Lawrence Archbold (39 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Good. No Jacket. 2nd Edition. University of Rochester Press, Second Edition 1997. Hardcover; xiii, 323 Pages, illustrated in black & white. Ex-art museum library book (stamped "Withdrawn" inside front cover.) Has a couple of labels / stamps. A reference book that never circulated. Black cloth binding; spine titles stamped in silver. No dust jacket.

Soft cover. Condition: Very Good. No marks in text. Not a library book. Ships in a cardboard enclosure. One copy only of this title. Tim's Used Books, open shop in Provincetown, Massachusetts, known for good books at reasonable prices since 1991. shelf B.

Soft cover. Condition: Fine. 2nd Edition. Xiii, 323 Pp. Soft Cover. Fine, No Wear Or Marks.

Condition: New.

Paperback or Softback. Condition: New. French Organ Music from the Revolution to Franck and Widor. Book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith.

Paperback. Condition: New. Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: KIMBERLEY MARSHALL, WILLIAM J. PETERSON, BENJAMIN VAN WYE, CRAIG CRAMER, JESSE E. ESCHBACH, KAREN HASTINGS-DEANS, MARIE-LOUISE JAQUET-LANGLAIS, DANIEL ROTH, EDWARD ZIMMERMAN, LAWRENCE ARCHBOLD, ROLLIN SMITH The music of Cesar Franck and other distinguished composers - Boely, Guilmant, Widor - and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of organ technique and performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New.

Condition: New. Features essays by scholars and organists that examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Editor(s): Archbold, Lawrence; Peterson, William J. Series: Eastman Studies in Music. Num Pages: 340 pages, 1, black & white illustrations. BIC Classification: 1D; 3JH; AVA; AVGC; AVRG. Category: (P) Professional & Vocational. Dimension: 181 x 232 x 20. Weight in Grams: 522. . 1995. Paperback. . . . .

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Features essays by scholars and organists that examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Editor(s): Archbold, Lawrence; Peterson, William J. Series: Eastman Studies in Music. Num Pages: 340 pages, 1, black & white illustrations. BIC Classification: 1D; 3JH; AVA; AVGC; AVRG. Category: (P) Professional & Vocational. Dimension: 181 x 232 x 20. Weight in Grams: 522. . 1995. Paperback. . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: New.

Paperback. Condition: Brand New. 323 pages. 8.75x6.25x0.80 inches. In Stock.

Condition: NEW.

Paperback. Condition: New. Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith.

Condition: New. Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-prac.

hardcover. Condition: Very Good. Very good condition. Text looks free of notations/underlining. Tight spine.

Paperback. Condition: new. Paperback. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: KIMBERLEY MARSHALL, WILLIAM J. PETERSON, BENJAMIN VAN WYE, CRAIG CRAMER, JESSE E. ESCHBACH, KAREN HASTINGS-DEANS, MARIE-LOUISE JAQUET-LANGLAIS, DANIEL ROTH, EDWARD ZIMMERMAN, LAWRENCE ARCHBOLD, ROLLIN SMITH The music of Cesar Franck and other distinguished composers - Boely, Guilmant, Widor - and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of organ technique and performance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: New. Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith.