Levaco Ronald (26 results)
- Hardcover
Seller: Solr Books, Lincolnwood, IL, U.S.A.Solr Books
Contact seller5-star sellerCondition: Used - Good
US$ 12.98
US$ 7.98 shippingShips within U.S.A.Quantity: 1 available
Condition: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.
- Softcover
Seller: Singing Saw Books, Portland, OR, U.S.A.Singing Saw Books
Contact seller5-star sellerCondition: Used - Very good
US$ 18.00
US$ 5.00 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: Very Good. Paperback. Nice shape overall.
- Hardcover
Seller: My Dead Aunt's Books, Hyattsville, MD, U.S.A.My Dead Aunt's Books
Contact seller5-star sellerCondition: Used - Good
US$ 18.00
US$ 5.50 shippingShips within U.S.A.Quantity: 1 available
hardcover. Condition: Good. Dust Jacket Condition: Good. Clean, unmarked pages with light foxing on the page edges. The cover has some very light wear and bumping to the corners and edges. The dust jacket has some wear, bumping, small tears, and rubbing.
- Softcover
Seller: TotalitarianMedia, Los Angeles, CA, U.S.A.TotalitarianMedia
Contact seller4-star sellerCondition: Used - Fair
US$ 19.00
US$ 6.00 shippingShips within U.S.A.Quantity: 1 available
Soft cover. Condition: Fair. No Jacket. Kuleshov on Film: Writings by Lev Kuleshov, Lev Vladimirovich Kuleshov, UC Press, 1974, 226p, trade pb, covers bumped/scuffed, minor underlining/marginalia on about 2 dozen pages in the text, binding solid---19.00.
- Softcover
Seller: George Hellon, BATH, United KingdomGeorge Hellon
Contact seller4-star sellerCondition: Used - Good
US$ 20.55
US$ 5.45 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Good. Paperback. Previous owner name. Good copy.
Language: English
Published by University of California Press, Berkeley, Los Angeles, London 1974
- Hardcover
Seller: Xochi's Bookstore & Gallery, truth or consequences, NM, U.S.A.Xochi's Bookstore & Gallery
Contact seller2-star sellerCondition: Used - Very good
US$ 24.00
US$ 5.00 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. 226pp.incl.index; HB turquoise w/gilt; some rub w/some sun on edges; clean,tight pgs. DJ white&blk.; rubbed w/chips&tears. Essays on both the theoretical and practical sides of filmmaking.
- Hardcover
Seller: Pink Casa Antiques, Frankfort, KY, U.S.A.Pink Casa Antiques
Contact seller5-star sellerCondition: Used - Very good
US$ 30.91
US$ 4.99 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. hardcover with dust jacket, tight, pages clear and bright, shelf and edge wear, corners bumped, a m stamp on bottom closed page edges, packaged in cardboard box for shipment, tracking on U.S. orders.
- Softcover
Seller: WeBuyBooks, Rossendale, LANCS, United KingdomWeBuyBooks
Contact seller5-star sellerCondition: Used - Very good
US$ 31.24
US$ 7.79 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Hardcover
Seller: Front Range Books, LLC, Windsor, CO, U.S.A.Front Range Books, LLC
Contact seller5-star sellerCondition: Used - Fine
US$ 31.97
US$ 6.25 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. **WILL SHIP WITHIN 24-48 HOURS WITH TRACKING**.
- Hardcover
Seller: Anybook.com, Lincoln, United KingdomAnybook.com
Contact seller5-star sellerCondition: Used - Good
US$ 21.93
US$ 18.09 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0520026594.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: New
US$ 46.90
US$ 2.64 shippingShips within U.S.A.Quantity: 2 available
Condition: New.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
US$ 47.26
US$ 2.64 shippingShips within U.S.A.Quantity: 2 available
Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
Contact seller5-star sellerCondition: New
US$ 48.21
US$ 15.93 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New. In.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
US$ 48.20
US$ 19.95 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Condition: New.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
US$ 52.42
US$ 19.95 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 72.64
US$ 13.30 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Paperback. Condition: Brand New. reprint edition. 226 pages. 8.25x5.50x0.75 inches. In Stock.
- Softcover
- First Edition
Seller: J. Mercurio Books, Maps, & Prints IOBA, Garrison, NY, U.S.A.J. Mercurio Books, Maps, & Prints IOBA
Contact seller5-star sellerCondition: Used - Fine
US$ 80.00
US$ 7.00 shippingShips within U.S.A.Quantity: 1 available
Soft cover. Condition: Fine. 1st Edition.
- Hardcover
Seller: Le-Livre, SABLONS, , FranceLe-Livre
Contact seller5-star sellerCondition: Used - Near fine
US$ 42.42
US$ 48.33 shippingShips from France to U.S.A.Quantity: 1 available
Couverture rigide. Condition: bon. RO40054932: 1974. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 226 pages. En anglais. Etiquettes et annotations sur la page de garde. Etiquettes au dos et sur le second plat. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.
- Softcover
Seller: moluna, Greven, , Germanymoluna
Contact seller5-star sellerCondition: New
US$ 57.64
US$ 56.37 shippingShips from Germany to U.S.A.Quantity: Over 20 available
Condition: New.
Language: English
Published by University Of California Press Jun 2018 2018
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
US$ 69.57
US$ 70.82 shippingShips from Germany to U.S.A.Quantity: 1 available
Taschenbuch. Condition: Neu. Neuware.
- Hardcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 169.02
US$ 13.30 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Hardcover. Condition: Brand New. 238 pages. 8.25x5.50x0.60 inches. In Stock.
Language: English
Published by University Of California Press Jun 2024 2024
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
US$ 185.91
US$ 71.65 shippingShips from Germany to U.S.A.Quantity: 2 available
Buch. Condition: Neu. Neuware - Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the 'montage' school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage--the assemblage and alternation of shots--was the very essence and structure… of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the 'Kuleshov effect' that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also 'synthesized' a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances.
- Softcover
- Print on Demand
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
Contact seller5-star sellerCondition: New
US$ 49.55
Free ShippingShips within U.S.A.Quantity: Over 20 available
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
- Print on Demand
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contact seller5-star sellerCondition: New
US$ 51.45
Free ShippingShips within U.S.A.Quantity: Over 20 available
Paperback. Condition: New. Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage-the assemblage and alternation of shots-was the very essence and structure of cin…ematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
- Softcover
- Print on Demand
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
US$ 48.57
US$ 5.53 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
- Print on Demand
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
US$ 55.25
US$ 50.00 shippingShips within U.S.A.Quantity: Over 20 available
Paperback. Condition: New. Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage-the assemblage and alternation of shots-was the very essence and structure of cin…ematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
