Kulvicki John (93 results)

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Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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brossura paperback. Condition: Perfetto (Mint). ST1098.5Copertina editoriale in  brossura pieghevole,in lingua inglese, volume come nuovo,  illustrato, copertina e interno in condizioni eccellenti,240  pagine circa Copertina come da foto  ISBN/ASIN 0415557011. Book.

Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. Dust jacket, lightly edgeworn, unclipped; black cloth covered boards, gilt lettering on spine, corners sharp, no owner's mark or annotations, binding tight. ; 8.6 X 0.9 X 5.7 inches; 272 pages.

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Condition: New.

rilegato hardcover. Condition: Ottimo (Fine). 2006. Copertina editoriale in brossura pieghevole. 272 p.; 24 cmE.27. Book.

Condition: New. Why do pictures seem so immediate? What makes a picture realistic or not? John Kulvicki claims that what makes pictures special is not how we perceive them, but how they relate to one another. This not only provides some new answers to old questions, but it shows that there are many more kinds of pictures out there than many have thought. Num Pages: 274 pages, 12 halftones, 14 figures. BIC Classification: ABA; HPM; HPN; JMRP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 138 x 15. Weight in Grams: 344. . 2009. Paperback. . . . .…

Paperback. Condition: New. Whether it was the demands of life, leisure, or a combination of both that forced our hands, we have developed a myriad of artefacts---maps, notes, descriptions, diagrams, flow-charts, photographs, paintings, and prints---that stand for other things. Most agree that images and their close relatives are special because, in some sense, they look like what they are about. This simple claim is the starting point for most philosophical investigations into the nature of depiction. On Images, by contrast, argues that what it is to be a picture does not fundamentally concern how such representations can be perceived. What matters is not how we perceive representations but how they relate to one another. This kind of approach, first championed by Nelson Goodman in his Languages of Art, has not found many supporters, in part because of weaknesses with Goodman's account. On Images shows that a properly crafted structural account of pictures has many advantages over the perceptual accounts that dominate the literature on this topic. In particular, it explains the close relationship between pictures, diagrams, graphs and other kinds of non-linguistic representation. Kulvicki undermines the claim that pictures are essentially visual by showing how many kinds of non-visual representations, including audio recordings and tactile line drawings, are genuinely pictorial. Part Two shows that the structural account of depiction can help to explain why pictures seem so perceptually special, rather than taking that fact for granted. Based on these results, Part Three provides a new account of pictorial realism.…

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Condition: New. pp. 240 Index.

Condition: New.

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Paperback. Condition: New. The nature of representation is a central topic in philosophy. This is the first book to connect problems with understanding representational artifacts, like pictures, diagrams, and inscriptions, to the philosophies of science, mind, and art.Can images be a source of knowledge? Are images merely conventional signs, like words? What is the relationship between the observer and the observed? In this clear and stimulating introduction to the problem John V. Kulvicki explores these questions and more. He discusses: the nature of pictorial experience and "seeing in"recognition, resemblance, pretense, and structural theories of depictionimages as aids to scientific discovery and understandingmental imagery and the nature of perceptual contentphotographs as visual prostheses.In so doing he assesses central problems in the philosophy of images, such as how objects we make come to represent other things, and how we distinguish kinds of representation - pictures, diagrams, graphs - from one another. Essential reading for students and professional philosophers alike, the book also contains chapter summaries, annotated further reading, and a glossary.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. Why do pictures seem so immediate? What makes a picture realistic or not? John Kulvicki claims that what makes pictures special is not how we perceive them, but how they relate to one another. This not only provides some new answers to old questions, but it shows that there are many more kinds of pictures out there than many have thought. Num Pages: 274 pages, 12 halftones, 14 figures. BIC Classification: ABA; HPM; HPN; JMRP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 138 x 15. Weight in Grams: 344. . 2009. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New. pp. 240.

Condition: New. In English.

Condition: New. In English.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 1st edition. 240 pages. 9.13x6.10x0.55 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.