Kuleshov Lev (27 results)
- Hardcover
Seller: Solr Books, Lincolnwood, IL, U.S.A.Solr Books
Contact seller5-star sellerCondition: Used - Good
US$ 12.21
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Condition: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.
- Softcover
Seller: Singing Saw Books, Portland, OR, U.S.A.Singing Saw Books
Contact seller5-star sellerCondition: Used - Very good
US$ 18.00
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Paperback. Condition: Very Good. Paperback. Nice shape overall.
- Hardcover
Seller: My Dead Aunt's Books, Hyattsville, MD, U.S.A.My Dead Aunt's Books
Contact seller5-star sellerCondition: Used - Good
US$ 18.00
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hardcover. Condition: Good. Dust Jacket Condition: Good. Clean, unmarked pages with light foxing on the page edges. The cover has some very light wear and bumping to the corners and edges. The dust jacket has some wear, bumping, small tears, and rubbing.
- Softcover
Seller: TotalitarianMedia, Los Angeles, CA, U.S.A.TotalitarianMedia
Contact seller4-star sellerCondition: Used - Fair
US$ 19.00
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Soft cover. Condition: Fair. No Jacket. Kuleshov on Film: Writings by Lev Kuleshov, Lev Vladimirovich Kuleshov, UC Press, 1974, 226p, trade pb, covers bumped/scuffed, minor underlining/marginalia on about 2 dozen pages in the text, binding solid---19.00.
- Softcover
Seller: George Hellon, BATH, United KingdomGeorge Hellon
Contact seller4-star sellerCondition: Used - Good
US$ 20.40
US$ 5.41 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Good. Paperback. Previous owner name. Good copy.
Language: English
Published by University of California Press, Berkeley, Los Angeles, London 1974
- Hardcover
Seller: Xochi's Bookstore & Gallery, truth or consequences, NM, U.S.A.Xochi's Bookstore & Gallery
Contact seller2-star sellerCondition: Used - Very good
US$ 24.00
US$ 5.00 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. 226pp.incl.index; HB turquoise w/gilt; some rub w/some sun on edges; clean,tight pgs. DJ white&blk.; rubbed w/chips&tears. Essays on both the theoretical and practical sides of filmmaking.
- Hardcover
Seller: Front Range Books, LLC, Windsor, CO, U.S.A.Front Range Books, LLC
Contact seller5-star sellerCondition: Used - Fine
US$ 31.97
US$ 6.25 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. **WILL SHIP WITHIN 24-48 HOURS WITH TRACKING**.
- Softcover
Seller: WeBuyBooks, Rossendale, LANCS, United KingdomWeBuyBooks
Contact seller5-star sellerCondition: Used - Very good
US$ 31.89
US$ 7.74 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: New
US$ 46.90
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Condition: New.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
US$ 47.12
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Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: The People's Co-op Bookstore, Vancouver, BC, CanadaThe People's Co-op Bookstore
Contact seller5-star sellerCondition: Used - Near fine
US$ 34.88
US$ 18.00 shippingShips from Canada to U.S.A.Quantity: 1 available
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 5-1/4" x 8-3/8", 287pp. Sewn signatures in vinyl-covered boards. Top corners are bumped; dust jacket shows wear near top of spine, trace of old price sticker on back. Binding is square & sound, pages are clean & unmarked; appears to be an unread copy.
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
Contact seller5-star sellerCondition: New
US$ 47.88
US$ 15.82 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New. In.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
US$ 47.86
US$ 19.81 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Condition: New.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
US$ 52.05
US$ 19.81 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 73.02
US$ 13.21 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Paperback. Condition: Brand New. reprint edition. 226 pages. 8.25x5.50x0.75 inches. In Stock.
- Softcover
- First Edition
Seller: J. Mercurio Books, Maps, & Prints IOBA, Garrison, NY, U.S.A.J. Mercurio Books, Maps, & Prints IOBA
Contact seller5-star sellerCondition: Used - Fine
US$ 80.00
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Soft cover. Condition: Fine. 1st Edition.
- Softcover
Seller: moluna, Greven, , Germanymoluna
Contact seller5-star sellerCondition: New
US$ 57.41
US$ 56.15 shippingShips from Germany to U.S.A.Quantity: Over 20 available
Condition: New.
Language: English
Published by University Of California Press Jun 2018 2018
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
US$ 69.30
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Taschenbuch. Condition: Neu. Neuware.
- Hardcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 169.92
US$ 13.21 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Hardcover. Condition: Brand New. 238 pages. 8.25x5.50x0.60 inches. In Stock.
- Softcover
Seller: NUDEL BOOKS, New York, NY, U.S.A.NUDEL BOOKS
Contact seller4-star sellerCondition: Used - Very good
US$ 50.00
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Soft cover. Condition: Very Good. 4to.wrappers.very good.(HMVs2).
Language: English
Published by University Of California Press Jun 2024 2024
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
US$ 185.19
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Buch. Condition: Neu. Neuware - Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the 'montage' school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage--the assemblage and alternation of shots--was the very essence and structure… of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the 'Kuleshov effect' that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also 'synthesized' a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances.
Published by Moscow 1975
- Hardcover
Seller: BiblioEra, Everett, MA, U.S.A.BiblioEra
Contact seller2-star sellerCondition: Used - Good
US$ 199.00
US$ 9.99 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Good. In Russian. Kuleshov, Lev Vladimirovich. 50 Years in Film. Moscow: Art, 1975. All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU6992580.
More imagesPublished by Moscow-Leningrad: Kinopechat' 1926
- Softcover
- First Edition
Seller: Michael Fagan Fine Art & Rare Books, Newton, MA, U.S.A.Michael Fagan Fine Art & Rare Books
Contact seller5-star sellerCondition: Used - Very good
US$ 900.00
US$ 5.00 shippingShips within U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good. 1st Edition. Small octavo 14x8x11.5 cm., wrappers, 16pp. Photocollage cover designs by Petr Galadzhev . Special issue dedicated to Sergei Eisenstein and Battleship Potemkin. The first two essays by Viktor Shklovsky and Lev Kuleshov on Sergey Eisenstein; the third is on filing techniques used dur…ing the shooting of Battleship Potemkin film by his cameraman Eduard Tisse. Constructivist cover design by Petr Galadzhev with the photo of Eisenstein on front cover and montage of stills from the Battleship Potemkin on rear cover. Sergei Mikhailovich Eisenstein (1898 1948) film director and film theorist, a pioneer in the theory and practice of montage, is noted for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). Battleship Potemkin presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers. The Battleship Potemkin was named the greatest film of all time at the Brussels World's Fair in 1958. Glavlit 60656. Front cover has small corner chip; the rear cover flawless.
- Softcover
- Print on Demand
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
Contact seller5-star sellerCondition: New
US$ 49.55
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PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
- Print on Demand
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contact seller5-star sellerCondition: New
US$ 51.45
Free ShippingShips within U.S.A.Quantity: Over 20 available
Paperback. Condition: New. Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage-the assemblage and alternation of shots-was the very essence and structure of cin…ematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
- Softcover
- Print on Demand
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
US$ 48.23
US$ 5.49 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
- Print on Demand
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
US$ 54.86
US$ 50.00 shippingShips within U.S.A.Quantity: Over 20 available
Paperback. Condition: New. Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage-the assemblage and alternation of shots-was the very essence and structure of cin…ematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
