Krol Abram, Signed (26 results)

Couverture souple. Condition: Bon. Sans date. Poème et bois d'Abraham Krol. 15,5x23,5 cm. 69 p. Broché. Bon état. Quelques rousseurs en tranche. Couverture légèrement défraîchie. Intérieur en bon état. Non coupé. Petits plis. Nom du dédicataire effacé. in-8° Envoi de l'auteur ou Dédicace de l'auteur ou Signé par l'auteur. Envoi autographe. NB. Nom du dédicataire effacé ! A M. en respectueux hommage édition originale. EO. Edition originale. EO. L'un des 237 exemplaires sur pur chiffon (n°88).

Large oblong 8vo. 20cm by 24cm. pp 40. Paperback. Original publisher's cream covers, lettered orange at spine and front cover. 15 woodcuts by the poet. Limited edition of 250 copies, this being 155. Warm presentation, signed by the poet/artist on the half title page. Slight tanning to covers, otherwise very good.

Cartonnage Editeur. Condition: Bon. Abram Krol (illustrator). Paris -Les Éditeurs Français Réunis - 1976 - In12 ( 13 x 11 cm) - pleine toile de l'éditeur - 106 pages - Bel envoi autographe signé de Rouben Melik en page de faux titre - belles illustrations -Tirage à 2200 Ex. Dédicacé par l'auteur.

Original Wrappers. Condition: Very Good. Abram Krol (illustrator). Numbered Edition. 41pp French text with some 10 illustrations by Kroll .One of 270 copies .The copy inscribed on half title by Kroll:"A Regine et Beraha affectueusement Aout 1974 Abram". Outside minimal foxing otherwise very good. Inscribed by Author(s).

Original Decorative Wrappers. Condition: Very Good. Abram Krol (illustrator). Limited Edition. some 40 unnumbered pages French text. One on 400 numbered copies signed by the artist.With 3 full page illustrations and other smaller decorations. Insignifincant occasional spotting. A very good and clean copy. Loose on wrappers as published. Signed by Illustrator(s).

couverture souple. Editions Noël | Paris 1998 | 20 x 20 cm | broché | Edition originale sur papier courant. Ouvrage illustré de croquis de Victorine Séauve. Bel exemplaire. Envoi autographe daté et signé d'Abram Krol à son ami le poète Charles Dobzynski. | [ENGLISH DESCRIPTION FOLLOWS] First edition printed on ordinary paper. Work illustrated with sketches by Victorine Séauve. Handsome copy. Autograph inscription dated and signed by Abram Krol to his friend the poet Charles Dobzynski. *.

couverture souple. A. Krol | Paris 1992 | 21 x 30 cm | broché | Edition originale sur papier courant. Ouvrage illustré de nombreuses reproductions d'oeuvres gravées d'Abram Krol. Préface de Dominique Daguet. Iconographie. Envoi autographe daté et signé d'Abram Krol à son ami le poète Charles Dobzynski : ". deux décennies d'un laboureur de cuivre, amicalement." | [ENGLISH DESCRIPTION FOLLOWS] first edition on current paper. Illustrated book of numerous reproductions of engraved works by Abram Krol. Preface by Dominique Daguet. Iconography. Autograph dated and signed by Abram Krol to his friend the poet Charles Dobzynski: ". two decades of a copper plowman, friendly." *.

couverture souple. Librairie-Galerie Graphes | Paris 1998 | 21 x 21 cm | broché | Edition originale sur papier courant. Ouvrage illustré de nombreuses reproductions d'oeuvres gravées d'Abram Krol. Préface de Charles Dobzynski. Notre exemplaire est enrichi d'une belle lettre manuscrite datée et signée, de deux pages, d'Abram Krol à Charles Dobzynski dans laquelle il loue la clairvoyance révélatrice de la préface qui confine à l'osmose avec ses oeuvres : ". N'êtes-vous pas poète pour savoir la joie que l'on éprouve lorque l'on se sent compris, deviné. Votre nouveau texte habille mes suites qui, par moment, souffraient peu-être d'une trop grande diversité. Mais que voulez-vous, vous me montrez, vous nous montrez tels que nous sommes, hommes de deux versants, génération de transition, arbres transplantés." Sur la troisième page de la lettre, Abram Krol a encollé un burin original qu'il a signé provenant de la suite du livre de Ruth et en-dessous duquel il a ajouté ces mots : "Ainsi on célébrait chez nous Hanouka !" | [ENGLISH DESCRIPTION FOLLOWS] First edition on current paper. Illustrated book of many reproductions of works engraved with Abram Krol. Preface by Charles Dobzynski. Our copy is enriched with a beautiful, dated and signed two-page manuscript letter from Abram Krol to Charles Dobzynski in which he praises the revealing clairvoyance of the preface which borders on osmosis with his works: ". N Are you not a poet to know the joy you feel when you feel understood, guessed, your new text dresses up my suites, which, at times, suffered little from too much diversity. you show me, you show us as we are, men of two sides, generation of transition, transplanted trees . " On the third page of the letter, Abram Krol pasted an original chisel that he signed from the continuation of the book of Ruth and below which he added these words: "So we celebrated Hanukah!" *.

couverture souple. Editions Caractères | s. l. s. d. [1958] | 15.50 x 23.50 cm | broché | Edition originale, un des 237 exemplaires numérotés sur chiffon, seul tirage après 12 B.F.K. Rives. Ouvrage illustré de 13 bois gravés hors-texte ainsi que de vignettes par Abram Krol. Précieux envoi autographe signé d'Abram Krol à Jacques Hébertot lui présentant ses voeux pour la nouvelle année. Bel exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] first edition, one of the 237 copies numbered on rag, only print after 12 BFK Rives. Illustrated book of 13 engraved wooden plates as well as vignettes by Abram Krol. Precious autograph signed by Abram Krol to Jacques Hébertot presenting his wishes for the new year. Beautiful copy. *.

Paris, chez A Krol, 1952. In-12 oblong oblong, relié plein veau vert, titre doré en long sur le dos, étui relié à bandes à recouvrement, titre doré en dos, et l'ensemble sous étui gansé de cuir. Tête dorée et gardes de soie moirée rouges. 55 pages illustrées ornées de burins de l'auteur. Traduit par David Scheinert. Ce livre a été édité au dépens du graveur et grâce à l'aide précieuse d'un bibliophile. L'ouvrage a été imprimé par Bruno Durocher pour la typographie et J.J.J Rigal pour la taille-douce. La présente édition du Cantique des Cantiques a été tirée sur papier d'Auergne à la main du Moulin RIchard de Bas. Le tirage est limité à 236 exemplaires. Celui-ci n° 45 signé de Krol. Hors le dos insolé de l'étui à recouvermrent, très bel état pour cet ouvrage peu courant.

Hardcover. Condition: Very Good. Signed. Scarce. Portfolio of plates, in slipcase. Includes copper plate of one of the engravings laid in, as well as original sketch for that plate laid in and signed by the artist.

Condition: Good. Folio. 32 x 44 cm. Sheets loose as issued in original red cloth chemise and slipcase. Fine. With 25 engraved plates and 24 woodcuts in the text. One of 100 numbered copies; presentation copy to Mme. Henri Druart, with signed prospectus and 2 Als. Luc Monod, Manuel de l'amateur de livres illustrés modernes, no. 4334. OCLC no. 715704903; Agamemnon. XXIV burins de Krol. P., L'Artiste, 1965, in-folio, en feuilles, couv. rempl., chemise et étui éditeur de toile rouge. Tirage limité à 100 ex. num. 1/76 vélin de Rives, signé par l'artiste. Exemplaire enrichi d'un envoi à Henri Druart, clarinettiste français (1919-2011), du feuillet d'annonce (signé par l'artiste) ainsi que d'une lettre manuscrite relative à l'ouvrage.Annex Galleries: Abram Krol was born in Pabianice, Lodz, Poland on January 22, 1919. Krol traveled to France in 1938 to study civil engineering at the University of Caen. In 1939, at the beginning of World War II he joined the Foreign Legion. After he was demobilized, he became a mechanic at a garage in Avignon. Although he was Jewish he survived the war using false indentities.In 1943 Krol began studying art, taking courses in sculpture at the School of Fine Art. During this time he described himself as a "Sunday painter." In 1944 he moved to Paris. After the war, he took up engraving, studying with fellow ex-patriot Joseph Hecht, who was also Jewish and from Lodz and taught S.W. Hayter engraving and encouraged him to start what became Atelier 17. The first exhibition of his works was at the Katia Granoff Gallery in Paris in 1946.Krol illustrated over 20 literary works from the late 1940s through the 1960s. He also engraved medals for the Paris mint and painted murals for the French school system. He also designed tapestries and painted over 200 enamels. His work can be found in the Bibliotheque Nationale, Paris; the Victoria & Albert Museum, London; The British Museum, London; Houghton Library at Harvard in Boston; Bodleian Library, Oxford and the Palace of the Legion of Honor in San Francisco. In 1960 he was invited to exhibit at the Venice Biennale. He exhibited extensively throughout the world, winning many awards.

Couverture rigide. Condition: Très bon. Dust Jacket Condition: Très bon. Edition originale. Traduction de Rolland Simon. Format in-quarto raisin en feuilles, sous emboîtage conçue par Roger Tarrov, relieur; couverture rempliée illustrée d'une gravure. Le TEXTE et les ILLUSTRATIONS ont été composés et entièrement gravés au burin par Abram Krol. Le maître-imprimeur en taille douce André Monet a assuré le tirage. Tirage à 251 exemplaires; celui-ci porte le n° 093 sur BFK Rives signé par Krol. La présente édition qui contient 20 planches gravées sur cuivre, a été terminé le 7 décembre 1949. Très bel état pour le livre, l'emboitage présente quelques défauts sur le bas ( voir photo). Signé par l'illustrateur.

Hardcover. Condition: Near Fine. Limited Edition. Pictorial linen portfolio in linen slipcase; 4to (328x267mm); contains illustrated wraps in glassine dust jacket, loose gatherings (as issued) of text and woodcuts, with 15 full-page copper engravings and wood-engraved decorative initials by Abram Krol. Limited Edition, letter "I" of fifteen copies lettered A to O with an original signed drawings for one of the copper engravings, a suite on Japon Nacre and a suite on paper marked Ingres. In addition, the first plate from each suite and the colophon is signed by Krol. Portfolio and wraps a little rubbed at corners, else fine. A lavish production. Rare.

24 full page laid in loose in portfolio oblong 11.25 x 15.25, cloth backed boards, contents nice in worn, darkened, edge torn translucent dust jacket, and extremity worn slipcase with bumped corners. ONE OF 67 NUMBERED COPIES (this is copy 10) SIGNED BY ILLUSTRATOR, (ABRAM) KROL. Very scarce.

Sin Encuadernar. Condition: Excelente. Abram Krol (illustrator). Primera edición. 17 hojas de texto y 3 láminas, grabados originales al burin. Edición de 380 ejemplares (nº123) en muy buen papel de hilo. Dedicatoria autógrafa de Abram Krol. 32,5 x 25 cm. 17 feuilles de texte et 3 planches, gravures au burin originales. Tirage à 380 exemplaires (n° 123) sur très bon papier filigrane. Dédicace autographe d'Abram Krol. Dedicado por el ilustrador.

Pas de couverture. Condition: Satisfaisant. Reproduction signée en 2000. + Enveloppe manuscrite. Format : 21x14,5 cm. État : pli marqué, voir scans svp. Provenance : collection Gérard Leman. Authenticité garantie. Signé par l'auteur.

Editions Caractères. Sans date [1958]. Grand in-8° oblong broché. Couverture illustrée. 13 bois gravés hors texte d'Abram Krol (et des vignettes). Non paginé [72 pages]. E.O. 1/237 sur chiffon (second papier après 12 Rives). Envoi de l'auteur. Très propre.

Caractères [Bruno Durocher, éd.]. 1974. Grand in-8° à l'italienne, broché. 40 pages. 15 bois gravés in et hors texte. E.O. tirée à 270 exemplaires. I/XX de tête, sur papier Art-Fil, signé par Abram Krol au colophon. Très propre.

Paris, Chez A. Krol, 1963. Text by A. Gide. 24 col. woodcuts on Rives by Abram Krol. Cloth. Oblong. In orig. slipcase. - Cover very sl. foxed (as ussual).Published in a limited edition of 200 copies (incl. 24 De Luxe copies). - This is a copy of the limited edition of 176 Arabic numbered copies of the 'standard' edition, signed & numbered (nr. 8) by A. Krol. - Fine copy.

Condition: Good. Original engraving in blue and black on Rives. One of 75 signed, numbered and titled impressions. Light foixin in right margin,65 x 41 cm Presentation to Emmanuel Navon in 1993.: NAVON, Emmanuel - Passed away in Walnut Creek, January 30, 2004 at the age of 109. Father of Monique (Stanley) Schonberger and Daniel Navon; grandfather of Steven and Robert Schonberger; great-grandfather of Alex and Ella-Rose Schonberger, uncle of Anita Navon. He was born in Constantinople, Turkey into a distinguished family of scholars, moved to Paris in the 1920s and established his own business. He survived World War II in occupied France. He moved to California in 1956 and opened the "Paris Art Gallery" in San Francisco. He retired to Rossmoor at age 90. His last years were comforted by the devoted care of Charlotte Amato. He was known for his intellect, his knowledge of many languages and his love of art and music. At his request, no memorial services will be held.Krol was born in Poland in 1919 and in 1938 settled in France in order to continue his studies to become a civil engineer. With the outbreak of war in 1939 he enlisted in the Foreign Legion and settled in Avignon. He worked as a mechanic in a garage and took Sunday sculpture lessons at the Ecole des Beaux Arts there. His involvement with painting began in 1943. He worked with the engraver Joseph Hecht. His first solo exhibition was held in 1949. He won many distinctions and in 1960 was invited to the Venice Biennale. He is known for his illustrations of literary and poetic publications. He has engraved approximately thirty medals for the Paris Mint. He is also involved with the decoration of public buildings and tapestry design.

Four volumes, complete. THE COMPLETE CATALOGUE RAISONNÉ OF THE PRINTS OF ABRAM KROL, IN FOUR VOLUMES, published over the course of 42 years. THE FIRST VOLUME IS INSCRIBED AND SIGNED BY KROL FOR HOLOCAUST SURVIVORS AND INTELLECTUALS LEON AND HELENA LENEMAN. Printed on excellent paper. 8vo and 4to. Fine and bright, with no defects.

Condition: Good. Narrow folio 42 x 23cm. of [6] ff. in ff., blank cover. Fold mark, some minor soiling to cover. Text by Maurice Toesca relating to Jean Paulhan, printed on Victor Michel's Presses des Fils. Vignette and large full-page burin portrait by A. Krol, intaglio printed by Pierre Thirot. Rare, edition limited to 30 copies only; no. 16 signed by the author, artist and printer, with an inscription from the artist under the vignette to the famous art writer Claude ROGER-MARX.Maurice Toesca is known for Les amours de la belle époque (1979), Les amours des années folles (1980) and Les amours romantiques (1983).Krol was born in Poland in 1919 and in 1938 settled in France in order to continue his studies to become a civil engineer. With the outbreak of war in 1939 he enlisted in the Foreign Legion and settled in Avignon. He worked as a mechanic in a garage and took Sunday sculpture lessons at the Ecole des Beaux Arts there. His involvement with painting began in 1943. He worked with the engraver Joseph Hecht. His first solo exhibition was held in 1949. He won many distinctions and in 1960 was invited to the Venice Biennale. He is known for his illustrations of literary and poetic publications. He has engraved approximately thirty medals for the Paris Mint. He is also involved with the decoration of public buildings and tapestry design.Provenance: Estate of Emmanuel Navon.Passed away in Walnut Creek, January 30, 2004 at the age of 109. Father of Monique (Stanley) Schonberger and Daniel Navon; grandfather of Steven and Robert Schonberger; great-grandfather of Alex and Ella-Rose Schonberger, uncle of Anita Navon. He was born in Constantinople, Turkey into a distinguished family of scholars, moved to Paris in the 1920s and established his own business. He survived World War II in occupied France. He moved to California in 1956 and opened the "Paris Art Gallery" in San Francisco. He retired to Rossmoor at age 90. His last years were comforted by the devoted care of Charlotte Amato. He was known for his intellect, his knowledge of many languages and his love of art and music. At his request, no memorial services will be held.

Paris, A. Krol, 1963, (4 blank),138,(5),(9 blank) pag., 24 coloured woodcuts by Abram Krol, typgraphy by Pierre Daynac (Poitiers), text printed in black and blue on Rives in 200 numbered copies signed by the publisher/ illustrator (23), loose in quires as issued in original chemise with (repeated) woodcut in blue, extra original cloth chemise.with cloth slipcase, oblong small folio (27 x 34,7 cm.). = Be ne zit 8-53; Monod 5368; Strachan, The artist and the book in France, p. 201. One of 23 roman numbered deluxe copies (1 unique copy contains the original designs and drawings) - our copy numbered "I", containing an extra portfolio numbered "I" by hand with a suite of all 24 plates printed in black on Japanese paper, the first plate numbered "I/XXIII" by hand and handsigned "Krol" in pen.

Chez l'artiste, 1995. In folio oblong en feuilles sous couverture et carton à dessin portant une vignette contrecollée, 1 feuillet de textes, une suite de 12 burins, joint : une gravure sur chine contrecollée sur un japon nacré. Exemplaire nominatif signé de l'artiste. Tirage limité à seulement 24 exemplaires.Fo unbound sheets under a drawing folder, a sheet of text, a suite of 12 copperplates ; enclosed a plate on rice paper stuck on japanese vellum signed by the artist. Limited edition : only 24 copies. This one named copy signed by A. Krol. "Né en 1919 à Pabianice, près de Lodz, en Pologne, Krol (1919-2001) arrive en France en 1938 pour faire des études à l'Institut Technique de Normandie. En 1940, Krol quitte la Normandie pour s'engager dans la Légion Étrangère. Démobilisé après l'armistice, il se retrouve à Avignon en Zone Libre, sans le sous, loin de toute famille, et cherche un travail pour subsister. Il devient manoeuvre dans un garage. Il cherche ensuite à se faire embaucher par un ébéniste, dont l'atelier lui semble un havre de paix, d'ordre et de propreté. Ce dernier lui conseille de suivre les cours du dimanche de l'École des Beaux-Arts d'Avignon. Particulièrement exposé en raison de ses origines juives, Krol échappe de justesse à une rafle et parvient à rejoindre Paris sous une fausse identité. Il apprendra plus tard que ses parents restés en Pologne avaient été exterminés par les Nazis. En 1947, Krol fait la connaissance du graveur Joseph Hecht (1891-1951) qui lui apprend le burin. À la fin des années 1950, il se met ainsi à créer de grandes gravures combinant les techniques du burin et de l'aquatinte en couleurs. Ces gravures s'éloignent résolument de l'austérité des burins classiques et s'apparentent dans leur rendu et leur forme à une nouvelle forme d'imagerie populaire." (Pierre-Yves Corbel).

unbound. Condition: near fine. Limited. Burins et Bois Originaux. Illustrated with 22 engraved plates of decorative Hebrew letters. 4to, loose as issued, with tissue guards, in linen- backed folding board portfolio with linen ties. Paris: Chez A. Krol, 1954. Fine plates in very good, slightly edgeworn case. One of only 99 copies (121 total) signed by Krol.