Lino Rita (15 results)

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2021. Hardcover. . . . . .

Hardcover. Condition: New.

Hardback. Condition: New. 'Replica' suggest a new reading of the body and the model as a pure image, a pure tool, without referring to any representative identity, hereby ignoring today's contemporary society of what the self should be. Lino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be "a machine that needs adjustments. " According to Mortensen the body must be the basis, "representation of personality and emotion [.] are irrelevant and misleading". There is a certain dehumanization in Mortensen's approach to the model, a return of the body to an object without meaning, in front of the camera. Mortensen saw models as clay that form the image, a body was articulated only by the operator's intention. He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject. In Lino's case she is the model, the operator / photographer, the subject and the image at the same time. She is in complete control. She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine. 'Replica' is a manifestation of the artist's understanding of her role in front of and behind the camera. 'Replica' is a prescient of an approaching future in which identity will surrender to the carefree machine of image magnification.…

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 120 pages. French language. 9.45x6.69x0.63 inches. In Stock.

Condition: New. In English.

Condition: NEW.

Buch. Condition: Neu. Neuware - 'Replica' suggest a new reading of the body and the model as a pure image, a pure tool, without referring to any representative identity, hereby ignoring today's contemporary society of what the self should be. Lino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be 'a machine that needs adjustments. ' According to Mortensen the body must be the basis, 'representation of personality and emotion [.] are irrelevant and misleading'. There is a certain dehumanization in Mortensen's approach to the model, a return of the body to an object without meaning, in front of the camera. Mortensen saw models as clay that form the image, a body was articulated only by the operator's intention. He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject. In Lino's case she is the model, the operator / photographer, the subject and the image at the same time. She is in complete control. She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine. 'Replica' is a manifestation of the artist's understanding of her role in front of and behind the camera. 'Replica' is a prescient of an approaching future in which identity will surrender to the carefree machine of image magnification.…

Hardback. Condition: New. New Book, Direct from Publisher.

Condition: New.

Buch. Condition: Neu. Replica | Rita Lino | Buch | Gebunden | Englisch | 2021 | APE | EAN 9789493146792 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardback. Condition: New. 'Replica' suggest a new reading of the body and the model as a pure image, a pure tool, without referring to any representative identity, hereby ignoring today's contemporary society of what the self should be. Lino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be "a machine that needs adjustments. " According to Mortensen the body must be the basis, "representation of personality and emotion [.] are irrelevant and misleading". There is a certain dehumanization in Mortensen's approach to the model, a return of the body to an object without meaning, in front of the camera. Mortensen saw models as clay that form the image, a body was articulated only by the operator's intention. He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject. In Lino's case she is the model, the operator / photographer, the subject and the image at the same time. She is in complete control. She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine. 'Replica' is a manifestation of the artist's understanding of her role in front of and behind the camera. 'Replica' is a prescient of an approaching future in which identity will surrender to the carefree machine of image magnification.…

Hardcover. Condition: Fine. 1st Edition. Bound in pictorial boards (hardcover), 120p, illustrations (some in color), 29 cm. Very good/fine, clean, crisp, no internal marks. First edition of 750 of which 200 with a signed and numbered C-print (#57/100). Signed by Author(s).

Hardcover. Condition: New.