Language: English
Published by VDM Verlag Dr. Müller, 2009
ISBN 10: 3639095499 ISBN 13: 9783639095494
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Polish Global Identity | National Gallery of Art Dilemmas at the End of the Twentieth Century | Malgorzata Lisiewicz | Taschenbuch | Englisch | VDM Verlag Dr. Müller | EAN 9783639095494 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
Language: English
Published by Vdm Verlag Dr. Müller, 2009
ISBN 10: 3639095499 ISBN 13: 9783639095494
Seller: Revaluation Books, Exeter, United Kingdom
US$ 186.00
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. 272 pages. 8.66x5.91x0.62 inches. In Stock.
Language: English
Published by VDM Verlag Dr. Müller, 2009
ISBN 10: 3639095499 ISBN 13: 9783639095494
Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Lisiewicz MalgorzataMalgorzata Lisiewicz - art historian. She received her Ph.D. at nthe University of Chicago at the Art History Department. Apart nfrom academic work, she worked as a curator and held the nposition of director of t.
Language: English
Published by VDM Verlag Dr. Müller, 2009
ISBN 10: 3639095499 ISBN 13: 9783639095494
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book is devoted to reflection about the politics of national identity as expressed in Poland in the 1990s by the exhibition program of the Zach ta National Gallery of Art. The intention is to see how the concept of national identity associated with traditional culture was dealt with in the exhibition practice of Gallery Director Anda Rottenberg, who gave Zach ta in the 1990s a preeminently contemporary profile. The goal was to see whether at the end of the 20th century, in times of intense globalization and of the unification of Europe, the notion of national identity can still be operative, in particular for an institution dedicated to the promotion and presentation of contemporary art associated more with negation than affirmation of the notion of national identity. The analyses trace changes that the concept of national identity underwent and describe how its new understanding is reflected in museum practice.