Lara Perry (258 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: New.

Condition: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: As New. A new paperback book with minimal shelfwear. Examines the relationship between English art, England's artists, and their modern culture. Illustrated.

Paperback. Condition: New. BRAND NEW COPY, Perfect Shape, Not a Remainder, No Black Remainder Mark MH131-208Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Soft Cover. Condition: Very Good. ORIGINAL PUBLICATION; Softcovers; in very good condition.

paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Fine. xii, 274 pages, [4] pages of plates, illustrations (some colour); 24 cm. First published, Manchester University Press, 2000. Tight, clean copy. *** "How 'modern' is the art made in England between 1860 and 1914? England in this period was a highly modernized society, but the art it produced is not 'modernist' in the sense that the word has been used to describe French art of the nineteenth and twentieth centuries. This book seeks to break the association of 'modern' art in England with French models and to describe anew the relationship between English art, England's artists, and their modern culture. The collection presents in a single volume an introduction to the variety and depth of current innovative work on English art. Through a series of essays by leading scholars, dealing with themes including the new professionalism in art, the gendered nature of institutions, the rise of Aestheticism, and the fragmentation of the art world, the book brings into focus this crucial and fascinating period by offering a series of openings for a new map of modern art in England. By identifying an array of responses to modern life and experience, the essays inaugurate a revisionist view of the period and reveal that modern English artists and art were profoundly involved with questions about the relationship between artistic tradition and the circumstances and subjects of modern life and modern art practice. / Contributors include Paul Barlow, Tim Barringer, Jane Beckett, Pamela Fletcher, Alicia Foster, Kenneth McConkey, Elizabeth Prettejohn, Andrew Stephenson, Lisa Tickner, and Janet Wolff. David Peters Corbett is senior lecturer in history of art at the University of York. Lara Perry teaches at Birbeck College, University of London." - Publisher. *** CONTENTS: Introduction, by David Peters Corbett and Lara Perry; English modernism in the cultural field, by Lisa Tickner; The modernism of Frederic Leighton, by Eilzabeth Prettejohn; Millais, Manet, modernity, by Paul Barlow; 'Not a "modern" as the world is now understood'? Byam Shaw, imperialism and the poetics of professional society, by Tim Barringer; Masculinity, money and modern art: The sentence of Death by John Collier, by Pamela M. Fletcher; A walk in the park: memory and rococo revivalism in the 1890s, by Kenneth McConkey; Looking like a woman: gender and modernity in the nineteenth-century National Portrait Gallery, by Lara Perry; Refashioning modern masculinity: Whistler, aestheticism and national identity, by Andrew Stephenson; Seeing into modernity: Walter Sickert's music-hall scenes, c. 1887-1907, by David Peters Corbett; Gwen John's Self-portrait: art, identity, and women student at the Slade School, by Alicia Foster; The 'Jewish mark' in English painting: cultural identity and modern art, by Janet Wolff; (Is)land narratives: Englishness, visuality, and vanguard culture 1914-18, by Jane Beckett. Size: 8vo.…

Paperback. Condition: New. This volume surveys the self-portraiture of artists working in Britain from 1722 to 2022, with particular focus on the last 50 years. Tracing the subject's transformation from professional presentation to a private form of reflection, Tessa Jackson considers how repeated likenesses register time and change; the way artists have used the genre to address topics including women's agency and post-colonial experience; and the contemporary fascination with selfies.…

Paperback. Condition: New. Me, Myself, I - Artists' Self-Portraits explores self-portraiture by artists based in Britain between 1722 and 2022. It discusses the ways and traditions through which artists have presented themselves and how the genre has increasingly offered the means to take control and re-present oneself, often challenging society to re-think its social mores. It will provide an illuminating overview and contextual backstory to our current interest in self-representation and the selfie. Self-portraits can go beyond the professional towards the personal, with self-examination offering both analysis and psychoanalysis. Some artists have made multiple self-portraits over time, reflecting on how we are subject to change. Others have explored issues they have identified with, including the agency of women or the breaking of taboos around sexuality. Self-portraiture has also been a way of promoting oneself, ensuring artistic survival and long-term recognition. Since the 1940s it has played an important role for artists in expressing the complexities of identity and post-colonialism in Britain.…

Paperback. Condition: New. Me, Myself, I - Artists' Self-Portraits explores self-portraiture by artists based in Britain between 1722 and 2022. It discusses the ways and traditions through which artists have presented themselves and how the genre has increasingly offered the means to take control and re-present oneself, often challenging society to re-think its social mores. It will provide an illuminating overview and contextual backstory to our current interest in self-representation and the selfie. Self-portraits can go beyond the professional towards the personal, with self-examination offering both analysis and psychoanalysis. Some artists have made multiple self-portraits over time, reflecting on how we are subject to change. Others have explored issues they have identified with, including the agency of women or the breaking of taboos around sexuality. Self-portraiture has also been a way of promoting oneself, ensuring artistic survival and long-term recognition. Since the 1940s it has played an important role for artists in expressing the complexities of identity and post-colonialism in Britain.…

quarto, pictorial wrappers. First American Edition. First American Edition. quarto, pictorial wrappers. (xiv), 274pp. Rutgers University Press, A volume in the Issues in Art History Series. Essays by leading scholars dealing with themes including the new progessionalism in art, the gendered nature of institutions, the rise of Aestheticism, and the fragmentation of the art world. They inaugurate a revisionist view of the period and reveal that modern English artists and art were involved with questions about the relationship between artistic tradition and the circumstances and subjects of modern life and modern art practice. With 84 color and black and white illustrations. New.…

Condition: New.

Condition: New. Anti-Inflammatory Recipes 2022: Quick Recipes to Decrease Inflammation (Paperback or Softback).

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Paperback. Condition: New. To what extent have developments in global politics, artworld institutions and local cultures reshaped the critical directions of feminist art historians? The significant research gathered in Feminism and Art History Now engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles.Taking on subjects that reflect the museological, global and materialist trajectories of 21st-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Case studies focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these case studies provide readers with a view of feminist art histories of the past, present and future.…

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. To what extent have developments in global politics, artworld institutions and local cultures reshaped the critical directions of feminist art historians? The significant research gathered in Feminism and Art History Now engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles.Taking on subjects that reflect the museological, global and materialist trajectories of 21st-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Case studies focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these case studies provide readers with a view of feminist art histories of the past, present and future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: New. 2022. 1st Edition. Paperback. . . . . .

Condition: New.

Condition: New.