Larcher Jonathan (15 results)

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Paperback. Condition: new. Paperback. First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.Film X Autochthonous Struggles Today brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide.Starting with the Edison Studio's 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema's forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.Along with the vibrant forms of moving images arising from within the communities, close to their existential concerns, filmmaking has also become a potent tool in Autochthonous struggles. This book answers the need to take a global look at the diverse ways of filmmaking that fight for land rights and against environmental injustice (Brazil, Morocco, Taiwan, USA), that resist neocolonial domination, economic and political exploitation (Japan, Philippines), that offer a counterpoint during low intensity or drawn-out armed conflicts (Colombia, Mexico), that invent strategies of counter information and representation (Australia, Canada, Russia, Samoa), and that strive for visibility.ContributorsMyrla Baldonado, Mayaw Biho, Nadir Bouhmouch, Ricardo Matos Cabo, Carolina Cangu u, Amaranta Cesar, Karrabing Film Collective, Rupert Cox, Nicolas Defosse, Etienne De France, Sophie Gergaud, John Gianvito, David Harper, Aurelie Journee-Duez, Blackhouse Lowe, Caroline San Martin, Laura Langa Martinez, Isael Maxakali, Sueli Maxakali, Dan Taulapapa Mcmullin, Chie Mikami, Francisco Vazquez Mota, Omar Moujane, Marie Pierre-Bouthier, Perrine Poupin, Ariel Arango Prada, Beatriz Rodovalho, Roberto Romero, Jonathan Sims, Mercedes Vicente, Jamahke Welsh Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condition: New.

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Condition: New. 2024. paperback. . . . . .

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Paperback. Condition: Brand New. Paperback.Width: 17 cm. Height: 24cm. 544 pages. English text.

Paperback. Condition: Brand New. 416 pages. 9.50x6.75x0.79 inches. In Stock.

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Couverture souple. Condition: Très bon. Edition originale. In-8 broché. La plus prestigieuse des revues critiques françaises, à l'origine, entre autres, de la définition de la " politique des auteurs ", dans les années cinquante. Vivier de nombreux critiques, cinéastes, théoriciens, parmi lesquels : André Bazin, Jacques Doniol-Valcroze, François Truffaut, Jean-Luc Godard, Eric Rohmer, Jacques Rivette, Claude Chabrol, Jean Narboni, Jacques Fieschi, Jean-Louis Comolli, Serge Daney. Sommaire : 8 mm par Jean-Marc Lalanne --- American history X par Jean-Marc Lalanne --- Asia Argento, des ténèbres vers la lumière par Jerôme Larcher --- Astérix et Obélix contre César par Antoine de Baecque --- Astérix ou l'image numérix par Réjane Hamus --- Au hasard de la rencontre par Philippe Garrel Charles Tesson ; Serge Toubiana --- Autocritique par Serge Toubiana ; Charles Tesson --- Balade funéraire par Cédric Anger --- Belle maman par Frédéric Strauss --- Comme un boomerang par Bernard Bénoliel --- Danse de la poussière par Erwan Higuinen --- De la part de Stella par David Vasse --- Les enfants du marais par Serge Toubiana --- Les ensorceleuses par Clélia Cohen --- Fermeture de l'usine Renault à Vilvoorde par Jerôme Larcher --- La fiancée de Chucky par Matthieu Orléan --- Les grandes bouches par Baptiste Piegay --- Les hautes solitudes par Charles Tesson --- Histoires de France par Charles Tesson --- L' homme qui rit par Cédric Anger --- Hygiène de l'assassin par Matthieu Orléan --- L' imprécateur par Stéphane Bouquet --- Jessie par David Vasse --- Journal d'une obsession par Jonathan Coe --- Karnaval par Gabrielle Hachard --- Last night par David Vasse --- Liens secrets par Matthieu Orléan --- Mains fortes par Matthieu Orléan --- Parole donnée par Erwan Higuinen --- Pays lointain par Olivier Joyard --- Philippe Garrel, le prophète et le scribe par Thierry Jousse --- La potion magique par Serge Toubiana --- Les racines du mal par Erwan Higuinen --- Rosie, sa vie est dans sa tête par David Vasse --- Sauve qui peut l'envie par Serge Toubiana --- Shakespeare in love par Jean-Marc Lalanne --- Shandurai par Jean-Marc Lalanne --- Star Trek insurrection par Matthieu Orléan --- Un chant d'amour évidemment par Olivier Joyard --- Vingt ans et trois continents (2) par Emmanuel Burdeau ; Olivier Joyard.

Paperback. Condition: new. Paperback. First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.Film X Autochthonous Struggles Today brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide.Starting with the Edison Studio's 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema's forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.Along with the vibrant forms of moving images arising from within the communities, close to their existential concerns, filmmaking has also become a potent tool in Autochthonous struggles. This book answers the need to take a global look at the diverse ways of filmmaking that fight for land rights and against environmental injustice (Brazil, Morocco, Taiwan, USA), that resist neocolonial domination, economic and political exploitation (Japan, Philippines), that offer a counterpoint during low intensity or drawn-out armed conflicts (Colombia, Mexico), that invent strategies of counter information and representation (Australia, Canada, Russia, Samoa), and that strive for visibility.ContributorsMyrla Baldonado, Mayaw Biho, Nadir Bouhmouch, Ricardo Matos Cabo, Carolina Cangu u, Amaranta Cesar, Karrabing Film Collective, Rupert Cox, Nicolas Defosse, Etienne De France, Sophie Gergaud, John Gianvito, David Harper, Aurelie Journee-Duez, Blackhouse Lowe, Caroline San Martin, Laura Langa Martinez, Isael Maxakali, Sueli Maxakali, Dan Taulapapa Mcmullin, Chie Mikami, Francisco Vazquez Mota, Omar Moujane, Marie Pierre-Bouthier, Perrine Poupin, Ariel Arango Prada, Beatriz Rodovalho, Roberto Romero, Jonathan Sims, Mercedes Vicente, Jamahke Welsh Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New.