Lino Mirko (37 results)

Condition: NEW.

Brossura. Condition: new. A cura di Mirko Lino e Luca Zenobi.Sesto San Giovanni, 2026; br., pp. 196, cm 14x22,1.(Dolore/piacere: studi sul BDSM). L'intreccio tra eros e thanatos costituisce una presenza trasversale nelle arti e, nelle sue molteplici declinazioni, esprime un'energia psicologica profonda e arcaica, alla radice delle rappresentazioni della seduzione e dell'erotismo. Amore e annullamento trovano una delle loro espressioni più intense nella raffigurazione dei corpi - in contesti BDSM e, più in generale, in forme testuali che affrontano le questioni della sessualità - concepiti come ricettacoli di dinamiche di potere e del loro rovesciamento. Il volume raccoglie contributi di studiosi provenienti da diverse discipline - cinema, letterature, arti figurative - per indagare le molteplici combinazioni tra sessualità e morte. Dal cinema di genere a quello d'autore e indipendente, passando attraverso correnti e casi letterari, fino ad arrivare alla dimensione sociale delle pornografie, eros e thanatos si configurano come elementi ricorrenti e incisivi nel definire forme culturali, stili poetici e modelli narrativi. Libro.…

Paperback. Condition: New.

In-8°, legatura in brossura editoriale, pp. 52(4).

Condition: NEW.

Paperback. Condition: Brand New. Italian language. 8.43x5.67x0.47 inches. In Stock.

Paperback. Condition: New. Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis, the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies - a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as "memory", "fragmentation", "desire", "genre", "authorship", and "censorship".…

Cartonato. Condition: new. Pescara, 2026; cartonato, pp. 160, ill., cm 29x20,3.(Storia e Antropologia del Territorio). Quando pensiamo ai luoghi del cinema italiano, ci vengono subito in mente la Roma felliniana, la Sicilia del Gattopardo, la Napoli di Gomorra, il nebbioso paesaggio padano di Antonioni. Eppure, accanto a queste geografie cinematografiche consolidate, esistono territori la cui presenza sul grande schermo è stata intensa, ma in modi più sfuggenti. L'Abruzzo è certamente uno di questi. La regione ha ospitato numerose produzioni nel corso di oltre un secolo. Campo Imperatore è diventato il Far West, il Tibet e perfino un pianeta alieno; Rocca Calascio si è trasformata in un castello medievale fantastico. I borghi dell'entroterra hanno fatto da sfondo a commedie, drammi, storie d'amore. Eppure, proprio questa versatilità ha reso l'Abruzzo quasi invisibile: troppo spesso usato come sostituto di altri luoghi, raramente raccontato per quello che è o è stato. Libro.…

Condition: new.

Hardback. Condition: New. Illustrated.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis, the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies - a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as "memory", "fragmentation", "desire", "genre", "authorship", and "censorship".…

Condition: New.

Buch. Condition: Neu. Neuware - This collection aims to renew our perspective on adaptation and intermedial processes by thinking of them in terms of codes rather than media. As a result, the notion of transcodification emerges as a crucial tool in order to study the circulation of semiotic and aesthetic resources across disciplines, knowledge systems, and cultures. Defined as the transfer of meaning-making potential from one semiotic domain to another, transcodification both includes and transcends intermediality, thus dramatically expanding the scope and research potential of adaptation and intermedial studies.The essays collected here apply this framework to an incredibly wide variety of objects and issues, from the relationship between art and historiography to the visual culture of finance, from contemporary approaches to ekphrasis to the hidden labor of screenwriters, from modern surveillance to digital comics, from fansubbing to the reception of the classical world in the digital age, from medieval theater to the role of videogames in the 'war on terror'.By fostering dialogue between radically different disciplines, the book offers a unique approach to the study of semiotic interrelations across the most diverse aspects of human culture.…

Paperback. Condition: New. Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis, the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies - a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as "memory", "fragmentation", "desire", "genre", "authorship", and "censorship".…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New. Massimo Fusillo, SNS Pisa Doriana Legge and Mirko Lino, Univ. Aquila Mattia Petricola, Univ. Padova Gianluigi Rossini, Univ. Teramo This collection aims to.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 391 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Condition: New.

Condition: Very Good.

Buch. Condition: Neu. New Approaches to Transcodification | Literature, Arts, and Media | Massimo Fusillo (u. a.) | Buch | VIII | Englisch | 2025 | De Gruyter | EAN 9783111624051 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Taschenbuch. Condition: Neu. Neuware - Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis, the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies - a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as 'memory', 'fragmentation', 'desire', 'genre', 'authorship', and 'censorship'.…

Paperback. Condition: New. Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis, the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies - a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as "memory", "fragmentation", "desire", "genre", "authorship", and "censorship".…