Kroeber Bernd (23 results)

Hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. Exlibrary with usual library markings. Front free endpaper removed. Some cover wear. Limited: #62/1500. Signed by illustrator Bernd Kroeber. ; 256 pages.

Hard Cover With NF Slip Case. Condition: Near Fne. Bernd Kroeber (illustrator). First Edition. CLEAN near fine hard cover with near fine slip case. Number 384 of 2000 copies. Signed by artist. NO AMAZON OVERSEAS ORDERS. LARGE BOOK, MAY REQUIRE EXTRA SHIPPING. Size: 4to - over 9¾" - 12" tall. Signed by Artist. Limited to 2000 Copies.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Kroeber, Bernd (illustrator). Tight clean book; faint discoloring; very good shape. The slipcase has some wear. Limited edition, #1647/2000, signed by the illustrator. Illustrator: Kroeber, Bernd. Quantity Available: 1. Category: Antiquarian & Rare; Inventory No: 226849.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Illustrated by Kroeber, Bernd (illustrator). Limited Edition. Near Fine condition in a Very Good slip case. Limited Edition no. 1,225 of 2,000 copies. Glassine cover from the original shipment still in place. Boards are Red with white designs printed on them. Spine is white with the title in red. Signed by Illustrator. Includes is the Limited Editions Club newsletter. A nice tight copy.; 4to - over 9¾ - 12" tall; Signed by Illustrator(s).

Broschur. Condition: sehr gut. 102 S. m. 35 Abb. u. 1 Tab., 21 cm. Sprache: deu.

Hardcover. Condition: As New. xiv, 256 pages, [12] leaves of plates : illustrations ; 30 cm. One of 2,000 copies, designed by Adrian Wilson, and signed by the illustrator. Hardcover in slip case. Good binding and cover. Clean, unmarked pages. The Limited Editions Club was founded in 1929 by George Macy with the intent of publishing beautifully illustrated and designed classic literature for a relatively small number of subscribers. Much of the LEC's fame stems from its use of some of the best illustrators and artists available. Each title was uniquely designed with individualized paper and cover materials. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. Signed.

Hardcover. Illustrated by Bernd Kroeber (illustrator). Limited Edition; First Printing. Hardcover. Limited Editions Club. #705 of 2000 copies. 256 pages. Book is in FINE condition. Slipcase Very Good Plus. 1976. Signed by Bernd Kroeber. ; Limited Editions Club; Vol. 705; 4to 11" - 13" tall; 256 pages; Signed by Illustrator.

Softcover. Fine in wrappers, an as new paperback copy. Signed by the author on half-title page. Pages are clean. Cover clean.

Hardcover. Condition: Fine. Dust Jacket Condition: very good +. Limited ed. 9 x 12 in. Cloth boards. Signed by Kroeber on the limitation pg. Copy 323/1500. Has the relevant LEC newsletter. Condition is FINE ; like new on all points. Glassine wrapper is VERY GOOD+ ; clean, no tears, one crease. Slipcase is very good, mild sunning, a few small marks. Ltd. Stax.

hardcover. Condition: fine. Bernd Kroeber (illustrator). Limited. Woodcuts by Bernd Kroeber. 12 color plates, text illustrations, 4to, decorative cloth, board slipcase, red paper label on white spine. Avon, CT: The Limited Editions Club, 1976. Fine. One of 2000 numbered copies, printed at the Stinehour Press and signed by the illustrator.

Hardcover. Condition: Fine. Kroeber, Bernd (illustrator). # 1352 of 2000 copies printed at The Stinehour Press, in Lunenburg, Vermont for the Limited Editions Club. Illustrations cut in wood by Bernd Kroeber and signed by him on the colophon page. xiv, 256 pages; publisher's red and white cloth binding with design on cover and gilt title on the spine. Contained in publisher's slipcase (8 3/4 x 11 1/2 inch). Slipcase with light sun fading along box opening and with a small chip.

Hardcover. Condition: Fine. Bernd. Kroeber (illustrator). 1976 Fine Hardback Book in Very Good to Near Fine Slipcase. A like new copy (#881 of 2000) that is signed by the illustrator, Bernd Kroeber. 4to. 256pp. (CL). Signed by Illustrator(s).

Soft cover. Condition: Fine. 1st Edition. NOTE: Text in German and English. A fine, beautiful copy. Shipped in well-padded box. Smoke-free. Signed and inscribed by author on half-title. Inscribed by Author(s).

Hardcover. Condition: Near fine. Bernd Kroeber (illustrator). Bound in publisher's original white cloth with red cloth boards with white printed designs. Spine stamped in red and gilt. Publisher's original matching red paper slipcase and printed label on spine with some wear and splitting. Illustrated by Bernd Kroeber.One of 2000 numbered copies signed by the artist LEC monthly newsletter laid in. Signed.

Hardcover. Condition: Very Good. LIMITED EDITION. Small 4to. LIMITED SIGNED EDITION, one of 2000 copies. SIGNED by illustrator. Mild toning to spine, slight darkening to head and tail; Uneven fading to slipcase. VG in VG slipcase. Illustrator.

Hardcover. Bernd Kroeber (illustrator). Quarto (8-1/4" x 11-1/4") bound with scarlet linen covers with a design stamped in white leaf and a white vellum-finish linen spine stamped in scarlet and gold leaf. Illustrated with 12 full-page two-color woodcuts in three-color schemes and 14 smaller black-and-white woodcuts by Bernd Kroeber. Copy #523 of 2000 SIGNED by the artist on the colophon page. Monthly Letter laid in. Fine in a Near Fine slipcase with a sunned backstrip including the label.

Hard Cover. Condition: Fine. Kroeber, Bernd (illustrator). Fine in a Fair slipcase. #293 of 2, 000 copies printed. Bound with white cloth spine and red cloth boards. White design on the boards. Gilt title on spine. Red on the top edges. All illustrations are cut into wood. Most are black and white, but some include color. Slipcase is red paper that has been repaired with clear tape. This book includes the monthly letter of the limited editions club. June 1976, Number 498 which discusses Roxana. Signed by illustrator on the last printed page. Signed by Illustrator.

Full-Leather. Condition: Near Fine. Scott Fray; Bernd Kroeber; W T Benda; Rick Daskam; Bernard Lamotte (illustrator). Bright red uniform binding, distinct cover designs with decorations, illustrated with frontispiece in color, and inside in black & white, measured by 10 3/4" x 7 3/4", take 8 1/2" linear shelf space. Bound in premium full leathers, hubbed spine, distinctive cover design, beautiful illustrations, permanent satin ribbon page marker, gilded page edges, moire endsheets, thread-sewn pages for durability and strength. List of titles: 1. GIGI, JULIE DE CARNEILHAN, CHANCE ACQUAINTANCES, by Colette, illustrated by Scott Fray // 2. ROXANA: The Fortunate Mistress, by Daniel Defoe, introduction by James Sutherland, woodcuts by Bernd Kroeber // 3. MY ANTONIA, by Willa Cather, illustrated by W T Benda // 4. FOREVER AMBER, by Kathleen Winsor, illustrated by Rick Daskam // 5. NANA, by Emile Zola, illustrated by Bernard Lamotte // 6. CAMILLE, by Alexandre Dumas, illustrated by Bernard Lamotte.

Hardcover. Bernd Kroeber (illustrator). Quarto (8-1/4" x 11-1/4") bound with scarlet linen covers with a design stamped in white leaf and a white vellum-finish linen spine stamped in scarlet and gold leaf. Illustrated with 12 full-page two-color woodcuts in three-color schemes and 14 smaller black-and-white woodcuts by Bernd Kroeber. Copy #887 of 2000 SIGNED by the artist on the colophon page. Monthly Letter laid in. Fine in glassine and a Near Fine slipcase.

Hardcover. Bernd Kroeber (illustrator). Quarto (8-1/4" x 11-1/4") bound with scarlet linen covers with a design stamped in white leaf and a white vellum-finish linen spine stamped in scarlet and gold leaf. Illustrated with 12 full-page two-color woodcuts in three-color schemes and 14 smaller black-and-white woodcuts by Bernd Kroeber. Copy #1087 of 2000 SIGNED by the artist on the colophon page. Monthly Letter laid in. Fine in glassine and a Fine slipcase.

KROEBER, Bernd (illustrator). DEFOE, Daniel. Roxana. The Fortunate Mistress; or, A History of the Life and Vast Variety of Fortunes of Mademoiselle de Beleau, Afterwards Called the Countess de Wintselheim in Germany, Being the Person Known by the Name of Lady Roxana in the Time of Charles II. With an Introduction by James Sutherland and Woodcuts by Bernard Kroeber. 4to. Orig. cloth in publisher's box. Avon, Conn.: The Limited Editions Club, 1976. Limited to 2,000 copies printed at the Stinehour Press and signed by the artist. A fine copy. Signed.

original Broschur, 8°, 102 Seiten ; Zustand: gut de 200 Buch.

Condition: Good. Color linocut or serigraph. One of 150 signed titled, numbered and dated impressions on fibrous handmade wove. 60 x 89cm. Few gold marks. Remnants of tape on verso.Annex Galleries: Printmaker Bernd Kroeber was born in Innsbruck, Austria in 1942. At a very young age he spent 18 months at the Ecole d'Humanite, Switzerland studying under famed education pioneer Paul Geheeb. This was followed by enrollment at the French Gymnasium in Berlin from 1954-1956, and in Abitur, where he received his Junior College degree in 1962. He continued his studies at the Art-Academy Berlin in 1963 with Professor Hans Jenisch, and befriended painter Julius Bissier and art historian Hans Hess. His artistic success as a painter led him to participate in college and university theater, where he designed stage sets and props, as well playwriting for puppet theater.In 1966 Kroeber debuted his first experiments with collage and blockprinting techniques at his one-man shows in Germany and Switzerland. Around 1967 he embarked on a journey to the United States to further his knowledge and skill in printing, arriving first in New York City where he briefly stayed before traveling across the country to Northern California. There, he set up the OTA Gallery in San Francisco, which operated as a workshop and gallery. From 1968 to 1969 he produced his first multi-color monoprints after traveling throughout the western states, including Nevada and Arizona.The early 1970s marked a change in Kroeber's career, shifting from a burgeoning, experimental exhibiting artist to a family man, marrying Jean Santilhano in 1972 and having their first child. He closed his gallery and moved his workshop to storage halls at the port of San Francisco, renaming it Editions Ashbury. Though he continued to show his work in special exhibits and participated in art fairs, he also accepted teaching contracts with universities and museums. It was at this time that he also began working as a book illustrator.