Leon a Arkus (14 results)

Soft cover. Condition: Near Fine. No Jacket. 8.5 by 10 inch gallery publication in color photographic Chillida sculpture wraps has minor wear to edges, tight, bright, and unmarked. Color photos throughout, and a few black and white.

Soft cover. Condition: Very Good. Eight, full page, color illustrations. Small and a few full page b/w illustrations. List of 617 items that were in the exhibition. The inscription is by James B. Austin. The cover has light shelf wear soiling and has two stains, 1/4 in. and 3/8 in. Scans e-mailed upon request. Inscribed (to name) and signed.

Paperback. Condition: Very Good. A trade paperback in excellent condition, clean with a tight binding and an unmarked text.From a private smoke free collection.Shipping within 24 hours, with a tracking number and delivery confirmation.

Softcover. Condition: Very Good-. Dust Jacket Condition: No Dust Jacket. Front cover has foxing to the spine edge, trace of foxing along the outer edge. ; 144 pages.

Soft cover. Condition: Near Fine. First Edition. 126 pp, preface, Catalogue of Color and B&W Prints: Religious Prints; Primitive Prints; Ukiyo-E Prints; Foreigner and Meiji Prints; Twentieth Century Prints. First Edition, 1976. Inscribed by the Austine on the Title Page. Two small soiled spots on front wrapper with only the slightest edge wear, else, Pristine. Clean, tight and strong binding with no underlining, highlighting or marginalia. Color illustrated wrappers. Size: 4to. Book.

Paperback. Condition: Very Good. B/w (illustrator). 1st. First Edition, First Printing; 126 clean, unmarked pages.this is a catalog from an exhibition held in 1976 & 1977 at the Carnegie Institute Museum of Art in Pittsburgh.

Wraps. Condition: Good. Oblong 8vo, 60 pp., color plates. Wrappers rubbed and worn at edges and corners with minor soiling at rear, previous owner ink stamp, gift inscription and blind stamp, otherwise unmarked.

Soft cover. Condition: New. 1st Edition. New copy in shrink wrap. Shrink wrap slightly torn but still mostly in-tact. BP/Weaving.

Paperback. Condition: Near Fine. 1st. 60 pages, colour illustrations; 22 x 26 cm. Exhibition held October 25 to December 20, 1986, at the Tasende Gallery, La Jolla, California. Near fine. Firm binding, clean inside copy. Age toning. Size: Oblong. Collectible.

Wraps. Condition: Very Good. 4to, 258 pp., color & b/w plates, b/w illus. Wrappers lightly soiled, creased and handled; interior Fine. Text in English.

Very Good Condition. Minor scruffs on cover and corner. Please see photos for visual details. Eight Hundred Years of Japanese Printmaking by the Carnegie Museum of Art is an exhibition publication surveying the long and influential history of Japanese printmaking. The book explores the evolution of Japanese print traditions across centuries, from early religious and narrative prints to the celebrated ukiyo-e masters and modern developments in print art. Featuring reproductions of notable works, the volume highlights artistic techniques, cultural themes, and the enduring impact of Japanese prints on global art history.

Softcover. White & illus. stapled wraps, 40 pp., BW illus. Issued in conjunction with a 1985 exhibition of artwork depicting or originating in Pittsburgh, from 1910-1984. With an introduction by Leon A. Arkus. The annotated catalogue addresses 79 pieces, and many are pictured here. A terrific gift for any art lover from Da Burgh. VG (White covers have slight soil marks, otherwise clean.).

Soft cover. Condition: Very Good. First American Edition. One of 100 Copies signed in pencil by Alechinsky, Book, cover and text in very good condition, binding tight and square small wear on bottom spine extreme, text clean and unmarked name of PO on 1/2 title page, Signature confirmation inlaid. Signed by Author(s).

Arkus, Leon A. (Hrsg.). Eight Hundred Years of Japanese Printmaking. From the Collection of Dr. and Mrs. James B. Austin. Pittsburgh. 1976. 126, [2] S. Mit zahlreichen, teils farbigen, teils ganzseitigen Abbildungen. 4°. Illustrierte OKartonbroschur. minimale Stauchspur im Block, kaum angestaubt. dieses ungewöhnlichen Kataloges zu einer Ausstellung im Museum of Art, dem Carnegie Institute, im amerikanischen Pittsburg vom 22. Oktober 1976 bis 2. Januar 1977, in der erstmals die Gesamtperiode der japanischen Graphik dargestellt wird, nicht nur die berühmte Ukiyo-e Zeit der Edo-Periode. Die jüngsten Objekte datieren ins 20. Jahrhundert - und sind von größter Kraft und Reinheit. Geringe Gebrauchsspuren. Aus der bedeutenden Graphik-Bibliothek Salamon, mit deren gestempelten Exlibris.