Lichtenstein Peter (124 results)

423 pp.; 23.4 x 15.7 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Compendium of critical theory texts on beauty, edited by Bill Beckley with David Shapiro. Texts by John Ashbery, Louise Bourgeois, Hubert Damisch, Arthur C. Danto, Max Fierst, David Freedberg, Jeremy Gilbert-Rolfe, John Hejduk, Dave Hickey, James Hillman, Kenneth Koch, Julia Kristeva, Donald Kuspit, Jacqueline Lichtenstein, Ariane Lopez-Huici, Agnes Martin, Thomas McEvilley, Robert C. Morgan, Frank O'Hara, Carter Ratcliff, William Rubin, Meyer Schapiro, Peter Schjeldahl, David Shapiro, Robert Farris Thompson, Kirk Varnedoe, Marjorie Welish, and John Yau. Includes contributors biographies and an index. Fine. Dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.…

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.…

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: As New. ***Please Read*** Nice clean book (see pictures) - 206 pages - my shelf location -41-e-29.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781138911550.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781138911550.

Paperback. Condition: Very Good. No marks. Minimal use or wear.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Text in English and German. Since the 1950s Stefan Polónyi has realised a large number of buildings of all kinds from his Cologne office, working with famous architects all over the world. In his view, load-bearing structure, form and function have to form an indissoluble entity, and thus create an aesthetic appearance: beauty feeds on structural consistency. Very few civil engineers have made claims of this kind. Architects who have worked with Polónyi see this ambitious claim as something that has enriched their own design process. First of all Polónyi, working with Josef Lehmbrock and Fritz Schaller, developed bold folded structures and shells for church buildings, and this at a time before statical calculations were not done by computer, but a lot of things still had to be tried out in model form. Polónyi co-operated closely with Oswald Mathias Ungers on the Galleria for the Frankfurter Messe, among other projects. He made the flying roof for Axel Schultes' Kunstmuseum Bonn possible, supported by a row of irregularly placed columns, and also the undulating metal ceiling in the auditorium of Rem Koolhaas' Nederlands Dans Theater and the umbrella-like roofing for the approach tracks in Cologne's main station. Polónyi's bridges, built from the 1990s in the Ruhr District, have become landmarks in the meantime with their red curved tubes as a structural and aesthetic element. Today he creates his bridges as buildings over the river, so-called Living Bridges. Polónyi's wide range of professional experience had a considerable bearing on his teaching at Berlin and Dortmund Technical Universities. Working with architects Harald Deilmann and Josef Paul Kleihues, Polónyi established the "Dortmund Model for the Building Sciences". It provides joint training for architects and civil engineers in a single faculty. The present book is appearing to accompany the exhibition of the same name in the "Dortmunder U". The essays address specific aspects of Polónyi's work. So Karl-Eugen Kurrer and Ulrich Pfammatter look at the development of structural analysis and the resultant distinction drawn between the professional territories of the civil engineer and the architect. Patrik Schumacher, partner in Zaha Hadid's practice, represents a current position in terms of co-operation between the two disciplines. Katrin Lichtenstein's account of the Dortmund Model and Atilla Ötes' view of the current study situation consider the effect on training and teaching. Sonja Hnilica analyses the folding systems and shells in the church projects, and Polónyi presents his bridges, including the designs for the Living Bridges.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: New.

Condition: New. pp. 226.

Condition: New.

Paperback. Condition: New. Peter M. Lichtenstein believes that any social-economic theory of capitalism must begin with a theory of value and price. Dismissing the neoclassical school, he turns to post-Keynesian and Marxian economics with their coherent and consistent theories of value and price based on concrete objective circumstances. The development of these theories in the author's aim because he believes that this approach comes much closer than neoclassical theory to capturing the essence of a capitalism economy. This book, first published in 1983, is addressed to economics students, especially to those studying microeconomics or the history of economic thought, and to economists seeking an overview of these issues.…

Condition: New.

Condition: New. pp. 226.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: New.

Condition: New. pp. 226.

Condition: New. In English.

Condition: New.

Paperback. Condition: Brand New. 112 pages. 9.00x6.00x0.26 inches. This item is printed on demand.

Hardback. Condition: New. As a Western economist studying and working abroad, Peter M. Lichtenstein witnessed first-hand China's tumultuous cycle of reform and retrenchment in the 1980s. From the early euphoric stage to the last and most brutal episode, Lichtenstein's book describes and explains the economics behind this cycle and ties together the economic, political, and cultural aspects of the reform era. The book also chronicles the achievements, problems, events and political controversies that led up to the Tiananmen Square debacle and the subsequent retrenchment away from the broad goals of reform.Organized chronologically, this work begins by detailing the reasons for the economic reform movement upon the death of Mao in 1976. In the mid-1980s those reforms began to encounter serious difficulties--Lichtenstein explains what these difficulties were and why they arose. He also describes how, in the summer of 1988, the conservative hardliners were able to regain political power from the reformers, setting the stage for what would happen eight months later in Tiananmen Square. Following this is an analysis of the development of the basic positions of the Chinese left and right, and Lichtenstein's first-hand observations of the retrenchment following Tiananmen. Concluding with a retrospective look at the reforms and retrenchment, this work will be of interest to professors and students of political science, international relations, economics, contemporary Asian history, and China in particular. It will also appeal to the intelligent layperson with an interest in current affairs.…