Laing R D: Signed (12 results)

paperback. Condition: Good. Signed. Inscribed by author, roberta Russell, on the title page, dated 1992! Book shows some shelf & handling wear, including minor edge wear & cover scuffing. Pages are somewhat worn, interiors are intact with unmarked text/pictures.

Soft cover. Condition: New. No Jacket. 1st Edition. First edition, first printing stated 1992. Signed and inscribed to named person by Author Roberta Russell on the title page. Published by Hillgarth Press, New York. Trade softcover without DJ as issued. Condition new, square and tight book, spine not creased, sharp corners, no edgewear, no names, no underlinings, no highlights, no bent pages. Not a reminder. 8vo, 262 pages. Signed by Author(s).…

HARDCOVER. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 8vo in burgundy red faux cloth, silver lettering to spine. 248pp, bibliography, index. This copy signed by Adrian Charles Laing on the title-page (no other marks or inscriptions) . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy in an AS NEW complete Dust Jacket. An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Near Fine hardcover in a Very Good dust jacket. Inscribed and Signed by R. D. Laing and Jutta Laing on the front end page to noted art historian Suzi Gablik as such: "For Suzi Gablik, from Ronnie and Jutta." Stated First Edition. The text is clean and bright. Short tear to the front panel of the jacket. Overall an attractive copy. Inscribed by Author(s).…

Soft cover. Condition: Fair. 160pp. Signed and dated on the inside front cover 'R D Laing Plymouth 1985' during which time Laing was in attendance in the city for a day-long seminar. The book is in fair condition with creased covers (some scuffing at back), and water damage resulting in waved and stained pages towards the bottom half. Signed by Author(s).…

Hardback. Condition: Very Good. First U.k. Edition. Hardback. Dust Jacket. 8vo. pp 63. Original publisher's maroon cloth, lettered silver at the spine. Signed presentation from the author on the half title page, "To Rose, R. D. Laing." ISBN: 0718118227 Fine in very good dust jacket, with slight sunning at spine. Signedes.…

Hardback. Condition: Very Good. First Edition. Hardback. Dust Jacket. 8vo. pp 143. Original publisher's blue cloth, lettered silver at the spine. Signed by the author on the front endpaper and dated 1976. ISBN: 0713910151 Fine in near fine dust jacket, with faint wear at the rear. Excellent condition. Signedes.…

Softcover with plastic spiral binding at left and right edges to hold 2 separate unpaginated page blocks split at center so each side can be flipped through separately; includes photo images of nude men and women sitting on a lips shaped couch; with poem and essay in English and Italian; as new condition; clean and crisp; signed by Maurizio Berlincioni and dated 1983 on title page; no other internal marks. Foreign shipping may be extra.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition; Fourth Printing. 138 pages; signed by author on front free endpaper. Minor fading on DJ. Minor yellowing on pages. Very Good condition. No noteworthy defects. No markings on text. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. …

First edition. Tall 4to. Original black cloth, spine lettered in silver, front cover lettered in blind, pink endpapers, dust jacket. London, Tavistock Publications. A presentation copy, inscribed by the author 'To my good friend Batts Xmas 1970 (Its great to be copied)' in black ink to the front free endpaper. Jacket price clipped with substantial wear and tears to the extremities, notwithstanding a good copy, internally clean.…

New York: Pantheon Books. 1970. 8vo. Original black cloth with silver title lettering to spine; black and orange dust jacket with photograph of author to front wrapper; pp. [6], 90; a fine copy; authorial inscription 'To Michael and Anne | With all wishes | from Ronnie | March, 1971' in black ink to front free endpaper.First edition, published simultaneously in the UK and the US, this a presentation copy inscribed by the author.Continually testing the limits of orthodox psychiatry, in Knots R.D. Laing uses verse to explore themes dominant in his work since 1958 with a particular emphasis on the origins of mental disorder within the family and the instability of human connection.…

New York: Springer Publishing Company. 1966. 8vo. Original yellow cloth with black lettering to spine and front board, in yellow dust jacket printed in black; pp. [x], 179, [1], with fold out IPM chart; extremities very lightly rubbed, a few small marks and short edge tears to jacket, spine slightly sunned; a near-fine copy overall; authorial inscription 'To Mike | With all wishes | from Ronnie | March 1969' in black ink to front free endpaper.First edition, published simultaneously in the UK and the US, this a presentation copy inscribed by the author.R.D. Laing remains one of the most controversial figures in modern psychiatry, renowned and reviled for his efforts - as he wrote in the preface to The Divided Self (1960) - 'to make madness, and the process of going mad, comprehensible'. His commitment to understanding psychosis through human relationships rather than clinical abstraction won him admiration from the 1960s counterculture and scorn from much of the psychiatric establishment.Interpersonal Perception: A Theory and a Method of Research explores the experiences, perceptions, and actions that arise when two people engage in a meaningful encounter. While much of the study focuses on the marital relationship, it also extends to other dyadic interactions and broader 'we/they' dynamics. A meticulous and methodologically distinctive investigation, it stands as one of the more unusual and underrated contributions to Laing's provocative body of work.…