Kunzle David (128 results)

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Soft cover. Condition: Very Good. Excellent copy with just light shelf wear. Gift quality. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***. Book.

Condition: New.

Soft cover. Condition: Very Good. 1st Edition. Pages are clean and free from markings or creases. Binding is tight. BP/Cuba.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. A clean, tight copy with minor shelf wear to wraps. Text and images are unmarked. 4to. 112pp.

First Edition. First edition. Softcover. 124 pages. Exhibition catalog for a show that ran October 3, 1997 through February 1, 1998. Text by David Kunzle. Includes numerous color and black and white illustrations. A fine copy in French style wrappers.

Paperback. Condition: As New. Publisher: UCLA Fowler Museum of Cultural History, 1997. First Softcover Edition, First Printing. FINE softcover book in French illustrated wraps, as issued. PRISTINE. As New. Unread. Not remainder marked. Not a book club edition. Not an ex-library copy.

Soft cover. Condition: Fine. UCLA FOWLER (illustrator). 1st Edition. B00K: Fine/ $46.45 0930741595 CHE GUEVARA: ICON, MYTH, and MESSAGE KUNZLE, David UCLA FOWLER 1997 1sT Edition S/c 0ff~White Spine, Title In Black And Maroon Letters, Soft Cover B00K: Fine/ Condition, Slight Shelf, Edge And Wear. 124 Numbered Pages Printed On 0ff~White Paper, Fine+/ Condition That Are Lightly Viewed, Clean And Tight To The Spine. D/j: None. No Odors, No B00K Plate, No Writing, No Names, No Rippling, Not Stuck Together, Not X~Library. = Description Applies To This B00K, Only, Which Is Hard To Find, And Will Be = Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift For The Collector / Reader. WORLD WIDE SHIPPING, AVAILABLE.

Wraps. Condition: Fine. 1st edition. 1st edition, 2007. Fine. Tall 8vo., 207 pp., black & white photographs and illustrations. Bound in publishers white, illustrated, stiff wraps. Very minor wear to cover edges, otherwise clean and unmarked.

Paperback. Condition: New. In shrink wrap.

Paperback. Condition: Fine. 1st. 124 pages, illustrations (some colour); 31 cm. Published in conjunction with an exhibition of the same name at the UCLA Fowler Museum of Cultural History, 5 October 1997 to 1 February 1998. Firm binding, clean inside copy. Hasta la victoria siempre! *** "Che Guevara left his imprint on history and on the hearts and minds of artists and writers throughout the world. In this work, art historian David Kunzle traces the man and myth globally in posters and artwork, examining iconization and commercialization, fantasy and fact. Reproductions of rare photographs and artwork appear here for the first time. Contributing author Maruice Zeitlin tells of a midnight meeting with Che in Cuba; Shifra Goldman discusses the defacing and restoration of a mural of Che in Los Angeles during the early 1980s; Fabian Wagmister surveys the international poetric oeuvre inspired by Che; and Christine Petra Sellin takes a critical look at Hollywood's Che! The book includes art depicting Che and his message from Latin American countries as well as Poland, Ireland, Sweden, Vietnam, Italy, The Netherlands, Switzerland, Portugal, Germany, Spain, and the United States." - Publisher. *** CONTENTS: Ernesto Che Cuevara: A Legacy; Che and Me, by Manrice Zeitlin; Che and Latin America; Ernesto Che Guevara: A Brief Chronology; Che and Cuba; Impressions; The Volatile Face: Two, Three, Many Ches; Chapter Che's Ideals in the Cuban Poster: OSPAAAL, Fremez, ICAIC; Chapter Che as Landscape; Chapter Che-Man [left ang right arrow] Che-Project: A Collective Poetic Articulation, by Fabian Wagmister; Chapter Symbols: Hair and Beard, Cigar, Uniform, Beret, Star, the Name; Felix Beltran, Ches; Chapter The Korda Matrix; Che Multiplied; Chapter Mederos's Life of Che; The Mederos Paintings; Cuban Murals; Latin American Murals; Chapter Che. Chicanos, and Cubans: The Struggle Over a Symbol, by Shifra M. Goldman; US Murals; Chapter Chesueristo: The Christification of Che; Chapter Che Dead, Che Vive: The Alborta Photographs and the Belkin Variations; The Dead Che in Art; Weisberg's Deposition; The Alborta Photograph in Film; Christ-Che in Three Contemporary Works of Art, by Christophe Blaser; Alternative Views; Chapter Demythification: The Twentieth Century Fox Che!, by Christine Petra Sellin; MisChellanea; Chapter The Passion Of Che: Capture, Death, and Disappearance; Gallery. Size: 4to. Collectible.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Very Good. 1st Edition. No markings. Oversize.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Fine condition. NOT a library discard (illustrator). First printing of the First Edition. Berkeley / Los Angeles / London: University of California Press, 1995. We have only this one copy, but it is available now and ready to ship today from Henderson, Nevada. Fine condition. Bright and shiny. Only a bit of light shelfwear to the cover. Flat, uncreased spine. NO chips, tears, creases or fading. Pages are fresh, crisp, clean and unmarked. Well illustrated with mural art, a lot reproduced in beautiful full color. Bound in the original full color pictorial wraps From the publisher: "In the years following Nicaragua's 1979 Sandinista Revolution, more than three hundred murals were created by Nicaraguan and international artist brigades. David Kunzle was profoundly moved by the aesthetic and political power of these murals, and when he saw that they were being destroyed after the Sandinistas were voted out in 1990, he resolved to document them. This visually exciting, emotionally compelling book is the result of his efforts. Today many of Nicaragua's murals have been obliterated, and Kunzle's book may be the only record of these works. Approximately eighty percent of the murals are reproduced here, many with extensive commentary. Artistic styles from the primitivist to the highly sophisticated are represented, showing themes of literacy, health, family, and always the Revolution. Kunzle outlines the historical conditions in NicaraguaÂincluding U.S. interferenceÂthat gave rise to the Revolution and to the murals. He chronicles the politically vindictive destruction of many of the best murals and the rise and fall of Managua's Mural School. Kunzle also refers to other Nicaraguan public media such as billboards and graffiti, the great mural precedent in Mexico, and the more recent attempts at socialist art in Cuba and Chile. Nicaraguan murals became blackboards of the people, a forum for self-image, self-education, and popular autobiography. Kunzle pleads for the restoration of the surviving murals and for the revival of the mural movement, for it is, he says, "art that belongs to and benefits us all." Oversize Softcover. 8.5" wide by 11" tall. This large, heavy book will require SUBSTANTIAL extra postage for International shipments, but only the standard charge for priority or media mail. GoodReads rating: 4.58 stars. First printing of the First Edition. Oversize Softcover. Fine condition. Illus. by NOT a library discard. xvii, 204pp. Great Packaging, Fast Shipping.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Large octavo. B&W illustrations. As new in as new DJ. Pages: xvi, 384.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: as new. Wie neu/Like new.

Paperback. Condition: Very Good. First Edition. First edition.

Paperback. Condition: Good +. First Edition. studies in Visual Communicationm Volume 10 Number 2 Spring 1984 with texts by Dov Shinar, David Kunzle, Raymond Bial, Virginia Loring Brooks, Sally Harrison and others. 96 pages, paper with stiff cover. Wear to spine. Inside in very good condition.

Softcover. Condition: Near Fine. Corrected & Enlarged Fourth Printing. [light spotting and minor creasing to front cover]. Trade PB (B&W comic book reproductions) The classic Marxist interpretation of the comic books put out worldwide under the Disney brand, with a particular focus on the money-grubbing adventures of Uncle Scrooge, "the World's Richest Duck." Originally published in Chile in 1971, it was "banned and burned" as soon as the government of Salvador Allende was toppled in 1973. A randomly-sampled couple of observations from the text: (1) "The world of Disney is a nineteenth century orphanage. With this difference: there is no outside, and the orphans have nowhere to flee to." (2) "Mr. Disney, we are returning your Duck. Feathers plucked and well-roasted. Look inside, you can see the handwriting on the wall, our hand still writing on the wall: Donald, Go Home!" (There's something like this on every page.) The translator, art historian David Kunzle, has contributed a long and erudite (and resolutely critical of Walt Disney) introduction to the English edition. This printing (the fourth) incorporates some additional front matter not present in the first (1975) printing, notably a full page of excerpts from reviews of the English-language edition; David Kunzle's introduction has been updated for this printing, which also adds an appendix by John Shelton Lawrence, "Donald Duck vs. Chilean Socialism: A Fair Use Exchange," addressing the legal and political right to criticize Disney. It's been stated that the book had been "banned in the USA," but this seems to have been something of an overstatement of the fact that a shipment of the 1975 English-language edition had been seized by U.S. Customs officials concerned about its possible infringement on Disney's copyrights, but released after a year when it was ruled that the mere act of importing the book did not constitute "piracy.".

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Minor rubbing to DJ gloss. Very slight aging to page margins. Book remains tightly bound with unmarked contents. International shipping may require additional postage.

Condition: New.

Second printing. Softcover. Foreword by Caroline Hightower. Introduction by Mildred Friedman. Essays by Joseph Giovannini, Neil Harris, Estelle Jussim, David Kunzle, Maud Lavin, Ellen Lupton and J. Abbott Miller and Lorraine Wild. Includes numerous color and black and white illustrations along with interview of these designers by Steven Heller: Saul Bass, Aaron Burns, Matthew Carter, Ivan Chermayeff, Muriel Cooper, Milton Glaser, Richard and Robert Greenberg, April Grelman, Tibor Kalman, Alexander Liberman, Leo Lionni, Cipe Pineles, Paul Rand, Luis Silverstein, and Bradbury Thompson. A tight and clean very near fine copy in wrappers. A very good reference.