesser, Richard Locke, James Longenbach, Javier Marias, Nick Papandreou, Atsuro Riley, Kay Ryan, Lore Segal, Elizabeth Tallent, and Dean Young, as well as photographs by Chris Killip.
Condition: As New. Unread book in perfect condition.
Gebunden. Condition: Neu. Neu -I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, fi lm noir, and even Soviet realism. For me this ğlookĞ seemed a more telling way to record and document this enforced ritual. Chris Killip 88 pp. Englisch.
Language: English
Published by Steidl Publishers, Gottingen, 2015
ISBN 10: 386930961X ISBN 13: 9783869309613
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the op - erators had to take, the movement that the processes pre - determined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion tech - niques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this "look" seemed a more telling way to record and document this enforced ritual. Chris Killip Chris Killip wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. This book deals with authors life and work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Steidl Publishers, DE, 2015
ISBN 10: 386930961X ISBN 13: 9783869309613
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
US$ 48.52
Quantity: Over 20 available
Add to basketHardback. Condition: New.
Hardcover with dustjacket, 88 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this book.
Published by Coo Press Ltd, London, 1972
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First Edition. First edition. Softcover. January 1972. This issue feaures black and white images by Erich Salomon and Jim Arnould. Also includes images from Leonard Freed's work in Germany and Chris Killip's work on the Isle of Man. A near fine copy in stapled wrappers with some very minor wear.
Language: English
Published by Steidl, Gottingen, Germany, 2006
ISBN 10: 3865213170 ISBN 13: 9783865213174
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 88 pages. Text in English. Features an introduction by Chris Killip and an essay by Clive Dilnot. Attractive collection of 50 tritone illustrations. A fine copy in a very near fine dust jacket. As new and still in the publisher's shrinkwrap.
Language: English
Published by Steidl Publishers, Gottingen, 2015
ISBN 10: 3869309598 ISBN 13: 9783869309590
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Thirty years after the publication of the Isle of Man book I was in the process of preparing for my retrospective exhibition at the Museum Folkwang in Germany and started to re-examine my "Isle of Man" negatives. I hadn't had an occasion to think about this work since the first edition of the book was published. Going through these negatives again I found new images that I now liked, but at the time had overlooked or had not used for reasons that now mystify me. I ended up with 250 photographs that I now think of as my "Isle of Man" archive. This new version of Isle of Man draws from that archive. The photographs in this edition keep, more or less, to the same order as the original book but I have changed some of the images, added thirty others, and printed them all larger. Chris Killip features photographs that draws from the "Isle of Man" archive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
FLEX. Condition: USED Good.
paperback. Condition: Very Good. Modest shelfwear to cover, clean pages and sound binding.
US$ 46.08
Quantity: 1 available
Add to basketCondition: New.
Condition: New. Num Pages: 88 pages, 57 illustrations. BIC Classification: AJB; AJC. Category: (G) General (US: Trade). Dimension: 280 x 260. Weight in Grams: 860. . 2015. Hardcover. . . . .
US$ 50.24
Quantity: 1 available
Add to basketCondition: As New. Unread book in perfect condition.
Hardcover. Condition: New. Special order direct from the distributor.
Hardcover. Condition: New. 1st Edition. A New Mint First Edition in Publishers Shrink Wrap Solid. Square. Unmarked.
US$ 54.67
Quantity: 1 available
Add to basketHardcover. Condition: Brand New. 01 edition. 85 pages. French language. 11.50x10.75x0.50 inches. In Stock.
US$ 66.24
Quantity: 10 available
Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Condition: New. Num Pages: 88 pages, 57 illustrations. BIC Classification: AJB; AJC. Category: (G) General (US: Trade). Dimension: 280 x 260. Weight in Grams: 860. . 2015. Hardcover. . . . . Books ship from the US and Ireland.
US$ 63.24
Quantity: 2 available
Add to basketHardcover. Condition: Brand New. 01 edition. 85 pages. French language. 11.50x10.75x0.50 inches. In Stock.
Hardcover. Condition: New. Special order direct from the distributor.
US$ 64.31
Quantity: 1 available
Add to basketCondition: New.
Condition: new.
Language: English
Published by Steidl Publishers, DE, 2020
ISBN 10: 3958296165 ISBN 13: 9783958296169
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New.
Language: English
Published by The Photographers' Gallery, UK, 2013
ISBN 10: 0907879993 ISBN 13: 9780907879992
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
US$ 62.36
Quantity: 1 available
Add to basketPaperback. Condition: Near fine in wraps. First Edition. 22 x 27cm 134pp near fine exhibition catalogue featuring black and white plus colour reproductions plus texts.
Language: English
Published by Steidl Publishers, Gottingen, 2020
ISBN 10: 3958296165 ISBN 13: 9783958296169
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Late in 2016 Chris Killips son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: "When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didnt have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth."What youre trying not to do is oversimplify. Youre trying to have some sort of cool in there somehow, so that people looking at your pictures are not constrained by you. Meaning you havent predetermined everything, so that ambiguity can be embraced. Chris Killip Late in 2016, British photographer Killip's son discovered a box of contact sheets of the photos his father had made at the Station, an anarcho-punk music venue in Gateshead, Northern England, open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.