Laing Carol (13 results)

Paperback. Condition: Very Good. MOTHERMACS SHIPS FROM TORONTO, ONTARIO AND BRINGS OVER TEN YEARS OF VALUE, QUALITY AND PROMPT SERVICE TO THE INTERNET WE SHIP VIA AIRMAIL TO US , EUROPE. BUQUES MOTHERMACS de Toronto, Ontario y aporta m.

Paperback. Condition: As New. 36 pages. U.S. orders are shipped from N.Y. state.

Hardcover. Condition: Good. 1st Edition. hardback book in good to very good condition.

Softcover. Condition: Fine. First Edition. About new book but for "booksale" stamp to inside front cover.; 35 pages.

Softcover. Condition: VG. Brick-colored wraps; 54 pp.; Profusely illustrated in bw. Text in English; Accompanied an exhibition featuring works by Silvia Bachli, Therese Bolliger, and Cathy Daley; Includes an essay by Carol Laing.

Soft cover. Condition: Fine. Faint wear to covers. Otherwise a fine paperback copy without marks, inscriptions or underlining. s23.

Soft cover. Condition: Very Good. No Jacket. 36 pages with full-colour illustrations and biographical details. Cover slightly edge-worn and rubbed. Catalogue of an exhibition from January 25 to March 9, 1997 at Southern Alberta Art Gallery and from January 30 to March 8, 1998 at Mount Allison University in Sackville. "This essay turns primarily on Janet Werner's recent work as presented in the exhibition Lucky, and in particular on the slow but insistent emergence of a strongly figurative component in that work, a figurative element that yet refuses to let go of its grounding in abstract painting. The stubborn and simultaneous coexistence of both registers easily leads to wider speculation on the history of painting through modernity and the potential for painting now." ? Carol Laing.…

Hardcover. Condition: Fine. 48 p. 21 cm. B&w and colour illustrations. Burgundy cloth.

[0-921613-26-1] 1991, 1st printing. (Mass market paperback) Fine. 54pp. Tall 4to. Perfect bound in original red card wraps, top cover lettered in yellow. B&W photographs of artwork by Silvia Bächli, Thérèse Bolliger, and Cathy Daley. Exhibition held at the Southern Alberta Art Gallery from Mar. 16 - Apr. 21, 1991. …

Condition: Very good. 23 cm pamphlet unfolds to 3 double-sided panels. Light marks on front cover. Exhibition held February-March 1996.

Trade Paperback. Condition: Fine. Exhibition catalog for the show at the Publisher's gallery from 1/25 -- 3/9 1997; 35pp. Black and white and color illustrations, color photographs, essay by the author.

Paperback. Condition: Very Good. 1994 Banff Centre Press paperback edition. Light reading wear else very good condition. Contents: Chapter 1 'The Soundscape on Radio' by Hildegard Westerkamp; Chapter 2 'Radio Space' by Douglas Kahn; Chapter 3 'The Technology of Entrapment: Open Your Mouth and Let the Air Out' by Christof Migone; Chapter 4 'The Geometry of Silence' by Heidi Grundmann; Chapter 5 'Sound Signatures' by Rober Racine; Chapter 6 'Holes in the Head: Theatres of Operation for the Body in Pieces' by Gregory Whitehead; Chapter 7 'Rita McKeough's My Teeth are in Slivers: A Calling from the Other Side of Trauma' by Paula Levine; Chapter 8 'The Genealogy of the Radio Voice' by Frances Dyson; Chapter 9 'Urban Radio' by Tim Westbury; Chapter 10 'Pirate Writing: Radiophonic Strategies for Feminist Techno-Perverts' by Kim Sawchuk; Chapter 11 'New World Radio' by Coco Fusco and Guillermo Gomez-Pena; Chapter 12 'Women and Radio: "Live" Letters to Producers. or Three Noisy Recipes for Cooked Speech' by Carol Laing; Chapter 13 'The Time Has Come for the Neo-Nativist Generation: Leonard Fisher's Earth Police' by Paul Wong; Chapter 14 'In the Noise of the Signals' by Richard Kriesche; Chapter 15 'Toward Polymorphous Radio' by Tetsuo Kogawa; Chapter 16 'How to Build a One-Watt FM Transmitter Based on a Workshop by Tetsuo Kogawa' by Rob Kozinuk; Chapter 17 'Playing in the Airwaves' by Margaretta D'Arcy.…

Cloth. Condition: Fine. No Jacket. First Edition. 48 pp.