Lindsay Starr (8 results)

Hardcover. Condition: New. No Jacket. 1st Edition. N/none, 155pp. Color illustrated paper over boards with green and tan colored text on upper and tan text on spine. This is the third volume in the Mr. Barrington's Mysterious Trunk series. No damage to book; binding is tight. Lindsay Starr (illustrator).…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Near Fine dj. First Edition. [a very nice copy, no discernible wear to book; just the teensiest trace of soiling to the rear panel of the dust jacket]. (B&W photographs, facsimiles) In this study, the author "investigates Soderbergh's work on such films as THE LIMEY, ERIC BROCKOVICH, OCEAN'S ELEVEN and its sequels, SOLARIS, THE GOOD GERMAN, CHE, and THE INFORMANT!, as well as on the K STREET television series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. [He] also addresses Soderbergh's role as standard-bearer for U.S. independent cinema following 1989's SEX, LIES AND VIDEOTAPE, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s. Including an extensive new interview with the filmmaker, [the book] demonstrates how industries and institutions cultivate, recognize, and challenge creative screen artists.". Illustrated by (dj design) Lindsay Starr (illustrator).…

Condition: New.

Stated first edition. Hardcover book bound in glazed pictorial boards. 26 cm. 237 pages + index. Contains color and black-and-white illustrations throughout. The book is in near fine condition. No ownership marks/writing present within. Hinges tight, interior pages bright. Light to moderate edge wear/bumping to the cover boards. Scarce.…

Two vintage borderless reference photographs from the 1970 documentary film. Annotations in manuscript ink on the verso. Some have claimed that "Metallica: Some Kind of Monster" (2004) was the first documentary to inadvertently document the deconstruction of a rock band, but Michael Lindsay-Hogg beat them to it by 34 years. "Let It Be," originally conceived as a documentary that would accompany a performance broadcast on television, morphed into a feature film when the broadcast idea was dropped. The director had no idea going into the project how much conflict had developed within the band, and unwittingly wound up putting onto celluloid a picture of what was the most acrimonious and confused time in the band's storied six-year career. A fascinating document that became the fascinating final project to be released by the Beatles. 10 x 8 inches. Near Fine, one photo with a short closed tear at the left edge.…