Larry Poons, First Edition (7 results)

First Edition. First edition. Oblong softcover. [32 pages.] Exhibition catalog. Features text by Kenworth Moffett. Includes numerous color and black and white illustrations, a chronology by Paul Jimerson, list of previous exhibitions, list of public collections, bibliography, and a checklist. A clean near fine copy in stapled wrappers.

Hardcover. Condition: Fine. 1st Edition. Glossy boards without dust jacket as issued. Book.

Paperback. Condition: VG. Oblong staple-bound wraps, 64 pages. Quarterly periodical published by the great Judith Aminoff covering the scene mostly below Canal Street. Very Good condition all around. Page 25 features two poems by this bookseller, which he can't rally make heads or tails of.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Good. Dusting and discoloration of covers, with concentrated discoloration / sunning of spine. Rubbing of cover edges and corners; 3.5 cm., 3 cm., 3.8 cm., and 3 mm. of soiling to covers. 2 cm. crease to top right corner and light bumping of bottom right corner of recto. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good / Fine. An outstandingly well preserved copy with minimal wear to covers. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

4°, 8 Bll. geheftet, mit zahlreichen s/w und farbigen Abbildungen. Orig.-Karton. Erste Asugabe.- Mit Notizen zu den Arbeiten von Christian Rathke.- Einband minimal berieben. Ansonsten gutes Exemplar.

senza rilegatura. Condition: ottimo. prima edizione. POONS Lawrence "Larry" (Tokyo 1937) New York, Leo Castelli, 1968, 19,7x13,4 cm., typographic invitation card, published in occasion of the exhibition (New York, Leo Castelli 4 E 77, November 2-23, 1968). Exemplar mailed.