Language: English
Published by Univ of California Pr (edition First Edition), 1975
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: BooksRun, Philadelphia, PA, U.S.A.
First Edition
Hardcover. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Language: English
Published by Univ of California Pr, 1975
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: Solr Books, Lincolnwood, IL, U.S.A.
Condition: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.
Language: English
Published by Univ of California Press, 1975
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: Singing Saw Books, Portland, OR, U.S.A.
Paperback. Condition: Very Good. Paperback. Nice shape overall.
Language: English
Published by Univ of California Pr, 1975
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: My Dead Aunt's Books, Hyattsville, MD, U.S.A.
hardcover. Condition: Good. Dust Jacket Condition: Good. Clean, unmarked pages with light foxing on the page edges. The cover has some very light wear and bumping to the corners and edges. The dust jacket has some wear, bumping, small tears, and rubbing.
Soft cover. Condition: Fair. No Jacket. Kuleshov on Film: Writings by Lev Kuleshov, Lev Vladimirovich Kuleshov, UC Press, 1974, 226p, trade pb, covers bumped/scuffed, minor underlining/marginalia on about 2 dozen pages in the text, binding solid---19.00.
Language: English
Published by Univ of California Pr, 1974
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: George Hellon, BATH, United Kingdom
Paperback. Previous owner name. Good copy.
Language: English
Published by Univ of California Pr, 1975
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: Pink Casa Antiques, Frankfort, KY, U.S.A.
Hardcover. Condition: Very Good. hardcover with dust jacket, tight, pages clear and bright, shelf and edge wear, corners bumped, a m stamp on bottom closed page edges, packaged in cardboard box for shipment, tracking on U.S. orders.
Language: English
Published by Univ of California Pr, 1975
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: Front Range Books, LLC, Windsor, CO, U.S.A.
Hardcover. Condition: Fine. **WILL SHIP WITHIN 24-48 HOURS WITH TRACKING**.
Language: English
Published by University of California Press, 1974
ISBN 10: 0520026594 ISBN 13: 9780520026599
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Add to basketCondition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0520026594.
Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
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Condition: New.
Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
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Condition: As New. Unread book in perfect condition.
trade paperback. Condition: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood trade paprback; slight crease to cover/spine; tips bumped; edges tanning; 226 pages; 8vo; some ink underlioning on a few pages; prompt shipping with tracking.
Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
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Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
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Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
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Add to basketCondition: As New. Unread book in perfect condition.
Language: English
Published by Univ of California Pr, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
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Add to basketPaperback. Condition: Brand New. reprint edition. 226 pages. 8.25x5.50x0.75 inches. In Stock.
Language: English
Published by Univ of California Pr, 1975
ISBN 10: 0520026594 ISBN 13: 9780520026599
Seller: J. Mercurio Books, Maps, & Prints IOBA, Garrison, NY, U.S.A.
Association Member: IOBA
First Edition
Soft cover. Condition: Fine. 1st Edition.
Language: English
Published by UNIVERSITY OF CALIFORNIA PRESS, 1974
ISBN 10: 0520026594 ISBN 13: 9780520026599
Couverture rigide. Condition: bon. RO40054932: 1974. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 226 pages. En anglais. Etiquettes et annotations sur la page de garde. Etiquettes au dos et sur le second plat. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.
Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
Seller: moluna, Greven, Germany
Condition: New.
Language: English
Published by University Of California Press Jun 2018, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware.
Language: English
Published by Univ of California Pr, 2024
ISBN 10: 0520414691 ISBN 13: 9780520414693
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketHardcover. Condition: Brand New. 238 pages. 8.25x5.50x0.60 inches. In Stock.
Language: English
Published by University Of California Press Jun 2024, 2024
ISBN 10: 0520414691 ISBN 13: 9780520414693
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the 'montage' school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage--the assemblage and alternation of shots--was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the 'Kuleshov effect' that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also 'synthesized' a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances.
Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
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PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Language: English
Published by University of California Press, US, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage-the assemblage and alternation of shots-was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Language: English
Published by University of California Press, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Language: English
Published by University of California Press, US, 2018
ISBN 10: 0520302281 ISBN 13: 9780520302280
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage-the assemblage and alternation of shots-was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.