Kitttelmann Udo (16 results)

Hardback or Cased Book. Condition: New. Radenko Milak. Post-Millennium Tension. Book.

Condition: New.

Hardcover. Condition: new. Hardcover. When we first see one of Radenko Milak's (*1980, Travnik near Banja Luka) watercolors, we feel we recognize it, as there is always a before and after, like in a film loop - a unique quality of his work, writes Udo Kittelmann in his essay. Standing before a Milak painting, we believe we are seeing a fragment of something larger, a glimpse of the world or the universe, much like a photograph is always a snapshot of a theoretically endless image. Moreover, almost every motif he chooses draws from images we already know, stored in our memory. His work explores multiple themes: the shift from photography to watercolor, the interplay between original and reproduction, the choice of subjects, and how his images resonate with our subconscious and collective unconscious - since memory is shaped not only by language but primarily by images. His mastery of the medium creates the illusion of viewing photographs, while simultaneously making us witnesses to a media transformation: the original photo becomes a watercolor, which the human eye first perceives as a photograph and then as a painting. This duality compels us to step closer, eager to participate in the artwork - to observe the brushstrokes, gestures, and craftsmanship. Over the years, Milak has developed diverse series: cityscapes and architecture, futuristic technologies, feminism, pivotal moments in music history, surveillance and big data, loneliness, isolation during the COVID-19 pandemic, and film stills - all rendered in asymmetrically evolving watercolor series over two decades. His consistent use of black ink on white paper lends his works a timeless quality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

4°, hardcover. Like new. Sprache: Englisch Gewicht in Gramm: 0.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 304 pages. 11.01x9.51x11.02 inches. In Stock.

Hardcover. Condition: new. Hardcover. When we first see one of Radenko Milak's (*1980, Travnik near Banja Luka) watercolors, we feel we recognize it, as there is always a before and after, like in a film loop - a unique quality of his work, writes Udo Kittelmann in his essay. Standing before a Milak painting, we believe we are seeing a fragment of something larger, a glimpse of the world or the universe, much like a photograph is always a snapshot of a theoretically endless image. Moreover, almost every motif he chooses draws from images we already know, stored in our memory. His work explores multiple themes: the shift from photography to watercolor, the interplay between original and reproduction, the choice of subjects, and how his images resonate with our subconscious and collective unconscious - since memory is shaped not only by language but primarily by images. His mastery of the medium creates the illusion of viewing photographs, while simultaneously making us witnesses to a media transformation: the original photo becomes a watercolor, which the human eye first perceives as a photograph and then as a painting. This duality compels us to step closer, eager to participate in the artwork - to observe the brushstrokes, gestures, and craftsmanship. Over the years, Milak has developed diverse series: cityscapes and architecture, futuristic technologies, feminism, pivotal moments in music history, surveillance and big data, loneliness, isolation during the COVID-19 pandemic, and film stills - all rendered in asymmetrically evolving watercolor series over two decades. His consistent use of black ink on white paper lends his works a timeless quality. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condition: new. Hardcover. When we first see one of Radenko Milak's (*1980, Travnik near Banja Luka) watercolors, we feel we recognize it, as there is always a before and after, like in a film loop - a unique quality of his work, writes Udo Kittelmann in his essay. Standing before a Milak painting, we believe we are seeing a fragment of something larger, a glimpse of the world or the universe, much like a photograph is always a snapshot of a theoretically endless image. Moreover, almost every motif he chooses draws from images we already know, stored in our memory. His work explores multiple themes: the shift from photography to watercolor, the interplay between original and reproduction, the choice of subjects, and how his images resonate with our subconscious and collective unconscious - since memory is shaped not only by language but primarily by images. His mastery of the medium creates the illusion of viewing photographs, while simultaneously making us witnesses to a media transformation: the original photo becomes a watercolor, which the human eye first perceives as a photograph and then as a painting. This duality compels us to step closer, eager to participate in the artwork - to observe the brushstrokes, gestures, and craftsmanship. Over the years, Milak has developed diverse series: cityscapes and architecture, futuristic technologies, feminism, pivotal moments in music history, surveillance and big data, loneliness, isolation during the COVID-19 pandemic, and film stills - all rendered in asymmetrically evolving watercolor series over two decades. His consistent use of black ink on white paper lends his works a timeless quality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: gut. 2026. Radenko Milak. Post-Millennium Tension. In deutscher Sprache. pages.