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Published by University of Toronto Press, 2024
ISBN 10: 1487522665 ISBN 13: 9781487522667
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Language: English
Published by University of Toronto Press, 2024
ISBN 10: 1487522665 ISBN 13: 9781487522667
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Published by University of Toronto Press, 2024
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Published by University of Toronto Press, CA, 2024
ISBN 10: 1487522665 ISBN 13: 9781487522667
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Paperback. Condition: New. Aesthetics of Repair analyses how the belongings called "art" are mobilized by Indigenous artists and cultural activists in British Columbia, Canada. Drawing on contemporary imaginaries of repair, the book asks how diverse forms of collective reckoning with settler-colonial harm resonate with urgent conversations about aesthetics of care in art. The discussion moves across urban and remote spaces of display for Northwest Coast-style Indigenous art, including galleries and museums, pipeline protests, digital exhibitions, an Indigenous-run art school, and a totem pole repatriation site. The book focuses on the practices around art and artworks as forms of critical Indigenous philosophy, arguing that art's efficacies in this moment draw on Indigenous protocols for enacting justice between persons, things, and territories. Featuring examples of belongings that embody these social relations - a bentwood box made to house material memories, a totem pole whose return replenishes fish stocks, and a copper broken on the steps of the federal capital - each chapter shows how art is made to matter. Ultimately, Aesthetics of Repair illuminates the collision of contemporary art with extractive economies and contested practices of "resetting" settler-Indigenous relations.
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Published by University of Toronto Press, 2024
ISBN 10: 1487522665 ISBN 13: 9781487522667
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ISBN 10: 1487522665 ISBN 13: 9781487522667
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Paperback. Condition: new. Paperback. Drawing on contemporary Indigenous art practices, Aesthetics of Repair explores the collision of ceremonial protocols with visual forms of repair in the Pacific Northwest.Aesthetics of Repair analyses how the belongings called 'art' are mobilised by Indigenous artists and cultural activists in British Columbia, Canada. Drawing on contemporary imaginaries of repair, the book asks how diverse forms of collective reckoning with settler-colonial harm resonate with urgent conversations about aesthetics of care in art. The discussion moves across urban and remote spaces of display for Northwest Coast-style Indigenous art, including galleries and museums, pipeline protests, digital exhibitions, an Indigenous-run art school, and a totem pole repatriation site. The book focuses on the practices around art and artworks as forms of critical Indigenous philosophy, arguing that art's efficacies in this moment draw on Indigenous protocols for enacting justice between persons, things, and territories. Featuring examples of belongings that embody these social relations a bentwood box made to house material memories, a totem pole whose return replenishes fish stocks, and a copper broken on the steps of the federal capital each chapter shows how art is made to matter. Ultimately, Aesthetics of Repair illuminates the collision of contemporary art with extractive economies and contested practices of 'resetting' settler-Indigenous relations. Drawing on contemporary Indigenous art practices, Aesthetics of Repair explores the collision of ceremonial protocols with visual forms of repair in the Pacific Northwest. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Published by University of Toronto Press, 2024
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Published by University of Toronto Press, 2024
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Condition: New. Über den AutorEugenia Kisin is an associate professor of art and society at the Gallatin School of Individualized Study at New York University.KlappentextDrawing on contemporary Indigenous art .
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Published by University of Toronto Press, 2024
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Paperback. Condition: new. Paperback. Drawing on contemporary Indigenous art practices, Aesthetics of Repair explores the collision of ceremonial protocols with visual forms of repair in the Pacific Northwest.Aesthetics of Repair analyses how the belongings called 'art' are mobilised by Indigenous artists and cultural activists in British Columbia, Canada. Drawing on contemporary imaginaries of repair, the book asks how diverse forms of collective reckoning with settler-colonial harm resonate with urgent conversations about aesthetics of care in art. The discussion moves across urban and remote spaces of display for Northwest Coast-style Indigenous art, including galleries and museums, pipeline protests, digital exhibitions, an Indigenous-run art school, and a totem pole repatriation site. The book focuses on the practices around art and artworks as forms of critical Indigenous philosophy, arguing that art's efficacies in this moment draw on Indigenous protocols for enacting justice between persons, things, and territories. Featuring examples of belongings that embody these social relations a bentwood box made to house material memories, a totem pole whose return replenishes fish stocks, and a copper broken on the steps of the federal capital each chapter shows how art is made to matter. Ultimately, Aesthetics of Repair illuminates the collision of contemporary art with extractive economies and contested practices of 'resetting' settler-Indigenous relations. Drawing on contemporary Indigenous art practices, Aesthetics of Repair explores the collision of ceremonial protocols with visual forms of repair in the Pacific Northwest. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Published by University of Toronto Press, 2024
ISBN 10: 1487503423 ISBN 13: 9781487503420
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Published by University Of Toronto Press Jul 2024, 2024
ISBN 10: 1487522665 ISBN 13: 9781487522667
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Taschenbuch. Condition: Neu. Neuware - Aesthetics of Repair analyses how the belongings called 'art' are mobilized by Indigenous artists and cultural activists in British Columbia, Canada. Drawing on contemporary imaginaries of repair, the book asks how diverse forms of collective reckoning with settler-colonial harm resonate with urgent conversations about aesthetics of care in art. The discussion moves across urban and remote spaces of display for Northwest Coast-style Indigenous art, including galleries and museums, pipeline protests, digital exhibitions, an Indigenous-run art school, and a totem pole repatriation site. The book focuses on the practices around art and artworks as forms of critical Indigenous philosophy, arguing that art's efficacies in this moment draw on Indigenous protocols for enacting justice between persons, things, and territories. Featuring examples of belongings that embody these social relations - a bentwood box made to house material memories, a totem pole whose return replenishes fish stocks, and a copper broken on the steps of the federal capital - each chapter shows how art is made to matter. Ultimately, Aesthetics of Repair illuminates the collision of contemporary art with extractive economies and contested practices of 'resetting' settler-Indigenous relations.
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Published by University of Toronto Press, 2024
ISBN 10: 1487503423 ISBN 13: 9781487503420
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Published by University of Toronto Press, CA, 2024
ISBN 10: 1487522665 ISBN 13: 9781487522667
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Add to basketPaperback. Condition: New. Aesthetics of Repair analyses how the belongings called "art" are mobilized by Indigenous artists and cultural activists in British Columbia, Canada. Drawing on contemporary imaginaries of repair, the book asks how diverse forms of collective reckoning with settler-colonial harm resonate with urgent conversations about aesthetics of care in art. The discussion moves across urban and remote spaces of display for Northwest Coast-style Indigenous art, including galleries and museums, pipeline protests, digital exhibitions, an Indigenous-run art school, and a totem pole repatriation site. The book focuses on the practices around art and artworks as forms of critical Indigenous philosophy, arguing that art's efficacies in this moment draw on Indigenous protocols for enacting justice between persons, things, and territories. Featuring examples of belongings that embody these social relations - a bentwood box made to house material memories, a totem pole whose return replenishes fish stocks, and a copper broken on the steps of the federal capital - each chapter shows how art is made to matter. Ultimately, Aesthetics of Repair illuminates the collision of contemporary art with extractive economies and contested practices of "resetting" settler-Indigenous relations.