Lambie Jim (32 results)

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

paperback. Condition: Acceptable. Stains to cover, page edges, and/or pages inside. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

8vo, pp. 175. Published on the occasion of an exhibition. Copiously illustrated in color. Illustrated paper over boards. Cover little scuffed at edges, o/w a nice copy.

paperback. Condition: Very Good. **PAPERBACK**.

Hardcover without dustjacket as issued, 176 pages; in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. This copy is in very good condition. Internally excellent and near fine. Synopsis: Just as industrial materials blended with the hallmarks of popular culture to revolutionise sculpture in the 1960s so artists working in the 21st Century are again embracing plasticity, colour and new synthetics to suggest another paradigm shift. By contrast with their formalist forbears however, their experiments in space and time are laced with messages from past and rumbles of the political present. Timed to coincide with the display of works by artists of the so called 'New Generation', such as Anthony Caro and Phillip King at Tate Britain, the exhibition Early One Morning and this accompanying catalogue identifies the next generation.

Exhibition Announcement Cards. This is not a book. The original announcement flyer for an exhibition of work by Jim Lambie titled "The Prismatics" and held at Anton Kern Gallery, NYC, April 19 - May 26, 2007. Single sheet, printed both sides; 8.5 x 11 inches. Condition: Fine; never folded, though meant to be folded. Laid-in is a copy of the gallery's press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

No Binding. Condition: Good. this is an exhibition announcement for Jim Lambie at Anton Kern 2001; single sheet size: 11 x 8-1/2 inches; in VERY GOOD COND.

HARDCOVER. Condition: As New. 1st Edition. Octavo size (8vo) in thick card covers, paper spine. 87pp, colour plates, etc . [CONDITION: A well preserved AS NEW clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 11,5 x 16,5 cm, 128 pages, 65 color illustrations - This book is built around McLaren's "Shallow," a series of 21 "musical paintings" made from a "grab bag of pop culture's debris over the past 50 years." The project, curated by Bernd Wurlitzer, brought together Delia Brown, Wolfgang Flad, Rodney Graham, Gregor Hildebrandt, Damien Hirst, Alicja Kwade, Jim Lambie, Jack Pierson, Rob Pruitt, Michael Queenland, Anselm Reyle, Michael Sailstorfer, and Andreas Schulze.

SOFTCOVER. Condition: New. 1st Edition. 8vo in colour printed stiff card covers, 47pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. First Edition / First Print. Hardback copy in pictorial boards, no dustjacket as issued. Colour photographs (both concertina fold-out and within text). Not library copy, no inscriptions. (56/3).

Poster. This is not a book. The original announcement poster for an exhibition of work by Jim Lambie titled "Spiritualized" and held at Anton Kern Gallery, NYC, November 3 - December 17, 2011. Single sheet of glossy paper, printed both sides; 10.5 x 16.5 inches. Condition: Fine, machine-folded as issued. Laid-in is a copy of the gallery's press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Hardcover without dustjacket as issued, 126 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. 1. 124 S. Very good condition. Book has slight signs of storage. Otherwise very good copy. 9783883758305 Sprache: Englisch Gewicht in Gramm: 885.

Poster, measuring 11 x 8 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

Paperback. Condition: Very Good. Paperback in excellent condition. AM. Used.

SOFTCOVER. Condition: NEW. 1st Edition. Thick 4to in colour printed stiff card covers, 176pp on thick art paper, colour photos, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

1st edition stiff wrappers Fine small quarto 47pp., col. ills.,

Exhibition Announcement Cards. This is not a book. The original announcement flyer for an exhibition of work by Jim Lambie titled "Boy Hairdresser" and held at Anton Kern Gallery, NYC, September 6 - October 13, 2001. This was the artist's second solo show in New York. Single sheet, printed both sides; 8.5 x 11 inches. Condition: Originally machine-folded but stored flat, otherwise Fine. Laid-in is a copy of the gallery's press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

215 pp.; 29 x 25 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the New Museum, New York, December 1, 2007 - March 30, 2008, the first exhibition in their new building on the Bowery. Curated by Richard Flood, Massimiliano Gioni, and Laura Hoptman. Texts by Richard Flood, Massimiliano Gioni, Laura Hoptman, Trevor Smith, Sara Reisman, Benjamin Godsill, and Eva Díaz. Artists include Alexandra Bircken, John Bock, Sara Reisman Martin Boyce, Tobias Buche, Carlos Bunga, Tom Burr, Urs Fischer, Abraham Cruzvillegas, Aaron Curry, Sam Durant, Claire Fontaine, Isa Genzken, Rachel Harrison, Elliott Hundley, Gabriel Kuri, Jim Lambie, Nate Lowman, Sarah Lucas, Matthew Monahan, Kristen Morgin, Manfred Pernice, Anselm Reyle, Marc André Robinson, Eva Rothschild, Lara Schnitger, Gedi Sibony, Shinique Smith, Nobuko Tsuchiya, Rebecca Warren, and Carol Bove. Includes contributor biographies and index. Fine. As issued, contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Soft cover. Condition: Fine. No Jacket. 1st Edition. first edition 2012 softcover in fine condition, slight shelf wear on the cover, 290x250x24 mm, 216 pages.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Works in various media by Jim Lambie. Essays by Will Bradley and Rob Tufnell. Includes a list of plates, exhibition history and a selected bibliography. 128 pp., with 92 four-color plates. 11 x 8-5/8 inches. Fine. A mint copy. From the publisher: "Scottish artist Jim Lambie's involvement in the Glasgow music scene has considerable influence on his work. Like music, visual art can fill a space and change the way we perceive our surroundings as well as ourselves. It can produce altered states of mind. Using vibrantly colored tapes that follow the contours of a room, Lambie's installations transform and energize gallery spaces. Voidoid also showcases the artist's 3-dimensional works made from vinyl records, inserts, and record players, as well as his Psychedelicsoulsticks, composed of multicolored thread, bamboo, and small objects like Buddhas or broken pieces of ceramics.".

Condition: Fine. Number of books: 1.

Condition: Ottime. inglese Condizioni dell'esterno: Ottime Condizioni dell'interno: Ottime.

Walther König, Köln 2004. 4to. 125 pages Orig. boards. Very Good+.

Condition: Very Good. First edition. Paperback. Large octavo. 188pp. Original spiral-bound paperback. Slight wear otherwise very good indeed. Live and Silent contemporary art auction held at Battersea Power Station. Includes: Alice Channer, Aleana Egan, Dryden Goodwin, Katie Paterson, Terry Winters.

Exhibition Announcement Cards. This is not a book. The original announcement flyer for an exhibition of work by Jim Lambie titled "Blackgloss" ("Black Gloss" on the artist's cv) and held at Anton Kern Gallery, NYC, January 21 - February 26, 2000. This was the artist's first solo show in the US and his first outside of the UK. Single sheet of glossy paper, printed both sides; 11 x 8.5 inches. Condition: A tiny bump to one corner and a small scuff to the text side otherwise Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.