Kuzner James (103 results)

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. 'This is revelatory work that pries open challenging literary texts to reveal human vulnerability as a central thematic and political element. Kuzner will change our thinking about the early modern subject.'Barbara Correll, Cornell University'Sensitive to ambient changes in social life, Kuzner's heroes of vulnerability, adrift in an unguarded existence where immune defenses have been turned off, hatch scripts for "worlds elsewhere," alternative modernities founded on pleasure, enjoyment, and the forms of openness they incite and sustain.'Julia Reinhard Lupton, author of Thinking with Shakespeare: Essays on Politics and LifeStudies of the republican legacy have proliferated in recent years, always to argue for a polity that cultivates the virtues, protections and entitlements which foster the self's ability to simulate an invulnerable existence. James Kuzner's original new study of writing by Spenser, Shakespeare, Marvell and Milton is the first to present a genealogy for the modern self in which its republican origins can be understood far more radically. In doing so, this study is also the first to draw radical and republican thought into sustained conversation, and to locate a republic for which vulnerability is, unexpectedly, as much what community has to offer as it is what community guards against. At a time when the drive to safeguard citizens has gathered enough momentum to justify almost any state action, Open Subjects questions whether vulnerability is the evil we so often believe it to be.

Paperback. Condition: New. Can poetry articulate something about love that philosophy cannot? The Form of Love argues that it can. In close readings of seven "metaphysical" poems, the book shows how poets of the early modern period and beyond use poetic form to turn philosophy to other ends, in order not to represent the truth about love but to create a virtual experience of love, in all its guises. The Form of Love shows how verse creates love that can't exist without poetry's specific affordances, and how poems can, in their impossibility, prompt love's radical re-imagining. Like the philosophies on which they draw, metaphysical poems imagine love as an intense form of non-sovereignty, of giving up control. They even imagine love as a liberating bondage-to a friend, a beloved, a saint, a God, or a garden. Yet these poems create strange, striking versions of such love, made in, rather than through, the devices, structures, and forces where love appears. Tracing how poems think, Kuzner argues, requires an intimate form of reading: close-even too close-attention to and thinking with the text. Showing how poetry thinks of love otherwise than other fields, the book reveals how poetry and philosophy can nevertheless enter into a relation that is itself like love.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. 'This is revelatory work that pries open challenging literary texts to reveal human vulnerability as a central thematic and political element. Kuzner will change our thinking about the early modern subject.'Barbara Correll, Cornell University'Sensitive to ambient changes in social life, Kuzner's heroes of vulnerability, adrift in an unguarded existence where immune defenses have been turned off, hatch scripts for "worlds elsewhere," alternative modernities founded on pleasure, enjoyment, and the forms of openness they incite and sustain.'Julia Reinhard Lupton, author of Thinking with Shakespeare: Essays on Politics and LifeStudies of the republican legacy have proliferated in recent years, always to argue for a polity that cultivates the virtues, protections and entitlements which foster the self's ability to simulate an invulnerable existence. James Kuzner's original new study of writing by Spenser, Shakespeare, Marvell and Milton is the first to present a genealogy for the modern self in which its republican origins can be understood far more radically. In doing so, this study is also the first to draw radical and republican thought into sustained conversation, and to locate a republic for which vulnerability is, unexpectedly, as much what community has to offer as it is what community guards against. At a time when the drive to safeguard citizens has gathered enough momentum to justify almost any state action, Open Subjects questions whether vulnerability is the evil we so often believe it to be. James Kuzner's original new study of writing by Spenser, Shakespeare, Marvell and Milton is the first to present a genealogy for the modern self in which its republican origins can be understood far more radically. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: new.

Paperback. Condition: New. Can poetry articulate something about love that philosophy cannot? The Form of Love argues that it can. In close readings of seven "metaphysical" poems, the book shows how poets of the early modern period and beyond use poetic form to turn philosophy to other ends, in order not to represent the truth about love but to create a virtual experience of love, in all its guises. The Form of Love shows how verse creates love that can't exist without poetry's specific affordances, and how poems can, in their impossibility, prompt love's radical re-imagining. Like the philosophies on which they draw, metaphysical poems imagine love as an intense form of non-sovereignty, of giving up control. They even imagine love as a liberating bondage-to a friend, a beloved, a saint, a God, or a garden. Yet these poems create strange, striking versions of such love, made in, rather than through, the devices, structures, and forces where love appears. Tracing how poems think, Kuzner argues, requires an intimate form of reading: close-even too close-attention to and thinking with the text. Showing how poetry thinks of love otherwise than other fields, the book reveals how poetry and philosophy can nevertheless enter into a relation that is itself like love.

Condition: New. pp. 232.

Condition: new.

Condition: New. pp. 240.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: New. Shakespeare as a Way of Life shows how reading Shakespeare helps us to live with epistemological weakness and even to practice this weakness, to make it a way of life. In a series of close readings, Kuzner shows how Hamlet, Lucrece, Othello, The Winter's Tale, The Tempest, and Timon of Athens, impel us to grapple with basic uncertainties: how we can be free, whether the world is abundant, whether we have met the demands of love and social life. To Kuzner, Shakespeare's skepticism doesn't have the enabling potential of Keats's heroic "negativity capability," but neither is that skepticism the corrosive disease that necessarily issues in tragedy. While sensitive to both possibilities, Kuzner offers a way to keep negative capability negative while making skepticism livable. Rather than light the way to empowered, liberal subjectivity, Shakespeare's works demand lasting disorientation, demand that we practice the impractical so as to reshape the frames by which we view and negotiate the world. The act of reading Shakespeare cannot yield the practical value that cognitive scientists and literary critics attribute to it. His work neither clarifies our sense of ourselves, of others, or of the world; nor heartens us about the human capacity for insight and invention; nor sharpens our ability to appreciate and adjudicate complex problems of ethics and politics. Shakespeare's plays, rather, yield cognitive discomforts, and it is just these discomforts that make them worthwhile.

Paperback. Condition: new. Paperback. Can poetry articulate something about love that philosophy cannot? The Form of Love argues that it can. In close readings of seven "metaphysical" poems, the book shows how poets of the early modern period and beyond use poetic form to turn philosophy to other ends, in order not to represent the truth about love but to create a virtual experience of love, in all its guises. The Form of Love shows how verse creates love that can't exist without poetry's specific affordances, and how poems can, in their impossibility, prompt love's radical re-imagining. Like the philosophies on which they draw, metaphysical poems imagine love as an intense form of non-sovereignty, of giving up control. They even imagine love as a liberating bondage-to a friend, a beloved, a saint, a God, or a garden. Yet these poems create strange, striking versions of such love, made in, rather than through, the devices, structures, and forces where love appears.Tracing how poems think, Kuzner argues, requires an intimate form of reading: close-even too close-attention to and thinking with the text. Showing how poetry thinks of love otherwise than other fields, the book reveals how poetry and philosophy can nevertheless enter into a relation that is itself like love. The Form of Love explores what poetry can articulate about love that philosophy cannot. Reading seven poems, this book shows how figures ranging from Donne to Dickinson use poetic form to transform philosophys concern to convey truth about love into the concern to create a virtual experience of love. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. 2021. 1st Edition. Paperback. . . . . .

Hardcover. Condition: Very Good. No Jacket. Very good copy in blue cloth with gilt titles on spine. Three small holes in gutter.

Condition: New. pp. 232 1st Edition.

paperback. Condition: New.

Condition: New. These original interpretations of Renaissance culture focus on the English Renaissance as well as attending to work in a range of vernacular languages and on tne reception and transformation of the Greco-Roman literary, political and intellectual heritage. Series Editor(s): Hutson, Lorna. Series: Edinburgh Critical Studies in Renaissance Culture. Num Pages: 232 pages. BIC Classification: 1DBK; 3JD; HBJD1; HBLH; HBTB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 160 x 13. Weight in Grams: 360. English Renaissance Republicans, Modern Selfhoods and the Virtue of Vunerability. Series: Edinburgh Critical Studies in Renaissance Culture. 232 pages. These original interpretations of Renaissance culture focus on the English Renaissance as well as attending to work in a range of vernacular languages and on tne reception and transformation of the Greco-Roman literary, political and intellectual heritage. Cateogry: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. BIC Classification: 1DBK; 3JD; HBJD1; HBLH; HBTB. Dimension: 233 x 160 x 13. Weight: 360. Series Editor(s) :Hutson, Lorna. . 2012. Paperback. . . . .

Hardcover. Condition: Very Good-. Dust Jacket Condition: Very Good-. First Edition. 2011. x, 222pp. "Studies of the republican legacy have proliferated in recent years, always to argue for a polity that cultivates the virtues, protections, and entitlements which foster the self's ability to simulate an invulnerable existence . At a time when the drive to safeguard citizens has gathered enough momentum to justify almost any state action, Open Subjects questions whether vulnerability is the evil we so often believe it to be." Water (brown) staining to edges, to edges of boards and to edges of the unclipped dust jacket. Both book and dust jacket are otherwise in very good condition. All contents are tight and clean. There are no inscriptions.

Condition: New. 2021. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 232.

Condition: New. pp. 240.

Paperback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. These original interpretations of Renaissance culture focus on the English Renaissance as well as attending to work in a range of vernacular languages and on tne reception and transformation of the Greco-Roman literary, political and intellectual heritage. Series Editor(s): Hutson, Lorna. Series: Edinburgh Critical Studies in Renaissance Culture. Num Pages: 232 pages. BIC Classification: 1DBK; 3JD; HBJD1; HBLH; HBTB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 160 x 13. Weight in Grams: 360. English Renaissance Republicans, Modern Selfhoods and the Virtue of Vunerability. Series: Edinburgh Critical Studies in Renaissance Culture. 232 pages. These original interpretations of Renaissance culture focus on the English Renaissance as well as attending to work in a range of vernacular languages and on tne reception and transformation of the Greco-Roman literary, political and intellectual heritage. Cateogry: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. BIC Classification: 1DBK; 3JD; HBJD1; HBLH; HBTB. Dimension: 233 x 160 x 13. Weight: 360. Series Editor(s) :Hutson, Lorna. . 2012. Paperback. . . . . Books ship from the US and Ireland.