Lassnig Maria (224 results)

Hardback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover without dustjacket, 80 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: As New. Unread book in perfect condition.

Condition: New.

First Edition. First edition and first printing. Hardcover. 79 pages. Exhibition catalog for a show that ran April 22 through May 30, 2020. Features an essay by Lauren O'Neill-Butler. Includes numerous color illustrations and a biography. A very near fine copy in illustrated boards. No dust jacket as issued.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Hardcover without dustjacket, 80 pages, very good condition, except spine slightly slanted; no internal marks. Foreign shipping may be extra.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Exhibition invite that unfolds, 5 x 7 inches; very good condition; an unmailed copy.

Cloth. Condition: Fine Condition. Dust Jacket Condition: No Jacket, As Issued. 84 pages illustrations through out. Illustrated boards. Published on the occasion of the exhibition from the Petzel Gallery, New York NY November 4 - December 17, 2021. Book.

Softcover, 176 pages; in English, Italian and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: New in torn shrinkwrap. Color-illustrated wraps with white lettering. 176 pp. Mainly color illustrations. BODY CHECK presents two illustrious artists of the late 20th century who, in an era dominated by abstract painting and nascent political correctness, ventured to spotlight in their artistic work the human body, primarily their own. In their depictions, they stage both the female and male body in a grotesque manner, theatrically dramatizing the torso as well as the limbs, head, eyes, hands, and feet. Maria Lassnig (1919-2014) articulated this humorous grotesque discourse across the decades as an artistic means of expression fraught with self-irony and also as a feminist weapon. The self is presented as torso, as animal, with prostheses, or in a permanent state of organic metamorphosis. Martin Kippenberger's (1953-1997) paintings, sculptures, and drawings are pervaded by an enigmatic spirit of the grotesque, in which comical touches and dark humor evoke the painful, even tragic experience of a world where no one is prepared to help anyone else. The self, one's own body, is allegorically caught up in, or fragmented by, artifacts and linguistic constructs. Salvation is a utopia. Lassnig and Kippenberger never met, even though Kippenberger, a native of the Rhineland, made his home in his latter years in the southern part of the Austrian province of Burgenland, not far from Lassnig's home in the province of Carinthia. The kinship between the two artists' choice of motifs is thus all the more striking. Kippenberger most probably saw exhibitions of Lassnig's work (Kunstmuseum Düsseldorf, 1985), and vice versa, after his early death and the growing awareness of his oeuvre, his Austrian colleague evidently studied it closely. In BODY CHECK, body images by the two exceptional artists spanning two decades are now brought together. The exhibition and the book shed new light on the work of both artists while also revealing the entrenched gender-specific roles in international art at the end of the twentieth century. --Publisher's website.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Brand New. 249 pages. 10.00x8.50x1.00 inches. In Stock.

Softcover, 296 pages; in English and German, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. Square quarto, 131pp, color reproductions, numerous essays by different authors, in publisher's pictorial wrappers (minor wear and dusting, very good).

Condition: New.

Condition: New.

Softcover, 64 pages, in English, Dutch and German, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 171 pages. Text in German with contributions by Wolfgang Drechsler, Peter Gorsen, Peter Weibel, Armin Wildermuth, and Lassnig. Includes numerous color and black and white illustrations. A near fine copy in wrappers.

Buch. Condition: Neu. Neuware -Neue Forschungsergebnisse und Perspektiven zum filmischen Werk einer der wichtigsten Malerinnen des 20. Jahrhunderts.Der Katalog bietet neue Erkenntnisse zu Lassnigs Engagement in der experimentellen Film- und Feminismus-Szene des New York der 1970er Jahre, zur Animation als Mittel der Komödie sowie zur amerikanischen Kultur und den US-Massenmedien. Neben einem wissenschaftlichen Aufsatz über Lassnigs Animationsfilme enthält er einen Beitrag der Schriftstellerin, Dichterin und Essayistin Melissa Broder, einen Nachdruck von Nora Ephrons Artikel 'Makeover: The Short, Unglamorous Saga of a New Glamorous Me' aus dem Jahr 1968 sowie zwei Essays, die Lassnig in den 1970er Jahren verfasst hat.Ed.: Ashton Cooper. Text: Ashton Cooper, Nora Ephron, Maria Lassnig. 192 pp. Englisch.…

Buch. Condition: Neu. Neuware -Neue Forschungsergebnisse und Perspektiven zum filmischen Werk einer der wichtigsten Malerinnen des 20. Jahrhunderts.Der Katalog bietet neue Erkenntnisse zu Lassnigs Engagement in der experimentellen Film- und Feminismus-Szene des New York der 1970er Jahre, zur Animation als Mittel der Komödie sowie zur amerikanischen Kultur und den US-Massenmedien. Neben einem wissenschaftlichen Aufsatz über Lassnigs Animationsfilme enthält er einen Beitrag der Schriftstellerin, Dichterin und Essayistin Melissa Broder, einen Nachdruck von Nora Ephrons Artikel 'Makeover: The Short, Unglamorous Saga of a New Glamorous Me' aus dem Jahr 1968 sowie zwei Essays, die Lassnig in den 1970er Jahren verfasst hat.Ed.: Ashton Cooper. Text: Ashton Cooper, Nora Ephron, Maria Lassnig. 192 pp. Englisch.…

Condition: New.

Condition: As New. Unread book in perfect condition.