Lazar Meyer (9 results)

En Feuilles. Condition: Très bon. Meyer Lazar (illustrator). Édition illustrée. Sl [Paris], Atelier des Blancs Manteaux, sd [1974]. 53 x 34,5cm, in-folio, 5 ff. n. ch. (présentation par Henry Bulawko, puis texte en français et en hébreux) et 25 eaux-fortes hors texte pour certaines en couleurs, en feuilles sous coffret de l'éditeur de pleine toile bleue. Tirage unique à 120 exemplaires sur vélin d'Arches, celui-ci n°90 signé par l'artiste et enrichi de QUATRE DESSINS ORIGINAUX signés de Meyer Lazar : le premier à la mine plomb sur le premier contreplat, daté 1979, le deuxième à l'encre sur une nappe de restaurant pliée en deux (1984), le troisième à l'encre sur une feuille de papier in-16 (1990) et le dernier à l'encre au revers d'une photocopie de quatre portraits photographiques de l'artiste in-4 (1991). Coffret un peu défraichi, trace d'adhésif au revers d'une gravure. (Inconnu de Monod). Signé par l'illustrateur.

Vintage oversize borderless reference photograph from the set of the 1970 film, showing actresses Erica Gavin and an uncredited model, with cinematographer Fred J. Koenekamp behind the camera at the far left. With the film's French 1975 release title, "Orgissimo" at the bottom right. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 12 x 9.5 inches. Near Fine, with light wear to the corners. Criterion Collection 836.

Vintage reference photograph from the 1970 film, showing actors Cynthia Myers and Erica Gavin. Dealer label adhered to the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Criterion Collection 836.

Vintage studio still photograph from the 1975 film, showing actress Uschi Digard. From the archive of film historian and author Joel Finler. After his wife is murdered, a gas station attendant at a remote desert station finds himself sexually pursued by several different (but equally buxom) women. Shot on location in New Mexico, Arizona, and California. 10 x 8 inches. Near Fine.

Vintage oversize borderless reference photograph from the 1970 film, showing a near-nude Edy Williams. With the stamp of still photographer Willy Rizzo on the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 12 inches. Near Fine. Criterion Collection 836.

Five vintage borderless reference photographs from the 1970 film. Four with printed mimeo snipes affixed to the versos. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 9.5 x 7 inches. Near Fine. Criterion Collection 836.

Six vintage reference photographs from the 1970 film. One with a mimeo snipe on the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Very Good plus. Criterion Collection 836.

Three vintage reference photographs taken on the set of the 1970 film, two showing director Russ Meyer with actress Phyllis Davis between takes, and one showing Meyer directing Dolly Read and Michael Blodgett. One photograph with a printed mimeo snipe affixed to the verso, and all three photographs with library stamps and provenance labels on the versos. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 10 inches. Near Fine. Criterion Collection 836.

Stuttgart, Meyer & Zeller s Verlag (Friedrich Vogel), 1874, 8°, VI, 184 S., mit 38 Holzschnitten, Halbleinwaneinband der Zeit *Beigebunden: Heinrich Obersteiner: Der Hypnotismus, 1885. 46 S. + Hellenbach, Lazar von: Mr. Slade's Aufenthalt in Wien. Ein offener Brief an meine Freunde. 1878. 44 S. + Ist Hansen ein Schwindler? Studie über den animalischen Magnetismus, 1880, 38 S. + Die neuesten Kundgebungen einer intelligiblen Welt, 1881. 68 S. + Metaphysik der Liebe, 1875, 137 S.