Limbrick Peter (48 results)

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Near Fine. Book is in excellent condition, clean and sharp; like new.

Softcover. Condition: Very Good. First Edition. Very Good paperback lightly bumped at the corners. 198 pages, unmarked. Shane Vogel, Michael DeAngelis, Melissa Bradshaw, Bradley Rogers, Hiram Perez, Harry M. Benshoff, Marc Siegal, Joe Wlodarz, Andrea Fontenot, Lisa Henderson, Lucas Hilderbrand, Peter Limbrick, Lorrie Palmer; X7X; 8vo 8" - 9" tall; 198 pages. …

Condition: New.

Paperback. Condition: New. Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or "Arab Renaissance" of the nineteenth and early twentieth century-when Arab writers and artists reenergized Arab culture by engaging with other languages and societies-Peter Limbrick argues that Smihi's films take up the spirit of the Nahda for a new age. Examining Smihi's oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or "Arab Renaissance" of the nineteenth and early twentieth century-when Arab writers and artists reenergized Arab culture by engaging with other languages and societies-Peter Limbrick argues that Smihi's films take up the spirit of the Nahda for a new age. Examining Smihi's oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.…

Condition: New. 2020. Paperback. . . . . .

Paperback. Condition: new. Paperback. Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or Arab Renaissance of the nineteenth and early twentieth centurywhen Arab writers and artists reenergized Arab culture by engaging with other languages and societiesPeter Limbrick argues that Smihis films take up the spirit of the Nahda for a new age. Examining Smihis oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. pp. 274.

Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New. In English.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: New.

Condition: New. pp. 274.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 286 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: New.

Condition: New. Through a shrewd analysis of the historical experience of imperialism and settler colonialism, Limbrick draws new conclusions about their effect on cinematic production, distribution, reception and filmic discourse. Num Pages: 287 pages, biography. BIC Classification: APF; HBTB; JFD. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2010. 1st ed. 2010. Paperback. . . . . …

Condition: New. pp. 288.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or "Arab Renaissance" of the nineteenth and early twentieth century-when Arab writers and artists reenergized Arab culture by engaging with other languages and societies-Peter Limbrick argues that Smihi's films take up the spirit of the Nahda for a new age. Examining Smihi's oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.…

Hardcover. Condition: Brand New. 272 pages. 8.25x5.75x1.00 inches. In Stock.

Condition: New. Through a shrewd analysis of the historical experience of imperialism and settler colonialism, Limbrick draws new conclusions about their effect on cinematic production, distribution, reception and filmic discourse. Num Pages: 287 pages, biography. BIC Classification: APF; HBTB; JFD. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2010. 1st ed. 2010. Paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Condition: Neu. Neuware - Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or 'Arab Renaissance' of the nineteenth and early twentieth century--when Arab writers and artists reenergized Arab culture by engaging with other languages and societies--Peter Limbrick argues that Smihi's films take up the spirit of the Nahda for a new age. Examining Smihi's oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.…