Soft cover. Condition: Near Fine. 1st Edition. Softcover, French fold wraps, 52 pgs. 8.75" x 8.75" Includes private viewing invite card tipped in. Catalogue consisting of over 30 works by Peter Kinley. Near fine+ with very light wear.
Seller: West Cove UK, Wellington, United Kingdom
US$ 21.81
Quantity: 1 available
Add to basketSoftcover. Condition: Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> Family excursions into the Wienerwald on Sundays. In the meantime he went to the village school, acquired a local accent to the chagrin of his parents, drew and painted, and foot pumped the organ in the village church, where he was expediently baptised in 1934 by the kind local priest. Raised on the German children's classics Max und Moritz and Struwwelpeter, about the dreadful consequences of bad behaviour, he and some friends found a very old car and used surgical spirit from his mother's medicine cabinet to drive it for a few explosive metres. Their punishment is unrecorded. At the barber, Peter read Wehrmacht magazines and longed to be a soldier. Meanwhile he took part in local festivals, and later, subversively, bent the bumpers of the tourists' Horsch motor cars parked in the main square. There was a holiday trip to Hungary and afterwards, with his mother, to the Adriatic, where he loved the sailing boats with their latine sails. It was, he said, "the last holiday." The idyll ended when the Germans crossed in.
Published by Osborne Samuel., 2006
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 24.92
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Sq.8vo. Original card covers. Essays by Catherine Kinley and Norbert Lynton, portraits, biography, bibliography, 36 item catalogue, 36 colour llusts.
Published by Museum of Modern Art., 1982
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 24.92
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Sq.12mo. Original card covers. Essay by Norbert Lynton. documentation, 66 item catalogue, colour and b/w plates.
Published by Waddington Galleries., 1978
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 24.92
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Oblong 16mo. Folding sheet. Documentation, one colour plate.
Published by Arthur Tooth & Sons Ltd,, 1975
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 38.76
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Sq.8vo. Three panel folding sheet. Documentation, portrait, 27 item catalogue, one colour plate and 7 b/w illlusts.
Published by Arthur Tooth & Sons Ltd,, 1970
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 38.76
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Sq.8vo. Original card covers. Documentation, portrait, 30 item catalogue, one colour plate and 14 b/w illlusts. With the Private View Invitation card.
Language: English
Published by Arthur Tooth, London, 1956
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 76.14
Quantity: 1 available
Add to basketPaperback. Condition: Very Good. Ben Nicholson, Victor Pasmore, William Scott, Terry Frost, Patrick Heron, Alan Davie, Peter Kinley. (illustrator). Arthur Tooth & Sons, 1956. 8vo. Staple Bound in yellow paper wrappers with text. Staple bound. Not paginated but 24 pages. Exhibition catalogue.Artists include Ben Nicholson, Victor Pasmore, William Scott, Terry Frost, Patrick Heron, Alan Davie and Peter Kinley. Each artist has a self portrait, an example of their work; short biography and exhibition list . Three to four items listed with titles, medium, dates and size. Cover is dusty with an old rust mark on front cover, staples rusted, else very good. Size 21.5 x 16cm [8.5 x 6.25 inches].
Published by Knoedler Gallery., 1981
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 48.45
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. 12mo. Single sheet card . One colour plate. Addressed and posted to the artist Bernard Kay. Bernard Kay was born (1927) and raised in Southport where his father owned a bicycle shop. He knew that he wanted to be an artist from the age of nine and his family supported that choice. After attending the Liverpool School of Art in 1943, Bernard went to the Royal Academy School and spent a year studying drawing. In the 1950s he taught drawing and after winning a scholarship to study in Paris, he met and mixed with many of the famous artists of the Paris art scene, including Maurice Esteve and Picasso. Lydia Corbett, Picasso s "ponytail model" was a lifelong friend.While in Paris, he studied the process of aquatint etching under the pioneering artist Johnny Friedlaender. It was during this time that he travelled throughout the French countryside and collected drawings that would form the basis for his architectural landscape paintings. During his years in London he was part of the "London Scene" being friends with David Hockney, Nicky Clarke etc. He focused on large canvases in an abstract expressionist tradition, before returning to landscape paintings worked in a structured style using an earthy, muted palette.In the 1980s Bernard "migrated" to Oundle in Northamptonshire, where he lived un til his death in May 2021.
Published by Osborne Samuel, London, 2009
Seller: David Bunnett Books, London, United Kingdom
First Edition
US$ 44.30
Quantity: 1 available
Add to basketSOFTCOVER. Condition: As New. 1st Edition. Landscape 4to in colour printed stiff card covers, with tissue end-papers, 60pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Published by Austin Desmond Fine Art, London, UK, 2015
Seller: Marcus Campbell Art Books, London, United Kingdom
US$ 48.45
Quantity: 1 available
Add to basketPaperback. Condition: Very good in wraps. 23 x 32cm very good paperback exhibition catalogue for a show at Austin Desmond Fine Art, London 5th June-24th July, 2015. Colour reproductions and text including this quote from Peter Kinley: "My paintings are formal reconstructions of experience' followed by colour reproductions of his works. Also comes with a loosely inserted price list of the 38 paintings included in the show.
Published by Redfern Gallery, London, 1957
Seller: David Bunnett Books, London, United Kingdom
First Edition
US$ 588.33
Quantity: 1 available
Add to basketSOFTCOVER. Condition: Very Good. 1st Edition. Large 4to. in colour printed stiff card covers, unpaginated, approx. 64pp on thick glossy art paper, biographical notes and facing b/w reproduction for each of the artists shown . [CONDITION: Covers a little dusty, spine edges moderately rubbed, tiny flat creases to front cover corner tips else VERY GOOD, an otherwise well preserved clean and tight copy. A very presentable copy of the rare catalogue for this seminal exhibition ] . . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.
Published by Self-published.
Seller: Roe and Moore, London, United Kingdom
Art / Print / Poster First Edition
US$ 3,045.47
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. Peter Kinley acrylic painting on paper. Framed. Unexamined out of frame but appears to be in good condition.Image size 24.5 x 19cm (9.75 x 7.5 inches)Frame size 38.5 x 33 cm (15.5 x 13 inches) From the collection of Monika Kinley and Victor Musgrove, then Marcus Campbell.
Published by Unpublished, 1960
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
US$ 11,074.42
Quantity: 1 available
Add to basketFirst Edition. 41 x 27cm. Oblong spiral-bound Rowney sketchbook filled with biro and pencil drawings by modern artist Peter Kinley (1926-1988), mostly on recto and verso with a few exceptions; 51 thin paper leaves. Some negligible closed tears to some page edges, card cover a little oil stained, otherwise a unique and internally bright working sketchbook containing original artwork, both figurative and abstract, and works-in-progress. From the estate of Monika Kinley. The book dates from a pivotal time in Kinley's career, having studied at the Dusseldorf Academy and subsequently St Martin's School of Art, his focus was shifting towards Eastern art forms in the early 1960s, with particular interest concentrated upon ancient Indian and also Islamic art.