Lintig (21 results)

Broschiert. 48 Seiten, Mit Abbildungen und Anzeigen; --- geringe Gebrauchsspuren Sprache: Deutsch Gewicht in Gramm: 160.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Broschiert. Condition: Gut. 292 S. Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). Sprache: Deutsch Gewicht in Gramm: 360.

Erste Ausgabe. 18 x 28 cm. Erste Auflage, 179 S. Illustrierter Originalkarton, Reich bebildert. leichte Lagerspuren, innen sehr gut.

Condition: Very good.

28x18 cm, 179 S., OKart., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Hardcover. Condition: new. Hardcover. Art of the Cameroon Grasslands unveils the artistic creativity of a region of West Africa through the Weis Collection. With texts by Peter Weis and Bettina von Lintig, and a contribution by Michael Oehrl, the book is a comprehensive overview of Grasslands Art. In contrast to many other African regions, the works of the artists of the ethnic groups that live in the Grasslands are characterised by enormous diversity, dynamism, movement, asymmetry, power, and even unbridled wildness. Other works radiate tranquillity, offering the viewer uncommon visual pleasure and delight. For centuries, kingdoms and rulers in this region competed to create new works of art or perfect inherited styles. These works served cultural, profane, and representational purposes, and they reflected the social and ruling structures of the Grasslands - aspects that the book's essays and descriptions go into in detail. A broad spectrum of objects and their uses are reflected in the Weis Collection. It includes everyday objects, works of folk art, ritual, and cult objects such as magic or commemorative figures, masks, posts, palace doors, representational objects, musical instruments, tobacco pipes, and drinking horns. The introduction presents important aspects of the cultural and artistic development of each object's region of origin, also in the context of European colonization. All are illustrated with numerous field photographs. This is followed by an essay on beaded artworks from the Grasslands, a subject that has been little researched to date. As the Grasslands are embedded in a larger cultural area, objects in the collection from neighbouring ethnic groups are also presented, in many cases shedding light on centuries-old connections and artistic exchanges. AUTHORS: Bettina von Lintig completed her studies at LMU Munich with a doctorate in ethnology specialising in the Cameroon Grasslands. She began to write journalistic texts with an anthropological focus during her college years. As an expert on tribal art, she worked in the trade, archived collections, and curated exhibitions. She was a member of the Bayreuth-based Humanities Collaborative Research Centre's interdisciplinary program Local Action in Africa in the Context of Global Influences, and her research interest focused on modernist and contemporary art movements in Senegal and Paris. She has worked as an independent researcher for many years and has published several books and numerous essays. Peter Weis has been collecting ethnological artifacts, primarily African art, for nearly 40 years. His research focuses on traditional Cameroonian Art. Dr. Weis studied economics and law, and he has worked in industry and as a bank manager in Germany and abroad. He was subsequently appointed full professor of Human Resource Management. Michael Oehrl has been working with tribal carpets of the Baluch people of Persia and Afghanistan as well as the textiles of the Berber peoples in North Africa since the 1980s. Since 2005, Dr. Oehrl's main interest has been in traditional African art, especially glass beadwork, as well as works from South America. Andreas Achmann is a renowned photographer specialising in still life imagery and is also a dedicated collector of African traditional art. His work has been featured in prestigious publications such as Elle and Vogue, and he has worked with international companies like LVMH and Swarovski. Additionally, Achmann has contributed to several art books that showcase his expertise and passion for capturing the beauty of objects and artifacts. 300 colour illustrations This book unveils the artistic creativity of a region of West Africa through the Weis Collection, and is a comprehensive overview of Grasslands Art.In contrast to many other African regions, the works of the artists are characterised by enormous diversity, dynamism, moveme Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: Good. Interior clean, binding tight, light wear to covers and moderate wear to dust jacket, no chips or tears.

Erste Ausgabe. 19 x 27 cm Erste Auflage, 48 S. Farbig illustrierter Originalkarton. Zahlreiche Abbildungen. tadellos.

Erste Ausgabe. 19 x 27 cm. 80 S. Farbig illustrierter Originalkarton. Zahlreiche Abbildungen. Minimale Gebrauchsspuren,.

Condition: bon. Paris, Galerie Dulon, 2006, in-4 cart. (165 pages). Bibliographie. Entièrement illustré. bon.

Erste Ausgabe. 19 x 27 cm Erste Auflage, 75 S. Farbig illustrierter Originalkarton. Zahlreiche Abbildungen. tadellos.

rilegatura. Condition: Very Good. L'édition originale de ce catalogue a été tiré à 150 exemplaires numérotés, sous emboîtage, dont 10 exemplaires numérotés H.C. agrémentés d'une photographie originale de Hughes Dubois sont réservés à la Galerie et à ses collaborateurs (esemplare non numerato, senza cofanetto e senza fotografia allegata). Catalogo della mostra Paris (F), Galerie Bernard Dulon (10 rue Jacques-Callot), 16 juin-30 septembre 2006 e New York (New York, USA), Galerie Friedman & Vallois (27 East, 67 th. street), 20 octobre-30 novembre 2006. Testo in francese/inglese/tedesco. VIII grande/ 176/ cart./ sovraccoperta satinata con grafica in grigio/marrone/n e con illustrazione in b/n al primo piatto (Tambour a fente, Hauts Plateaux Bangwa/ Slit drum, Highland Bangwa). Illustrazioni in b/n e a colori nel testo e f.t. Sguardie in cartoncino ruvido marrone. Photographies: Hughes Dubois; Christol, 1925, documentation Pierre Harter, Raymond Lecoq, Pauleau, Douala Cameroun; Anonyme, documentation Robert Neuburger. Stato buono-ottimo (senza cofanetto editoriale). Sommaire: Les arts du Cameroun/ Arts of Cameroun - Douala et les frontières/ Douala and the borders - Les royaumes du Grasland/ Kingdoms of the Grassfields - Royal Perlé - Kamerun Kunst - Bibliographie. Book.

hardcover. Condition: Sehr gut. 287 Seiten; M25-09-XX-Z-10-VG Sprache: Deutsch Gewicht in Gramm: 4.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 520 | Sprache: Deutsch | Produktart: Bücher | Frankreich war 1998 einer der 44 Signatarstaaten der Washingtoner Erklärung. Die Frage, ob die Republik ihren Verpflichtungen aus dieser Erklärung nachgekommen ist, wird im Rahmen dieser Arbeit unter Auswertung der umfangreichen Fallpraxis näher beleuchtet. Im Unterschied zu anderen Staaten existieren in Frankreich mehrere rechtliche Instrumente und Verfahren zur Restitution von NS-Raubkunst: Neben heute noch geltenden Gesetzen aus der direkten Nachkriegszeit wurden nach 1998 weitere Regelungen - 2023 zuletzt ein Restitutionsgesetz - geschaffen, die erstmals einer systematischen Darstellung und kritischen Analyse unter rechtsvergleichenden Gesichtspunkten unterzogen werden. Dieser Band liefert auf diese Weise auch wichtige Orientierungspunkte für die Restitutionsdebatte in Deutschland und anderen Staaten.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 1224 | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condition: New. 2024 , 400 pp Peter A. Weis Bettina von Lintig With a contribution by Michael Oerhrl Foreword by Karl Ferdinand Schadler Photographs by Andreas Achmann 5 Continents Hard Cover.